Only recently I watched 'Little Witch Academia' - the short and the movie. Very charming, very reminiscent of 'The Worst Witch', 'Sabrina' and, of course, 'Harry Potter' - nostalgia magic! It intrigued me in a way that other cartoons like 'My Little Pony: Friendship is Magic', 'W.I.T.C.H.' and 'Star vs the Forces of Evil' did not. It's certainly better than 'Sabrina's Secret Life'. I might be curious and see the 'Little Witch Academia' TV series when it comes out, even though I don't watch anime anymore.
P.S. Sucy might be my favourite character.
Tuesday 30 August 2016
Saturday 27 August 2016
Graphic Novel Review - 'JLA: A League of One' by Christopher Moeller
Yet another addition to the collection of 'Wonder Woman' comics I've read, printed way back in 2000.
'JLA: A League of One' is Wonder Woman's story - she is the "One" in the title, out of all the other Justice League team of heroes, manning their own base tower. This is about her status as a hero of truth and compassion being put to the test, vigorously. Here features the basics of her origin - Greek mythology, the island of Themyscira, fantasy elements, her Lasso of Truth. And there be a dragon! A dragon as the villain, who's female and a queen: This is what I read comic books for! Obvious J.R.R. Tolkien influences on display, too.
'A League of One' is a very well-written and drawn story. The art makes each panel look like a painting. No fanservice or cheesecake present in any shape or form, it is glorious. Makes the symbolism in the story more profound.
The characterisation is spot-on: Batman is ever the cynical detective mastermind, Superman is the kind and loyal hero of the people, the Flash is cocky but humble and quick-thinking, Aquaman is the arrogant king of sea creatures, etc. And Wonder Woman is loving, thoughtful, faithful, and strong in personality, and in her convictions and ethics.
Even when she decides to lie to and betray each of her Justice League friends. For their own survival amidst the rise of the upcoming threat of an ancient evil dragon; prophesied at Delphi to bring about the fatal downfall of all of the JLA.
Wonder Woman is the spirit of truth and honesty - her whole life she's been a dedicated warrior of fighting all deception - but she never wavers in her morally-questionable motivations in this comic. She will always set out to do what is right by everyone, and is fearless in her self-sacrifice. She hates what she is certain she must do to protect her friends and earth's mightiest heroes, but certain is what she truthfully is in making the right choice. Feelings have nothing to do with it. Diana kicks arse and saves the world, with the help of a few supernatural beings, including her Greek female nymph friends, along the way. Writer and artist Christopher Moeller does understand Wonder Woman.
Great mythological, fantastical and epic storytelling as well, for a short comic of 112 pages.
The only real thing letting down 'A League of One' is its ending. I feel it to be a bit rushed, and Wonder Woman's constant battle within herself as the spirit of truth and compassion - at odds with what she's facing right in front of her - is solved rather too easily. It's too straightforward, when the rest of the story dealt with Diana's character and challenged her ethics so well and at an even pace. There's a weird and out-of-nowhere thing going on between Wonder Woman and Superman in the last few pages. Never shipped them anyway, so not a fan of that inclusion (which serves as the conclusion to the comic, bizarrely).
'JLA: A League of One' - an enjoyable standalone outing into the world of Wonder Woman, and my first 'Justice League' (of anywhere) comic. Wonder Woman isn't just a feminist icon; she's a superhero in her own right, with a unique origin, and worthy of hundreds of stories told about her, a legend.
Final Score: 4/5
'JLA: A League of One' is Wonder Woman's story - she is the "One" in the title, out of all the other Justice League team of heroes, manning their own base tower. This is about her status as a hero of truth and compassion being put to the test, vigorously. Here features the basics of her origin - Greek mythology, the island of Themyscira, fantasy elements, her Lasso of Truth. And there be a dragon! A dragon as the villain, who's female and a queen: This is what I read comic books for! Obvious J.R.R. Tolkien influences on display, too.
'A League of One' is a very well-written and drawn story. The art makes each panel look like a painting. No fanservice or cheesecake present in any shape or form, it is glorious. Makes the symbolism in the story more profound.
The characterisation is spot-on: Batman is ever the cynical detective mastermind, Superman is the kind and loyal hero of the people, the Flash is cocky but humble and quick-thinking, Aquaman is the arrogant king of sea creatures, etc. And Wonder Woman is loving, thoughtful, faithful, and strong in personality, and in her convictions and ethics.
Even when she decides to lie to and betray each of her Justice League friends. For their own survival amidst the rise of the upcoming threat of an ancient evil dragon; prophesied at Delphi to bring about the fatal downfall of all of the JLA.
Wonder Woman is the spirit of truth and honesty - her whole life she's been a dedicated warrior of fighting all deception - but she never wavers in her morally-questionable motivations in this comic. She will always set out to do what is right by everyone, and is fearless in her self-sacrifice. She hates what she is certain she must do to protect her friends and earth's mightiest heroes, but certain is what she truthfully is in making the right choice. Feelings have nothing to do with it. Diana kicks arse and saves the world, with the help of a few supernatural beings, including her Greek female nymph friends, along the way. Writer and artist Christopher Moeller does understand Wonder Woman.
Great mythological, fantastical and epic storytelling as well, for a short comic of 112 pages.
The only real thing letting down 'A League of One' is its ending. I feel it to be a bit rushed, and Wonder Woman's constant battle within herself as the spirit of truth and compassion - at odds with what she's facing right in front of her - is solved rather too easily. It's too straightforward, when the rest of the story dealt with Diana's character and challenged her ethics so well and at an even pace. There's a weird and out-of-nowhere thing going on between Wonder Woman and Superman in the last few pages. Never shipped them anyway, so not a fan of that inclusion (which serves as the conclusion to the comic, bizarrely).
'JLA: A League of One' - an enjoyable standalone outing into the world of Wonder Woman, and my first 'Justice League' (of anywhere) comic. Wonder Woman isn't just a feminist icon; she's a superhero in her own right, with a unique origin, and worthy of hundreds of stories told about her, a legend.
Final Score: 4/5
Top 10 Favourite Female Superheroes
As well as magic and witches, I also love superheroes. So, here is a quick list of my favourite standout superheroines - from comic books, TV shows, movies and anything else.
10. Huntress (DC)
A dark crimefighter, like a female Batman, who depending on the writer can have a great sense of humour, as well as a killer streak. The daughter of Batman and Catwoman in one universe, Huntress is best known as one of the members of the Birds of Prey, and a close friend of Black Canary. And of Power Girl. She's mainly known as a mafia princess out for revenge for her family's massacre when she was a child. Huntress is violent, stubborn, impulsive, and a fantastic martial artist and pro with the crossbow. I can't help but admire her darkly.
9. Squirrel Girl (Marvel)
A comedic cutie and charmer. Who knew Marvel could have sprouted this hyperactive super girl into existence? Squirrel Girl, aka Doreen Green, got her start as a one-off joke who only recently received a chance at starring in her own comic book series - one she very much deserves. She is like a female version of Deadpool, only far less psychotic and violent. Squirrel Girl is child-friendly without being two-dimensional: Don't mess with her! She is forever an optimist who will strive to do the right thing - the things superheroes would do - and she's a friend to all she meets, including squirrels. She's a colourful, adorable, and upbeat playmate of a hero who single-handedly saves the world and even defeats Marvel's most formidable villains - and that includes Galactus. What a confident lady!
8. Power Girl (DC)
I can't quite pinpoint why I harbour a special connection to Power Girl, aka Karen Starr. She's an underappreciated heroine in the DC universe, who was Superman's Krytonian cousin before Supergirl came onto the scene. Power Girl is a walking enigma, even to herself. There have been many retcons to her backstory over the years, as is typical of DC. But she's stayed consistent in personality: She is brash, sarcastic, confident, and impulsive. In finding her place in the universe, she tries to do good and save the earth, regardless of where she came from in whatever parallel reality. She doesn't care that much anyway, and wants to live in the here and now. Her famous or infamous "boob window" aside, Power Girl is a very strong and independent character with an infectious, tough aura about her. Also laid-back. Power Girl is one cool, buxom Kryptonian!
7. Ms Marvel (Kamala Khan) (Marvel)
A feat in diversity - a Muslim superheroine - Kamala Khan is also a very relatable teenage girl living in New Jersey. A fangirl and fanfiction writer living out her dream - while staying true and respectful to her religion - Kamala is clumsy, funny and goodhearted. A normal teen girl who's also a respected superhero; like Spider-Man, in terms of levels of success (not that she should ever be compared to a male hero). Kamala Khan, with the old name of Ms Marvel, is an original breakout star; a real inspiration, and an icon of immense importance in diverse representation in all medium.
6. Captain Marvel (Carol Danvers) (Marvel)
A leader, a space captain, a pilot, a diplomat, an ambassador, a fangirl, and an all-round confident and tremendously strong woman. It's recently she's been given the chance to shine as her own character and not have her life revolve around any male superheroes. An epic, lovable blonde, and an inspiration to girls, that's who Carol Danvers is!
5. Madoka Kaname ('Puella Magi Makoka Magica')
I am counting a character from a Magical Girl anime. Because Madoka is a superheroine - a pillar of ultimate selflessness, of kindness and empathy. She is self-sacrificing, compassionate, and a needed symbol of hope - everything that a traditional superhero is. And she's only fourteen-years-old - such pressure to put on a normal school girl! But when saving the people she loves and cares about, Madoka is quite literally a star. A phenomenon. Madoka is the good guy mirror opposite to Dark Magical Girl Homura Akemi: Hence she's earned a proud place on this list.
4. Wonder Woman (DC)
'Nuff said
3. Sailor Moon
Another anime addition - Magical Girls are superheroes, too! My fave Magical Girl of love and heart magic; a sensitive and brave soul whom I've talked about so many times already. See my 'Sailor Moon' manga reviews and favourite female characters list for more details.
2. Harley Quinn (DC)
She's spent most of her twenty-plus-years career as a villain. However nowadays Harley Quinn is an independent anti-heroine, growing out of the Joker's shadow. And most people prefer her that way; she is that strong a character. Harley is a survivor in every sense - of abuse, and time. She's a pop culture figure who's defied expectations and transcended barriers in all shapes and sizes. Again I've said so much about her in the past. See my favourite female characters list and comic book reviews.
1. Batgirl (Barbara Gordon) (DC)
Ad nauseam. Batgirl is a superheroine without powers, and a distaff counterpart to a male hero. But she's stood out and proved herself capable on her own for many years now, and has been through so much, I see her as a hero in her own damn right. Barbara is a computer genius, and a very brave and human young woman. Heroes in the DCU come to her for their protection and expert advice; she is at their beck and call. A lot of plans would have fallen apart without her. She is important to the DCU, and doesn't often receive respect and recognition for it. A sad reality of the life of a woman who lives behind the successes of a man. More information on Barbara Gordon in my comic reviews and fave female characters list.
Another list completed!
10. Huntress (DC)
A dark crimefighter, like a female Batman, who depending on the writer can have a great sense of humour, as well as a killer streak. The daughter of Batman and Catwoman in one universe, Huntress is best known as one of the members of the Birds of Prey, and a close friend of Black Canary. And of Power Girl. She's mainly known as a mafia princess out for revenge for her family's massacre when she was a child. Huntress is violent, stubborn, impulsive, and a fantastic martial artist and pro with the crossbow. I can't help but admire her darkly.
9. Squirrel Girl (Marvel)
A comedic cutie and charmer. Who knew Marvel could have sprouted this hyperactive super girl into existence? Squirrel Girl, aka Doreen Green, got her start as a one-off joke who only recently received a chance at starring in her own comic book series - one she very much deserves. She is like a female version of Deadpool, only far less psychotic and violent. Squirrel Girl is child-friendly without being two-dimensional: Don't mess with her! She is forever an optimist who will strive to do the right thing - the things superheroes would do - and she's a friend to all she meets, including squirrels. She's a colourful, adorable, and upbeat playmate of a hero who single-handedly saves the world and even defeats Marvel's most formidable villains - and that includes Galactus. What a confident lady!
8. Power Girl (DC)
I can't quite pinpoint why I harbour a special connection to Power Girl, aka Karen Starr. She's an underappreciated heroine in the DC universe, who was Superman's Krytonian cousin before Supergirl came onto the scene. Power Girl is a walking enigma, even to herself. There have been many retcons to her backstory over the years, as is typical of DC. But she's stayed consistent in personality: She is brash, sarcastic, confident, and impulsive. In finding her place in the universe, she tries to do good and save the earth, regardless of where she came from in whatever parallel reality. She doesn't care that much anyway, and wants to live in the here and now. Her famous or infamous "boob window" aside, Power Girl is a very strong and independent character with an infectious, tough aura about her. Also laid-back. Power Girl is one cool, buxom Kryptonian!
7. Ms Marvel (Kamala Khan) (Marvel)
A feat in diversity - a Muslim superheroine - Kamala Khan is also a very relatable teenage girl living in New Jersey. A fangirl and fanfiction writer living out her dream - while staying true and respectful to her religion - Kamala is clumsy, funny and goodhearted. A normal teen girl who's also a respected superhero; like Spider-Man, in terms of levels of success (not that she should ever be compared to a male hero). Kamala Khan, with the old name of Ms Marvel, is an original breakout star; a real inspiration, and an icon of immense importance in diverse representation in all medium.
6. Captain Marvel (Carol Danvers) (Marvel)
A leader, a space captain, a pilot, a diplomat, an ambassador, a fangirl, and an all-round confident and tremendously strong woman. It's recently she's been given the chance to shine as her own character and not have her life revolve around any male superheroes. An epic, lovable blonde, and an inspiration to girls, that's who Carol Danvers is!
5. Madoka Kaname ('Puella Magi Makoka Magica')
I am counting a character from a Magical Girl anime. Because Madoka is a superheroine - a pillar of ultimate selflessness, of kindness and empathy. She is self-sacrificing, compassionate, and a needed symbol of hope - everything that a traditional superhero is. And she's only fourteen-years-old - such pressure to put on a normal school girl! But when saving the people she loves and cares about, Madoka is quite literally a star. A phenomenon. Madoka is the good guy mirror opposite to Dark Magical Girl Homura Akemi: Hence she's earned a proud place on this list.
4. Wonder Woman (DC)
'Nuff said
3. Sailor Moon
Another anime addition - Magical Girls are superheroes, too! My fave Magical Girl of love and heart magic; a sensitive and brave soul whom I've talked about so many times already. See my 'Sailor Moon' manga reviews and favourite female characters list for more details.
2. Harley Quinn (DC)
She's spent most of her twenty-plus-years career as a villain. However nowadays Harley Quinn is an independent anti-heroine, growing out of the Joker's shadow. And most people prefer her that way; she is that strong a character. Harley is a survivor in every sense - of abuse, and time. She's a pop culture figure who's defied expectations and transcended barriers in all shapes and sizes. Again I've said so much about her in the past. See my favourite female characters list and comic book reviews.
1. Batgirl (Barbara Gordon) (DC)
Ad nauseam. Batgirl is a superheroine without powers, and a distaff counterpart to a male hero. But she's stood out and proved herself capable on her own for many years now, and has been through so much, I see her as a hero in her own damn right. Barbara is a computer genius, and a very brave and human young woman. Heroes in the DCU come to her for their protection and expert advice; she is at their beck and call. A lot of plans would have fallen apart without her. She is important to the DCU, and doesn't often receive respect and recognition for it. A sad reality of the life of a woman who lives behind the successes of a man. More information on Barbara Gordon in my comic reviews and fave female characters list.
Another list completed!
Top 10 Favourite Witches
A quickie list. This time counting down my favourite witch characters in fiction (for witches are real, just... not likely as powerful as these ladies). As a fantasy lover, I'm also very fond of powerful women who are magic users. Maybe they are good witches who are also strong characters in their own right, or maybe they're mediocre witches but are very relatable and likable all the same. Here are the 10 fictional witches I resonate with the most.
10. Hannah ('Rat Queens')
A comic book fantasy elfin character, Hannah is vulgar in so many ways, and I just adore her for it. She does not give an actual fuck what others think of her, and she stands by her fellow Rat Queens no matter what. Beautiful, sexy, sexually-liberated, mean, and a dangerous influence, Hannah the mage breathes hot and cold.
9. Snow aka Ermillina Curtana ('Princess' series by Jim C. Hines)
Snow White is not only a powerful witch who specializes in mirror magic in this series. She's buxom, flirty, always says what's on her mind, and is sexual and proud and in control of it. Also she's a bookworm! A cast-out princess, borne from an abusive mother, she keeps a joyous outlook on life. Snow's ability as a witch is constantly put to the test - and her questionable actions resulting in her use of magic are played seriously. Is she too powerful for her own good? Is she abusing her powers as much as her evil mother did? Snow is aware that her spellcasting could potentially be far from good despite her intentions - she makes no excuses for it, and knows she must try to get stronger psychologically. She works very hard at what she does, and will bravely sacrifice anything for her princess friends, without whom she is as lonely as a single insignificant snowflake. Snow White's complicated relationship with magic is put through a tragic ordeal in the book series' final instalment. Great personality and witch, Snow is as three-dimensional as the other princesses.
8. Tara Maclay ('Buffy the Vampire Slayer')
I don't think that many people appreciate just how good a character Tara is. Outside of being a lesbian - which is important for representation - her sexuality and relationship with Willow are not the only things to say about her. I'd even go so far as to say that she is probably the best friend Buffy ever had. The characters in Buffy's group of friends and family tend to not be exactly supportive of the poor Slayer, to the point of taking her for granted and being emotionally abusive towards her should she not do anything they want her to do, not realising she's still a human being who has saved the world hundreds of times (looking at you, 'Dead Man's Party' - worst episode of 'Buffy', ever). But Tara is different. She is a genuinely nice person; having come from an abusive family herself, she understands the importance of empathy (her ESP power is only mentioned once in the entire series, however, in the number of times it could have come in handy). She's caring and supportive towards Buffy - and I'm not only talking about what happens in 'The Body'. In season 6, Buffy confesses to Tara - and nobody else - that she's sleeping with Spike; something she's so ashamed of and confused about, she cries. Tara doesn't judge her, she doesn't jump to conclusions, and she doesn't rub anything in Buffy's face in a passive-aggressive manner after she knows about Spike. She listens, she lets Buffy - who had very recently come back from the dead - know she has her back, and tries to help out. Tara even defends her friend when Spike makes a pass at her. Tara is the truest friend the Slayer could hope for. She doesn't take any of Willow's crap either, when Willow becomes an abusive partner. It's devastating what happens to Tara at the end of the season. She is a treasure, who's been through so much abuse in her life, and might just possess the most common sense out of all the other characters in 'Buffy'. As a witch she is sadly sidelined, and doesn't demonstrate a lot of magical spellcasting, since the show focuses primarily on her girlfriend Willow's rise to power. But as a person, I adore her. She was too good for the cruel world of 'Buffy'.
7. The Wicked Witch of the West ('The Wizard of Oz')
A scary figure in many a childhood. The Witch of the West isn't a very deep character - she's evil for evil's sake, and barely gets any development even when her sister is killed (which is only mentioned once). But her appearance, performance and cackling laugh have lasted in our children's nightmares throughout the ages. The nameless Wicked Witch has flying monkeys, sleeping poppies and fireballs at her command. She's cunning, cruel and entertaining to watch. Cartoony yet a wicked delight in showing off how evil she is.
6. Raven ('Teen Titans')
The Gothic, half-demon psychic superheroine whose emotions are very dangerous indeed, so she keeps them under control and isolates herself, trusting no one. Well, not completely. She expresses herself now and then, despite herself, thanks to her friendship with the Teen Titans. Raven is a dark, powerful witch - the daughter of the show's version of the Devil, Trigon - who can also be adorable in her social skills, or lack thereof. The many sides to her character add wonders to her development over the"silly" cartoon's five seasons. Blunt, mean, shy, and very smart as well, Raven excels as a complex hero, whatever her age.
5. Maleficent ('Sleeping Beauty')
Disney's greatest villain definitely deserves a spot on here. Maleficent is so magnificently evil you can't help but love her. She's suave, sophisticated, devilishly-designed, possesses a dark sense of humour, and she's animated so spectacularly. Her subtly-changing facial expressions give me chills. Maleficent's popularity, and those who almost worship the dark fairy, says something about her impact as a film villain; considering her entire motivation for wanting to kill the titular Sleeping Beauty is because she wasn't invited to a royal baby shower. She even turns into a dragon for the final battle! I don't include her portrayal in her own feature film, 'Maleficent', as that is a poorly-written mess which had the gall to try to turn the Mistress of all evil into a good guy (I mean, her name means "evil" for crying out loud!) And why oh why did they literally exchange her dragon-changing power to her male henchman! Although Angelina Jolie lives and breathes her role as the classic character. With Maleficent, evil never looked so good.
4. Kiki ('Kiki's Delivery Service')
One of my favourite Studio Ghibli films - a simple, sweet little story about a thirteen-year-old witch named Kiki, who leaves her home to settle into a new one. She starts her new life in a seaside town, and finds out her skills and place in life from there. Kiki is a brilliant character all around - Miyazaki-san writes the best women and young girls. While the only thing in the film to mark her as a witch is her flying her broom, it is a great skill she gains and loses over the course of the film, depending on her mood. Not at all like a typical shoujo main lead, Kiki is just so realistic as a growing girl, witch heritage notwithstanding. She tries hard at everything, and no task is too big for her, though she has limits. I can relate to her love for purple, too. Kiki - a standout heroine.
3. Elsa ('Frozen')
She's more of an ice and snow sorceress, and she doesn't cast any intentional spells in the traditional sense, but I still count Elsa as a witch. One who learns not to be ashamed of her gifts, and love herself, as there are people who love her for who she is. Everyone around her learns not to fear her, and it makes seeing her embrace her powers fully at the end of the movie more rewarding. I mean, look at the palace she built by herself in a matter of seconds! Elsa - a moving character; as clear, cool and deep as an ice pond.
2. Hermione Granger ('Harry Potter' series)
'Nuff said.
1. Elphaba ('Wicked' musical)
My favourite female character of all time is also my favourite witch of all time. No I don't count her as being the same character as she's presented in 'The Wizard of Oz'. Go check out my favourite female characters list for an explanation on why I love this magnificent woman.
Hope you like the list!
10. Hannah ('Rat Queens')
A comic book fantasy elfin character, Hannah is vulgar in so many ways, and I just adore her for it. She does not give an actual fuck what others think of her, and she stands by her fellow Rat Queens no matter what. Beautiful, sexy, sexually-liberated, mean, and a dangerous influence, Hannah the mage breathes hot and cold.
9. Snow aka Ermillina Curtana ('Princess' series by Jim C. Hines)
Snow White is not only a powerful witch who specializes in mirror magic in this series. She's buxom, flirty, always says what's on her mind, and is sexual and proud and in control of it. Also she's a bookworm! A cast-out princess, borne from an abusive mother, she keeps a joyous outlook on life. Snow's ability as a witch is constantly put to the test - and her questionable actions resulting in her use of magic are played seriously. Is she too powerful for her own good? Is she abusing her powers as much as her evil mother did? Snow is aware that her spellcasting could potentially be far from good despite her intentions - she makes no excuses for it, and knows she must try to get stronger psychologically. She works very hard at what she does, and will bravely sacrifice anything for her princess friends, without whom she is as lonely as a single insignificant snowflake. Snow White's complicated relationship with magic is put through a tragic ordeal in the book series' final instalment. Great personality and witch, Snow is as three-dimensional as the other princesses.
8. Tara Maclay ('Buffy the Vampire Slayer')
I don't think that many people appreciate just how good a character Tara is. Outside of being a lesbian - which is important for representation - her sexuality and relationship with Willow are not the only things to say about her. I'd even go so far as to say that she is probably the best friend Buffy ever had. The characters in Buffy's group of friends and family tend to not be exactly supportive of the poor Slayer, to the point of taking her for granted and being emotionally abusive towards her should she not do anything they want her to do, not realising she's still a human being who has saved the world hundreds of times (looking at you, 'Dead Man's Party' - worst episode of 'Buffy', ever). But Tara is different. She is a genuinely nice person; having come from an abusive family herself, she understands the importance of empathy (her ESP power is only mentioned once in the entire series, however, in the number of times it could have come in handy). She's caring and supportive towards Buffy - and I'm not only talking about what happens in 'The Body'. In season 6, Buffy confesses to Tara - and nobody else - that she's sleeping with Spike; something she's so ashamed of and confused about, she cries. Tara doesn't judge her, she doesn't jump to conclusions, and she doesn't rub anything in Buffy's face in a passive-aggressive manner after she knows about Spike. She listens, she lets Buffy - who had very recently come back from the dead - know she has her back, and tries to help out. Tara even defends her friend when Spike makes a pass at her. Tara is the truest friend the Slayer could hope for. She doesn't take any of Willow's crap either, when Willow becomes an abusive partner. It's devastating what happens to Tara at the end of the season. She is a treasure, who's been through so much abuse in her life, and might just possess the most common sense out of all the other characters in 'Buffy'. As a witch she is sadly sidelined, and doesn't demonstrate a lot of magical spellcasting, since the show focuses primarily on her girlfriend Willow's rise to power. But as a person, I adore her. She was too good for the cruel world of 'Buffy'.
7. The Wicked Witch of the West ('The Wizard of Oz')
A scary figure in many a childhood. The Witch of the West isn't a very deep character - she's evil for evil's sake, and barely gets any development even when her sister is killed (which is only mentioned once). But her appearance, performance and cackling laugh have lasted in our children's nightmares throughout the ages. The nameless Wicked Witch has flying monkeys, sleeping poppies and fireballs at her command. She's cunning, cruel and entertaining to watch. Cartoony yet a wicked delight in showing off how evil she is.
6. Raven ('Teen Titans')
The Gothic, half-demon psychic superheroine whose emotions are very dangerous indeed, so she keeps them under control and isolates herself, trusting no one. Well, not completely. She expresses herself now and then, despite herself, thanks to her friendship with the Teen Titans. Raven is a dark, powerful witch - the daughter of the show's version of the Devil, Trigon - who can also be adorable in her social skills, or lack thereof. The many sides to her character add wonders to her development over the"silly" cartoon's five seasons. Blunt, mean, shy, and very smart as well, Raven excels as a complex hero, whatever her age.
5. Maleficent ('Sleeping Beauty')
Disney's greatest villain definitely deserves a spot on here. Maleficent is so magnificently evil you can't help but love her. She's suave, sophisticated, devilishly-designed, possesses a dark sense of humour, and she's animated so spectacularly. Her subtly-changing facial expressions give me chills. Maleficent's popularity, and those who almost worship the dark fairy, says something about her impact as a film villain; considering her entire motivation for wanting to kill the titular Sleeping Beauty is because she wasn't invited to a royal baby shower. She even turns into a dragon for the final battle! I don't include her portrayal in her own feature film, 'Maleficent', as that is a poorly-written mess which had the gall to try to turn the Mistress of all evil into a good guy (I mean, her name means "evil" for crying out loud!) And why oh why did they literally exchange her dragon-changing power to her male henchman! Although Angelina Jolie lives and breathes her role as the classic character. With Maleficent, evil never looked so good.
4. Kiki ('Kiki's Delivery Service')
One of my favourite Studio Ghibli films - a simple, sweet little story about a thirteen-year-old witch named Kiki, who leaves her home to settle into a new one. She starts her new life in a seaside town, and finds out her skills and place in life from there. Kiki is a brilliant character all around - Miyazaki-san writes the best women and young girls. While the only thing in the film to mark her as a witch is her flying her broom, it is a great skill she gains and loses over the course of the film, depending on her mood. Not at all like a typical shoujo main lead, Kiki is just so realistic as a growing girl, witch heritage notwithstanding. She tries hard at everything, and no task is too big for her, though she has limits. I can relate to her love for purple, too. Kiki - a standout heroine.
3. Elsa ('Frozen')
She's more of an ice and snow sorceress, and she doesn't cast any intentional spells in the traditional sense, but I still count Elsa as a witch. One who learns not to be ashamed of her gifts, and love herself, as there are people who love her for who she is. Everyone around her learns not to fear her, and it makes seeing her embrace her powers fully at the end of the movie more rewarding. I mean, look at the palace she built by herself in a matter of seconds! Elsa - a moving character; as clear, cool and deep as an ice pond.
2. Hermione Granger ('Harry Potter' series)
'Nuff said.
1. Elphaba ('Wicked' musical)
My favourite female character of all time is also my favourite witch of all time. No I don't count her as being the same character as she's presented in 'The Wizard of Oz'. Go check out my favourite female characters list for an explanation on why I love this magnificent woman.
Hope you like the list!
Friday 26 August 2016
Top 12 Favourite Anime
In my teens, I watched a lot of anime online, and read quite a lot of manga. While I have lost interest in the medium overtime - and been met with more duds and disappointments than anything - here is a list of anime that have stuck with me - anime I seriously enjoyed, that I could re-watch and never get tired of. Anime I can truly say I love. This is my personal favourite anime countdown: 12 I can pick.
12. 'Lovely Complex (aka Love Com)'
The first anime to make me cry. One of the better, more underrated slice-of-life high school romance series out there - set in Osaka for added originality. 'Lovely Complex' centers on the comedic and heartfelt ups and downs of the relationship between a tall girl and a short boy, Risa Koizumi and Atsushi Ōtani respectively. I could actually relate to the high school misadventures and first-crush miseries depicted in this anime. The animation is bright and shiny, making the more emotional moments profound rather than out of place. Very funny, romantic, sweet, packed with likable characters, and the annoying-as-hell misunderstandings common in this genre happen only near the end of the series run, and they're not enough to destroy my enjoyment of 'Lovely Complex' (hell, the couple get together in the middle of the series, not the end, so there's less the frustration and predictability!) I cannot recommend it enough.
11. 'Ouran High School Host Club'
A colourful, funny and cleverly-written reverse-harem anime. It gets incredibly silly and even questionable in its gender-and-sexuality depictions sometimes, but it's a fun tongue-and-cheek parody of high school romance anime. One which effortlessly manages to stand on its own merits. Self-aware and one of the first "meta" things introduced to the popular consciousness (a fourth wall only semi-exists), 'Ouran' also has its share of heartwarming and dramatic episodes centering on brilliant character development, especially towards the end of the series. All the characters have their moments to shine, and break out of their assigned, limited, fangirl-fantasy stereotypes, with surprising subtlety. It knows when to be fast-paced and over-the-top for comedy, and when to set a slower-pace for dramatic scenes, seamlessly. 'Ouran High School Host Club' - a charming, irresistible treat.
10. 'Gankutsuou'
This is on my list mainly because the original novel is one of my favourites. But 'Gankutsuo' is a visual masterpiece - a feat in different uses of animation styles in every frame. 3D, photoshop, digital - 'Gankutsuou' incorporates all quilt-like textures in a wondrously-flowing effect. Haunting and dramatic. The story, both faithful to the book and doing its own thing entirely, is very good for the most part. The supernatural elements do feel unneeded, but damn it's a 'The Count of Monte Cristo' adaptation with a giant robot fight - it's the most glorious spectacle ever! The characters aren't very likable or consistent, some are annoying like the self-righteous pipsqueak Albert de Morcerf. But I suppose it's to show how human they are, at least in contrast to the demonic Count of Monte Cristo himself. 'Gankutsuou' - a sci-fi and royale epic; a haunting pleasure.
9. 'Attack on Titan'
Yeah I know, a more recent and predictable entry, but I can't help it. 'Attack on Titan' is an epic shonen action anime series - the only shonen series on this list. I love the music, I love the characters, I love the scale of its animation, and I love that it really isn't afraid to kill off characters. No cop-outs, no fake-outs (except the one time) - people do die in this series - likable people who grow on you in the course of several episodes. Mikasa Akerman is one of the best female anime characters I've seen in a long time. No fanservice or pandering, she is strong all on her own - genuinely strong, competent and capable. The male characters are also complex, and challenge a lot of typical shonen cliches in anime. The large cast each feels like a scared, over-endured, stretched-to-the-limit, and brave human being. A terrifying dystopic world full of fantastic, kickass characters, both male and female. 'Attack on Titan' is a must-see to be sure.
8. 'Kaleido Star'
An anime that makes me feel like a little kid watching cartoons again. 'Kaleido Star' is a colourful and sweet series about an American circus and acrobatics theatre, rehearsals and putting on the best stage shows worthy of Cirque de Solei and Stomp. An inspiring, soul-soaring and vastly underrated little anime starring one of the most positive and bright shojo heroines, Sora Naegino. No sugarcoating here; the anime depicts just how hard a lot of performers work, and what they sacrifice, in order to achieve their dreams. The relationships Sora has with each of her female colleagues, friends and rivals - especially with the famed Layla Hamilton - are well-developed; a magical wonder to behold. So enchanting and cute, and grounded enough in reality to not seem saccharine or trite. 'Kaleido Star' - guaranteed to cheer up even the most cynical of people. I am spellbound and stargazed!
7. 'Kare Kano (His and Her Circumstances)'
Another underrated slice-of-life high school romance anime (what a mouthful!). But 'Kare Kano' is the mature and sophisticated older sister of 'Love Complex'. The animation is mid-nineties 2D colouring penciling; and that just adds to its charm. It's nostalgic and challenging at the same time - portraying a high school couple who are together at the beginning of the series rather than the end, and the struggles they have to face to stay that way. Both are model students with hidden depths and quirks. They are very likable, warm and relatable - different yet similar, and are effing adorable together. Dark sides and pasts emerge; how will they cope with so many changes in their "stable" lives? The rest of the cast of characters are also memorable and positively shine with abundance of personality. 'Kare Kano' - funny, dramatic, beautiful. This manga and anime series is proof that the slice-of-life genre isn't all fake, stupid, predictable and boring. It can leave you with a full, loving heart. See my review of the manga for further input on the lovely creation.
6. 'Princess Tutu'
A fairy tale Magical Girl anime - an original deconstruction of European fairy tales for children, all set to various classical scores and ballet dancing. One of the most unique Magical Girl anime out there - no fighting, just dancing for the duck-turned-girl ballet performer stuck in a story she isn't even meant to be the hero of. 'Princess Tutu' has gorgeous, cartoony but masterfully-crafted animation, clever symbolism, a memorable cast, each with their own arc, and far more dark elements than lighthearted ones. It's more scary than funny. But even with the series' significantly darker second half, it doesn't lose its charm. 'Princess Tutu' is a romance in every sense of the word. And Drosselmeyer is a bastard. Just thought I'd mention that. 'Princess Tutu' - an epic, magical, sparkling, substantial storybook anime about a little duck, but there is so much more to it than that. A pretty craft.
5. 'Occult Academy'
Probably the most underrated and obscure anime on this list. Many have never heard of it (it doesn't even have a dub). 'Occult Academy' is a 2010 thirteen-episode paranormal boarding school series. There are supernatural creatures, demons, and witches amok. And aliens and time travel. It's a drama - with grey areas - but includes a lot of comedic set pieces and character moments. The animation is expertly done, like an anime movie, and it's similar to any supernatural TV show in America you can name. But 'Occult Academy' stands on its own with its likable, relatable and weird cast of characters. The protagonist Maya Kumashiro is a complex puzzle - a stoic, a cynic, a closet-supernatural buff, but she's also funny in her own bizarre way. She's a teenager who's the headmistress in the academy she's also a student of. Because anime! Friendships are tested, and partnerships shift and change overtime. 'Occult Academy' is very entertaining, indeed,
4. 'Chobits'
See my review of the 'Chobits' manga for an in-depth analysis into this series and its themes and characters. All I'll say here is that it is THE sweetest, loveliest, overall charming and insightful sci-fi anime featuring robots built to look like overly-sexualised women and girls. Fanservice isn't used for the sake of it; for stupid cheesecake with no substance - it miraculously didn't ruin the whole thing for me. One of the best romance anime I've ever seen as well - between a robot and a human, with very real, well-written chemistry. Nowadays, with the saddening decline and general, violent rejection of feminism in the media, I can see the world of 'Chobits' being the future. Preferred by MRA members. But 'Chobits' is smarter than that, I assure you. A subversion and observation into humanity's reliance on machines as a substitute for every aspect in life. Sad and funny, the 'Chobits' manga and anime are a delight, despite the sexism.
3. 'Sailor Moon'
I really don't need to say anything, do I? I have written to death about 'Sailor Moon' before. It's my nostalgia baby, the anime that first got me into anime, and kindled my love for the Magical Girl genre, the themes of love and friendship I'm attached to, and for girl power in the media. In the name of the (crescent) moon, I love Sailor Moon!
2. 'Madoka Magica'
Another anime I've talked extensively about. 'Puella Magi Madoka Magica' is a Magical Girl deconstruction - the darkest of tragedies, a philosophical look at life and hope itself. A Rorschach test, where every framing device is subtly symbolic. A Faustian tale; harrowing and depressing, with a bittersweet yet barely-hopeful ending. A glimmering masterpiece, with brilliant pastel-coloured-and-drawn animation - deceiving in its childlike appearance, like everything else in 'Madoka Magica'. It is the only anime from a genre I grew up with and love that I can unhesitatingly call perfect. Perfect animation, perfect music, perfect storytelling, and perfect characterization. I could go on for days describing how everything about 'Madoka Magica' is perfect. It is my kind of anime.
So, what can be better? I think anyone who knows me knows what my number 1 favourite anime of all time is:
1. 'Fruits Basket'
Again, see my review of the manga series for more detailed information. 'Fruits Basket' is life-changing. It's a slice-of-life, fantasy masterpiece starring a large family of human-turned-animals-sometimes, cursed by the Chinese Zodiac. There isn't a single character I dislike; a noteworthy feat considering how most of them are often mean, and physically and psychologically abusive towards each other. They manage to change for the better over the course of the series, thanks to the saint of all saints, Tohru Honda, one of my all-time favourite characters in fiction. She can help anyone without even trying that hard. 'Fruits Basket' has everything: Animals (not much shown, for a very human series), a big heart, friendships, different family values and dynamics, romance, an ugly dark side, a mirror into humanity and love, different, conflicting character personalities, and a helping sweetness to go along the sad journey. A great amount of the ethics I hold dear to me are based on those demonstrated in 'Fruits Basket' - it contains many, many life lessons for all of us to learn, particularly in kindness and compassion. It's a seemingly simple and sweet creation that's in fact so deep and richly detailed, it's scary. I'll never forget the impact it had on me as a sixteen-year-old lost and isolated girl in a cruel world, looking for kindred spirits. And hope.
Hope you enjoyed another of my lists!
12. 'Lovely Complex (aka Love Com)'
The first anime to make me cry. One of the better, more underrated slice-of-life high school romance series out there - set in Osaka for added originality. 'Lovely Complex' centers on the comedic and heartfelt ups and downs of the relationship between a tall girl and a short boy, Risa Koizumi and Atsushi Ōtani respectively. I could actually relate to the high school misadventures and first-crush miseries depicted in this anime. The animation is bright and shiny, making the more emotional moments profound rather than out of place. Very funny, romantic, sweet, packed with likable characters, and the annoying-as-hell misunderstandings common in this genre happen only near the end of the series run, and they're not enough to destroy my enjoyment of 'Lovely Complex' (hell, the couple get together in the middle of the series, not the end, so there's less the frustration and predictability!) I cannot recommend it enough.
11. 'Ouran High School Host Club'
A colourful, funny and cleverly-written reverse-harem anime. It gets incredibly silly and even questionable in its gender-and-sexuality depictions sometimes, but it's a fun tongue-and-cheek parody of high school romance anime. One which effortlessly manages to stand on its own merits. Self-aware and one of the first "meta" things introduced to the popular consciousness (a fourth wall only semi-exists), 'Ouran' also has its share of heartwarming and dramatic episodes centering on brilliant character development, especially towards the end of the series. All the characters have their moments to shine, and break out of their assigned, limited, fangirl-fantasy stereotypes, with surprising subtlety. It knows when to be fast-paced and over-the-top for comedy, and when to set a slower-pace for dramatic scenes, seamlessly. 'Ouran High School Host Club' - a charming, irresistible treat.
10. 'Gankutsuou'
This is on my list mainly because the original novel is one of my favourites. But 'Gankutsuo' is a visual masterpiece - a feat in different uses of animation styles in every frame. 3D, photoshop, digital - 'Gankutsuou' incorporates all quilt-like textures in a wondrously-flowing effect. Haunting and dramatic. The story, both faithful to the book and doing its own thing entirely, is very good for the most part. The supernatural elements do feel unneeded, but damn it's a 'The Count of Monte Cristo' adaptation with a giant robot fight - it's the most glorious spectacle ever! The characters aren't very likable or consistent, some are annoying like the self-righteous pipsqueak Albert de Morcerf. But I suppose it's to show how human they are, at least in contrast to the demonic Count of Monte Cristo himself. 'Gankutsuou' - a sci-fi and royale epic; a haunting pleasure.
9. 'Attack on Titan'
Yeah I know, a more recent and predictable entry, but I can't help it. 'Attack on Titan' is an epic shonen action anime series - the only shonen series on this list. I love the music, I love the characters, I love the scale of its animation, and I love that it really isn't afraid to kill off characters. No cop-outs, no fake-outs (except the one time) - people do die in this series - likable people who grow on you in the course of several episodes. Mikasa Akerman is one of the best female anime characters I've seen in a long time. No fanservice or pandering, she is strong all on her own - genuinely strong, competent and capable. The male characters are also complex, and challenge a lot of typical shonen cliches in anime. The large cast each feels like a scared, over-endured, stretched-to-the-limit, and brave human being. A terrifying dystopic world full of fantastic, kickass characters, both male and female. 'Attack on Titan' is a must-see to be sure.
8. 'Kaleido Star'
An anime that makes me feel like a little kid watching cartoons again. 'Kaleido Star' is a colourful and sweet series about an American circus and acrobatics theatre, rehearsals and putting on the best stage shows worthy of Cirque de Solei and Stomp. An inspiring, soul-soaring and vastly underrated little anime starring one of the most positive and bright shojo heroines, Sora Naegino. No sugarcoating here; the anime depicts just how hard a lot of performers work, and what they sacrifice, in order to achieve their dreams. The relationships Sora has with each of her female colleagues, friends and rivals - especially with the famed Layla Hamilton - are well-developed; a magical wonder to behold. So enchanting and cute, and grounded enough in reality to not seem saccharine or trite. 'Kaleido Star' - guaranteed to cheer up even the most cynical of people. I am spellbound and stargazed!
7. 'Kare Kano (His and Her Circumstances)'
Another underrated slice-of-life high school romance anime (what a mouthful!). But 'Kare Kano' is the mature and sophisticated older sister of 'Love Complex'. The animation is mid-nineties 2D colouring penciling; and that just adds to its charm. It's nostalgic and challenging at the same time - portraying a high school couple who are together at the beginning of the series rather than the end, and the struggles they have to face to stay that way. Both are model students with hidden depths and quirks. They are very likable, warm and relatable - different yet similar, and are effing adorable together. Dark sides and pasts emerge; how will they cope with so many changes in their "stable" lives? The rest of the cast of characters are also memorable and positively shine with abundance of personality. 'Kare Kano' - funny, dramatic, beautiful. This manga and anime series is proof that the slice-of-life genre isn't all fake, stupid, predictable and boring. It can leave you with a full, loving heart. See my review of the manga for further input on the lovely creation.
6. 'Princess Tutu'
A fairy tale Magical Girl anime - an original deconstruction of European fairy tales for children, all set to various classical scores and ballet dancing. One of the most unique Magical Girl anime out there - no fighting, just dancing for the duck-turned-girl ballet performer stuck in a story she isn't even meant to be the hero of. 'Princess Tutu' has gorgeous, cartoony but masterfully-crafted animation, clever symbolism, a memorable cast, each with their own arc, and far more dark elements than lighthearted ones. It's more scary than funny. But even with the series' significantly darker second half, it doesn't lose its charm. 'Princess Tutu' is a romance in every sense of the word. And Drosselmeyer is a bastard. Just thought I'd mention that. 'Princess Tutu' - an epic, magical, sparkling, substantial storybook anime about a little duck, but there is so much more to it than that. A pretty craft.
5. 'Occult Academy'
Probably the most underrated and obscure anime on this list. Many have never heard of it (it doesn't even have a dub). 'Occult Academy' is a 2010 thirteen-episode paranormal boarding school series. There are supernatural creatures, demons, and witches amok. And aliens and time travel. It's a drama - with grey areas - but includes a lot of comedic set pieces and character moments. The animation is expertly done, like an anime movie, and it's similar to any supernatural TV show in America you can name. But 'Occult Academy' stands on its own with its likable, relatable and weird cast of characters. The protagonist Maya Kumashiro is a complex puzzle - a stoic, a cynic, a closet-supernatural buff, but she's also funny in her own bizarre way. She's a teenager who's the headmistress in the academy she's also a student of. Because anime! Friendships are tested, and partnerships shift and change overtime. 'Occult Academy' is very entertaining, indeed,
4. 'Chobits'
See my review of the 'Chobits' manga for an in-depth analysis into this series and its themes and characters. All I'll say here is that it is THE sweetest, loveliest, overall charming and insightful sci-fi anime featuring robots built to look like overly-sexualised women and girls. Fanservice isn't used for the sake of it; for stupid cheesecake with no substance - it miraculously didn't ruin the whole thing for me. One of the best romance anime I've ever seen as well - between a robot and a human, with very real, well-written chemistry. Nowadays, with the saddening decline and general, violent rejection of feminism in the media, I can see the world of 'Chobits' being the future. Preferred by MRA members. But 'Chobits' is smarter than that, I assure you. A subversion and observation into humanity's reliance on machines as a substitute for every aspect in life. Sad and funny, the 'Chobits' manga and anime are a delight, despite the sexism.
3. 'Sailor Moon'
I really don't need to say anything, do I? I have written to death about 'Sailor Moon' before. It's my nostalgia baby, the anime that first got me into anime, and kindled my love for the Magical Girl genre, the themes of love and friendship I'm attached to, and for girl power in the media. In the name of the (crescent) moon, I love Sailor Moon!
2. 'Madoka Magica'
Another anime I've talked extensively about. 'Puella Magi Madoka Magica' is a Magical Girl deconstruction - the darkest of tragedies, a philosophical look at life and hope itself. A Rorschach test, where every framing device is subtly symbolic. A Faustian tale; harrowing and depressing, with a bittersweet yet barely-hopeful ending. A glimmering masterpiece, with brilliant pastel-coloured-and-drawn animation - deceiving in its childlike appearance, like everything else in 'Madoka Magica'. It is the only anime from a genre I grew up with and love that I can unhesitatingly call perfect. Perfect animation, perfect music, perfect storytelling, and perfect characterization. I could go on for days describing how everything about 'Madoka Magica' is perfect. It is my kind of anime.
So, what can be better? I think anyone who knows me knows what my number 1 favourite anime of all time is:
1. 'Fruits Basket'
Again, see my review of the manga series for more detailed information. 'Fruits Basket' is life-changing. It's a slice-of-life, fantasy masterpiece starring a large family of human-turned-animals-sometimes, cursed by the Chinese Zodiac. There isn't a single character I dislike; a noteworthy feat considering how most of them are often mean, and physically and psychologically abusive towards each other. They manage to change for the better over the course of the series, thanks to the saint of all saints, Tohru Honda, one of my all-time favourite characters in fiction. She can help anyone without even trying that hard. 'Fruits Basket' has everything: Animals (not much shown, for a very human series), a big heart, friendships, different family values and dynamics, romance, an ugly dark side, a mirror into humanity and love, different, conflicting character personalities, and a helping sweetness to go along the sad journey. A great amount of the ethics I hold dear to me are based on those demonstrated in 'Fruits Basket' - it contains many, many life lessons for all of us to learn, particularly in kindness and compassion. It's a seemingly simple and sweet creation that's in fact so deep and richly detailed, it's scary. I'll never forget the impact it had on me as a sixteen-year-old lost and isolated girl in a cruel world, looking for kindred spirits. And hope.
Hope you enjoyed another of my lists!
Wednesday 24 August 2016
Top 20 Favourite Male Characters - Part 4
5. Albus Dumbledore ('Harry Potter' series)
The wise, old and comforting headmaster of Hogwarts, who like every adult in 'Harry Potter', hides dark secrets and a tragic past. Dumbledore is both revered and treated with suspicion in the magical community - a famous wizard who's good at his job, but as a person is shrouded in mystery. What are his real intentions? His motives? What does this wise centurion mentor know? Unlike a lot of old wizard mentors in other fantasy series - such as Gandalf and that f%&!*ing manipulative arsehole from the 'Dark is Rising' books - Dumbledore is never mean, never loses patience, and he never explodes into anger - he's too clever to show fear or any weakness to his enemies (as you can probably tell, I'm referring to the Dumbledore from the books, not the films; and I prefer Richard Harris's portrayal over Michael Gambon's). Dumbledore helps Harry in any way he can, even when it looks like he's abandoned him, or is using him as a means to an end. He's a cool, wise old wizard, with a wicked sense of honour and humour. Unlike Severus Snape, he deals with life's hardships through kindness and understanding, so that no one else should have to suffer as he did. He is the grandfather Harry never had: Showing him it's okay to be human, to never give up on love in the face of utter tragedy, never give in to greed and selfishness, lest one should turn out like Voldemort. Plus, it's canon that Albus Dumbledore is homosexual. What positive representation! A complicated yet simple and lovable wizard and teacher, Dumbledore also (unwittingly) has an army of youngsters who believe in him. So watch out, every generation!
4. Arnold Rimmer ('Red Dwarf')
One of the greatest sitcom characters ever written, and one of the funniest in sci-fi comedies. Lister comes close, but I'd always thought Rimmer to be the most interesting character. He is such a loser, but is enough of a selfish, cowardly, weaselly prat (a right smeghead!) that you don't pity him. He can't really blame his abusive childhood for the way he is - he needs to get better on his own, no excuses. Rimmer is bitter and friendless, for understandable reasons, and his smugness and self-delusions about his skills - believing his ambition to be an officer was unfairly taken from him - make him all the more entertaining to watch. Other characters know too well how insufferable he can be, so that helps. And in the rare moments when Rimmer manages to shine and show what he is capable of without his insecurities getting in the way, it is a wonderful treat to behold. Another thing to take into account about him is that, for the majority of 'Red Dwarf', he is dead. A hologram, alone with the last man in the universe, Lister, and an evolved life form, the Cat. Which gives the audience more reason to pity him, and an excuse for him to be a bigger smeghead. You just can't take you eyes off Rimmer when he is onscreen, and can't help but laugh at every one of his absurd, brilliantly-written lines of dialogue. I guess you also can't resist admiring his tenacity - despite all his failures, and his current situation and state of being, he never gives up his dreams, even when they're absolutely fruitless. It shows how valuable he is to the show when he leaves for one season, and the quality suffered immediately. Arnold Rimmer - smug, self-centered, deluded, cynical, bitter, cowardly, but a fantastic laugh. Things on 'Red Dwarf' would indeed be so much grimmer without Rimmer!
3. Han Solo ('Star Wars')
The original space rogue, and no other has been able to replicate his success since. Characters like Captain Mal Reynolds from 'Firefly' and Captain Jack Harkness from 'Doctor Who' and 'Torchwood' obviously owe their inspiration from Han Solo. But they are nowhere near as charming, likable or well-written as him. Han is even more likable than Captain James T. Kirk! Han isn't a captain - he isn't anyone important in-universe, just a thief and a scavenger - but he has the charisma and common sense of one. He's a cynic who acts like he is too good to do good, that he can be nothing more than an outlaw and a rogue who plays by his own rules. But he proves he does have a good heart time and again. He holds no infuriating double standards - everyone from women to aliens is equal to him. Han's romance with Princess Leia steams with some of the best chemistry ever put to celluloid. Leia isn't just a princess to him, in spite of his banter and insults. He knows she is not a weak woman needing a man to take charge of a rebellion: He recognises her as a general and capable leader, and that is ultimately why he falls in love with her. He respects her choices - as shown in 'The Return of the Jedi' when he thinks Leia has feelings for Luke, and he's okay with that, for it's how she feels and he won't treat her like his property. He loves her that much. Han Solo is cool and rugged and did I mention charming? A lot of his charm does come from Harrison Ford's semi-improvised performance. What else need I say? It's Han Solo - bad and good to the bone.
2. Atticus Finch ('To Kill a Mockingbird')
An adult man who sets an example to us all: About how humanity can do better, always. He isn't a Jesus figure or a king in any sense. Atticus is a poor widower, a single father, and a lawyer in a morally-backward and racially-bigoted small town in the American Deep South in the 1950s. He doesn't back down from anything; not from taking the case of a black man accused of raping a white woman. He knows the man is innocent and will go out of his way to prove it, no matter what anyone around him thinks. Atticus knows he needs to set a positive example to his two motherless children, Jem and Scout, and will persevere in his convictions to do what is simply right. He believes in brains over brawn, and compassion, in order to make the world a better place for his children. Changing the society and culture of a small town is one step towards equality growing in other areas. Atticus Finch is a saint, and imperfectly human enough to be believable as a role model to everyone. He's everyone's dad, or he should be, and it's an injustice that he's only fictional. I do NOT want to get into how his character is written and bastardized in the "sequel", 'Go Set a Watchman' - taking into account the shady business of its publication and that author Harper Lee never wanted it to see the light of day in the first place, I don't consider it canon. Let's never taint the impact Atticus Finch has had both in fiction and in real life. He's an icon; an important one. He's whom we should set the standard for true equality, even if he leans towards the White Saviour trope. When he fails, he doesn't fall. Atticus will keep on going, since the fight for equality is long and arduous. It's dangerous, and he's all-too aware of it, but this warm, kind, loving father will risk anything for a brighter future for his kids.
And my number 1 favourite male character of all time is:
1. Edmund Blackadder ('Blackadder' series)
A sitcom character who's lasted throughout history. Blackadder is essentially the biggest bastard in the world - selfish, arrogant, greedy, and possessing no empathy whatsoever. Yet he is the most entertaining and oddly relatable bastard ever created from one time period to another. It's hard to explain why. It has to do with how he is the smartest and most cunning (cunning plans are his strategy!) out of everyone else around him, who are mad and stupid and he is sick of being stuck with them. He's a straight man - the only sane one - evoking sympathy and pathos when he deserves none. Blackadder, in his first appearance, was very different to how he is known now - a sniveling pathetic coward whom the future Blackadder incarnations would mock. Now he is every cynic's dream! Similar to a live-action version of Daffy Duck. And who knows, maybe if he did get his way and was given a chance to succeed, he might turn out to be a better person in a not-so-stupid, progressive world. Rowan Atkinson is so talented an actor and comedian, he gives an irresistible warmth and charm to Blackadder's wonderfully devious creation. Edmund Blackadder is proof that through the perfect actor and ingenious comedy writing, even the most detestable character can be so likable and endearing you sort of wish he'd succeed in his selfish schemes, continuously foiled by no fault of his own. One of the funniest leads ever put to film or television, I never get tired of watching Blackadder.
That's that, another list done! Stay tuned for more to come.
The wise, old and comforting headmaster of Hogwarts, who like every adult in 'Harry Potter', hides dark secrets and a tragic past. Dumbledore is both revered and treated with suspicion in the magical community - a famous wizard who's good at his job, but as a person is shrouded in mystery. What are his real intentions? His motives? What does this wise centurion mentor know? Unlike a lot of old wizard mentors in other fantasy series - such as Gandalf and that f%&!*ing manipulative arsehole from the 'Dark is Rising' books - Dumbledore is never mean, never loses patience, and he never explodes into anger - he's too clever to show fear or any weakness to his enemies (as you can probably tell, I'm referring to the Dumbledore from the books, not the films; and I prefer Richard Harris's portrayal over Michael Gambon's). Dumbledore helps Harry in any way he can, even when it looks like he's abandoned him, or is using him as a means to an end. He's a cool, wise old wizard, with a wicked sense of honour and humour. Unlike Severus Snape, he deals with life's hardships through kindness and understanding, so that no one else should have to suffer as he did. He is the grandfather Harry never had: Showing him it's okay to be human, to never give up on love in the face of utter tragedy, never give in to greed and selfishness, lest one should turn out like Voldemort. Plus, it's canon that Albus Dumbledore is homosexual. What positive representation! A complicated yet simple and lovable wizard and teacher, Dumbledore also (unwittingly) has an army of youngsters who believe in him. So watch out, every generation!
4. Arnold Rimmer ('Red Dwarf')
One of the greatest sitcom characters ever written, and one of the funniest in sci-fi comedies. Lister comes close, but I'd always thought Rimmer to be the most interesting character. He is such a loser, but is enough of a selfish, cowardly, weaselly prat (a right smeghead!) that you don't pity him. He can't really blame his abusive childhood for the way he is - he needs to get better on his own, no excuses. Rimmer is bitter and friendless, for understandable reasons, and his smugness and self-delusions about his skills - believing his ambition to be an officer was unfairly taken from him - make him all the more entertaining to watch. Other characters know too well how insufferable he can be, so that helps. And in the rare moments when Rimmer manages to shine and show what he is capable of without his insecurities getting in the way, it is a wonderful treat to behold. Another thing to take into account about him is that, for the majority of 'Red Dwarf', he is dead. A hologram, alone with the last man in the universe, Lister, and an evolved life form, the Cat. Which gives the audience more reason to pity him, and an excuse for him to be a bigger smeghead. You just can't take you eyes off Rimmer when he is onscreen, and can't help but laugh at every one of his absurd, brilliantly-written lines of dialogue. I guess you also can't resist admiring his tenacity - despite all his failures, and his current situation and state of being, he never gives up his dreams, even when they're absolutely fruitless. It shows how valuable he is to the show when he leaves for one season, and the quality suffered immediately. Arnold Rimmer - smug, self-centered, deluded, cynical, bitter, cowardly, but a fantastic laugh. Things on 'Red Dwarf' would indeed be so much grimmer without Rimmer!
3. Han Solo ('Star Wars')
The original space rogue, and no other has been able to replicate his success since. Characters like Captain Mal Reynolds from 'Firefly' and Captain Jack Harkness from 'Doctor Who' and 'Torchwood' obviously owe their inspiration from Han Solo. But they are nowhere near as charming, likable or well-written as him. Han is even more likable than Captain James T. Kirk! Han isn't a captain - he isn't anyone important in-universe, just a thief and a scavenger - but he has the charisma and common sense of one. He's a cynic who acts like he is too good to do good, that he can be nothing more than an outlaw and a rogue who plays by his own rules. But he proves he does have a good heart time and again. He holds no infuriating double standards - everyone from women to aliens is equal to him. Han's romance with Princess Leia steams with some of the best chemistry ever put to celluloid. Leia isn't just a princess to him, in spite of his banter and insults. He knows she is not a weak woman needing a man to take charge of a rebellion: He recognises her as a general and capable leader, and that is ultimately why he falls in love with her. He respects her choices - as shown in 'The Return of the Jedi' when he thinks Leia has feelings for Luke, and he's okay with that, for it's how she feels and he won't treat her like his property. He loves her that much. Han Solo is cool and rugged and did I mention charming? A lot of his charm does come from Harrison Ford's semi-improvised performance. What else need I say? It's Han Solo - bad and good to the bone.
2. Atticus Finch ('To Kill a Mockingbird')
An adult man who sets an example to us all: About how humanity can do better, always. He isn't a Jesus figure or a king in any sense. Atticus is a poor widower, a single father, and a lawyer in a morally-backward and racially-bigoted small town in the American Deep South in the 1950s. He doesn't back down from anything; not from taking the case of a black man accused of raping a white woman. He knows the man is innocent and will go out of his way to prove it, no matter what anyone around him thinks. Atticus knows he needs to set a positive example to his two motherless children, Jem and Scout, and will persevere in his convictions to do what is simply right. He believes in brains over brawn, and compassion, in order to make the world a better place for his children. Changing the society and culture of a small town is one step towards equality growing in other areas. Atticus Finch is a saint, and imperfectly human enough to be believable as a role model to everyone. He's everyone's dad, or he should be, and it's an injustice that he's only fictional. I do NOT want to get into how his character is written and bastardized in the "sequel", 'Go Set a Watchman' - taking into account the shady business of its publication and that author Harper Lee never wanted it to see the light of day in the first place, I don't consider it canon. Let's never taint the impact Atticus Finch has had both in fiction and in real life. He's an icon; an important one. He's whom we should set the standard for true equality, even if he leans towards the White Saviour trope. When he fails, he doesn't fall. Atticus will keep on going, since the fight for equality is long and arduous. It's dangerous, and he's all-too aware of it, but this warm, kind, loving father will risk anything for a brighter future for his kids.
And my number 1 favourite male character of all time is:
1. Edmund Blackadder ('Blackadder' series)
A sitcom character who's lasted throughout history. Blackadder is essentially the biggest bastard in the world - selfish, arrogant, greedy, and possessing no empathy whatsoever. Yet he is the most entertaining and oddly relatable bastard ever created from one time period to another. It's hard to explain why. It has to do with how he is the smartest and most cunning (cunning plans are his strategy!) out of everyone else around him, who are mad and stupid and he is sick of being stuck with them. He's a straight man - the only sane one - evoking sympathy and pathos when he deserves none. Blackadder, in his first appearance, was very different to how he is known now - a sniveling pathetic coward whom the future Blackadder incarnations would mock. Now he is every cynic's dream! Similar to a live-action version of Daffy Duck. And who knows, maybe if he did get his way and was given a chance to succeed, he might turn out to be a better person in a not-so-stupid, progressive world. Rowan Atkinson is so talented an actor and comedian, he gives an irresistible warmth and charm to Blackadder's wonderfully devious creation. Edmund Blackadder is proof that through the perfect actor and ingenious comedy writing, even the most detestable character can be so likable and endearing you sort of wish he'd succeed in his selfish schemes, continuously foiled by no fault of his own. One of the funniest leads ever put to film or television, I never get tired of watching Blackadder.
That's that, another list done! Stay tuned for more to come.
Top 20 Favourite Male Characters - Part 3
10. Beast Boy ('Teen Titans')
My fave cartoon from my teen years gets a shout-out. Beast Boy is like Bart Simpson, only more subdued and has a stronger grasp on right and wrong, and on empathy. Although his role in the show is primarily to be the Butt Monkey, the chew toy, someone for the writers to dump all their bad luck and frustrations on, it is surprising how well developed Beast Boy is. For a character so often depicted as being useless despite the fact that, as a shapeshifter who can turn into any animal ever - even extinct ones - he should be the most powerful member of the team, he has the most subtle development out of the other Teen Titans. From the first season we see that the green shapeshifter isn't violent or gung ho about crime fighting - in fact, he'd prefer to talk things out, use words instead of fists to solve problems. That is incredible: This TV and video games-obsessed child with no parents and, as far as anyone knows, not much in the way of middle school education, sees the value of words, rather than fighting indiscriminately, He holds no prejudices or grudges. Beast Boy may not have much brains, but the prankster has a big heart. He is kind, and genuinely learns from his mistakes and goes out of his way to help fix them himself. I find him adorable. We don't know a great deal about Beast Boy's background or origins in the cartoon, but we can presume it to be as tragic as any superhero origin. But he keeps a big smile, tells bad jokes, and tries to cheer everyone up regardless. The Changeling isn't to be dismissed as merely the comic relief, for though he is silly, the youngest of the Titans hides a lot of tragedy inside him, which he doesn't want to bother anyone with. In the fifth and final season, focused on him, we even get to see him as a leader. And the final episode, like it or hate it, might as well be titled, "Life sucks, Beast Boy, but such is life, so move on". The season is about the development of the comic relief character. Beast Boy is growing up, and the last episode concludes that in a tearjerker; disappointing only in teaching kids the lesson, "That's life, best be prepared for it". How deep. Garfield Logan is becoming a man, now. It makes me wonder what kind of a hero he would grow up to be. Now I know that his character in the comics is very different from the cartoon, though I haven't read any 'Teen Titans' books, but this entry is about the Beast Boy in the cartoon I grew up with. (the abomination, 'Teen Titans Go!', does not exist, it didn't happen, and it's a detriment to my mental health if I'm forced to believe otherwise). Anyway, here's to Beast Boy: A growing boy, and a growing hero.
9. Spider-Man
My favourite male superhero of all time. And he's from Marvel. It's strange that I haven't read many comics about Spidey, aka Peter Parker, yet I grew up watching the cartoons, films, and promotional stuff, and I loved those. He is like the antithesis of the traditional roguish, brooding, practically invincible heroes we are used to: He's a socially-awkward nerd, and makes mistakes constantly. This is something anyone can relate to, and that's his purpose - to be a relatable superhero who doesn't always know what the right thing to do is, who isn't always on top of things, and loses loved ones tragically along the way. In-universe Spidey is treated with suspicion and mistrust mostly, and he keeps trying to do good and save lives. "With great power comes great responsibility" is associated with Spider-Man, and responsibility is what all heroes should adhere to. They need to learn that they are bound to make mistakes, that they can't save everyone. Spider-Man is most human out of any comic book superhero I know. He shows how no body is perfect - superheroes are not gods. It also helps that Peter Parker has a quick, witty sense of humour and can make good quips while fighting bad guys. Who wouldn't want to be friends with a genuinely nice guy, as well? Of course, Spider-Man's character in recent years has seriously gone downhill due to writers missing the point of his intended creation entirely - making him avoid loss and responsibility altogether by literally making a deal with the Devil so he reverts back to his teen years and makes the same, stupid mistakes over and over again (Peter's meant to be self-aware too, what the actual hell?!). That was terrible, terrible writing; a betrayal to his development and to his fans. But I'll remember his good stories, his portrayal in the movies (such cute, adorkable actors!). Spider-Man - a strong, awkward, relatable, charming, tragic hero with all the appeal in the world.
8. Phillip J. Fry ('Futurama')
The best-written male protagonist in an American cartoon comedy. Fry really isn't that stupid - he knows about things a lot of people in the year 3000 do not, and he cherishes what the future folk take for granted. Like Beast Boy, in spite of his outward childishness, he harbours no prejudices, shallowness or ill will towards anyone. Fry is kind, empathetic and thoughtful for a character in a bizarre, risque sci-fi comedy (mostly, anyway). Even in later seasons of 'Futurama' post-cancellation, he undergoes the least amount of Flanderization and retains his earlier likable traits (again, for the most part). No sociopathy and mean-spiritedness - disturbingly common in male characters in other adult cartoons - befalls the pizza delivery boy with a midlife crisis. He is also very, very brave and self-sacrificing - something I wish the other characters acknowledged about him. Fry makes the perfect life partner, in my eyes - no male entitlement or toxic masculinity corrupts him, yet he's assertive in his ethics and morality, whilst putting the feelings of others before his own. I know it's a running gag that Leela is thought to be too good for Fry. I think it's the other way round - that Fry is too good for Leela. She can't see or appreciate how good a man he is, focusing only on his silliness. He's not perfect, or rich, or very smart, but he cares about her deeply; he even saves her life multiple times. And Leela is a thoughtless, hypocritical jerk for the majority of the show, especially in the post-cancellation episodes (hence why, though she can be as funny as the other characters, Leela wasn't on my favourite female characters list). Fry may be better off with someone who does appreciate him. Ironically, Phillip J, Fry turns out to be the most important person in the universe, in-universe, and he's a walking time paradox. But all that is unimportant compared to his likability and relatability as a character. Fry is an ordinary guy, but he grows into an extraordinary one over time, as well as a sweetheart. There isn't anyone else like him in sci-fi fiction (even Arthur Dent is smarter and calmer than the average joe), and I adore him.
7. Wallace and Gromit
My fave duo of my childhood! I love the British stop-motion franchise, 'Wallace and Gromit' - I grew up watching their shorts, and I love the movie, 'The Curse of the Were-Rabbit'. Wallace is the absent-minded yet polite-mannered inventor who's crackers about cheese, and Gromit is his loyal and faithful dog who plays the straight man - perhaps the true genius - to Wallace's mad schemes. All without Gromit saying a word - the way he is animated, and the emotions he expresses through claymation, is spot-on. Wallace and Gromit are the funniest man-and-his-dog duo ever, and very heartwarming, too. They're a bit like Pinky and the Brain, only they don't aim to take over the world, although they've had plenty of jobs and businesses over the years. They are surprisingly deep characters in their own rights; showing what the marvels of stop-motion claymation can achieve beyond making the models put one foot in front of the other. 'Wallace and Gromit' just holds a dear place in my heart - a nostalgic cheese fest!
6. Sideshow Bob Terwilliger ('The Simpsons')
This was a tough one for me, to name a favourite male character from 'The Simpsons'. There are so many who live in Springfield. Homer has been dead to me since that episode where he frames Marge for his own DUI. While I like Bart, there isn't that much to say about him beyond "bad boy with a hidden heart of gold", and Flanderization tends to grip him as intensely as every other character. Do I favour the funny and evil Mr Burns? The straight man who's closeted, Smithers? Moe? Pinciple Skinner? Ned Flanders, whom the TV Tropes term Flanderization is named after? But I realised that none of them hold a candle to the suave, devious, deceptive, three-dimensional and funny as hell criminal mastermind - I'm talking about Bart's arch nemesis... Milhouse. Just kidding, it is of course Sideshow Bob. This psychopath is a true Shakespearean villain. He is an artist: An actor, an opera singer, an acrobat, the creative type. He can wield a knife while being as charming and witty as a classic stage performer. He always gets the best lines in his episodes. And who could forget his encounter with the rakes? Though Bob is presented as being the most dangerous man in 'The Simpsons' canon outside of Mr Burns and Fat Tony, as being a murderer, the show's very own Joker, he's never successfully killed anyone. A ten-year-old D-student foils him constantly. But Bob has grown fond of Bart nowadays in a sick, twisted way. Like he's tried to kill the boy for so long, he can't in all his imaginings see a life without the spiky-haired, mischief-making underachiever. Bob is empty without a murderous goal in life, no matter how much he might want to change his ways and live normally. Quite tragic, again like a Shakespearean antagonist. He walks the line between sophisticated sanity and blood-lusty insanity, making him much more interesting as both a character and a villain. His versatility lets in more room for development and growth in each of his appearances, each more bizarre than the last. Never losing his charm, humour or diabolical planning, even after twenty-five years, Sideshow Bob Terwilliger is a puzzle we always enjoy unraveling.
To be continued in Part 4.
My fave cartoon from my teen years gets a shout-out. Beast Boy is like Bart Simpson, only more subdued and has a stronger grasp on right and wrong, and on empathy. Although his role in the show is primarily to be the Butt Monkey, the chew toy, someone for the writers to dump all their bad luck and frustrations on, it is surprising how well developed Beast Boy is. For a character so often depicted as being useless despite the fact that, as a shapeshifter who can turn into any animal ever - even extinct ones - he should be the most powerful member of the team, he has the most subtle development out of the other Teen Titans. From the first season we see that the green shapeshifter isn't violent or gung ho about crime fighting - in fact, he'd prefer to talk things out, use words instead of fists to solve problems. That is incredible: This TV and video games-obsessed child with no parents and, as far as anyone knows, not much in the way of middle school education, sees the value of words, rather than fighting indiscriminately, He holds no prejudices or grudges. Beast Boy may not have much brains, but the prankster has a big heart. He is kind, and genuinely learns from his mistakes and goes out of his way to help fix them himself. I find him adorable. We don't know a great deal about Beast Boy's background or origins in the cartoon, but we can presume it to be as tragic as any superhero origin. But he keeps a big smile, tells bad jokes, and tries to cheer everyone up regardless. The Changeling isn't to be dismissed as merely the comic relief, for though he is silly, the youngest of the Titans hides a lot of tragedy inside him, which he doesn't want to bother anyone with. In the fifth and final season, focused on him, we even get to see him as a leader. And the final episode, like it or hate it, might as well be titled, "Life sucks, Beast Boy, but such is life, so move on". The season is about the development of the comic relief character. Beast Boy is growing up, and the last episode concludes that in a tearjerker; disappointing only in teaching kids the lesson, "That's life, best be prepared for it". How deep. Garfield Logan is becoming a man, now. It makes me wonder what kind of a hero he would grow up to be. Now I know that his character in the comics is very different from the cartoon, though I haven't read any 'Teen Titans' books, but this entry is about the Beast Boy in the cartoon I grew up with. (the abomination, 'Teen Titans Go!', does not exist, it didn't happen, and it's a detriment to my mental health if I'm forced to believe otherwise). Anyway, here's to Beast Boy: A growing boy, and a growing hero.
9. Spider-Man
My favourite male superhero of all time. And he's from Marvel. It's strange that I haven't read many comics about Spidey, aka Peter Parker, yet I grew up watching the cartoons, films, and promotional stuff, and I loved those. He is like the antithesis of the traditional roguish, brooding, practically invincible heroes we are used to: He's a socially-awkward nerd, and makes mistakes constantly. This is something anyone can relate to, and that's his purpose - to be a relatable superhero who doesn't always know what the right thing to do is, who isn't always on top of things, and loses loved ones tragically along the way. In-universe Spidey is treated with suspicion and mistrust mostly, and he keeps trying to do good and save lives. "With great power comes great responsibility" is associated with Spider-Man, and responsibility is what all heroes should adhere to. They need to learn that they are bound to make mistakes, that they can't save everyone. Spider-Man is most human out of any comic book superhero I know. He shows how no body is perfect - superheroes are not gods. It also helps that Peter Parker has a quick, witty sense of humour and can make good quips while fighting bad guys. Who wouldn't want to be friends with a genuinely nice guy, as well? Of course, Spider-Man's character in recent years has seriously gone downhill due to writers missing the point of his intended creation entirely - making him avoid loss and responsibility altogether by literally making a deal with the Devil so he reverts back to his teen years and makes the same, stupid mistakes over and over again (Peter's meant to be self-aware too, what the actual hell?!). That was terrible, terrible writing; a betrayal to his development and to his fans. But I'll remember his good stories, his portrayal in the movies (such cute, adorkable actors!). Spider-Man - a strong, awkward, relatable, charming, tragic hero with all the appeal in the world.
8. Phillip J. Fry ('Futurama')
The best-written male protagonist in an American cartoon comedy. Fry really isn't that stupid - he knows about things a lot of people in the year 3000 do not, and he cherishes what the future folk take for granted. Like Beast Boy, in spite of his outward childishness, he harbours no prejudices, shallowness or ill will towards anyone. Fry is kind, empathetic and thoughtful for a character in a bizarre, risque sci-fi comedy (mostly, anyway). Even in later seasons of 'Futurama' post-cancellation, he undergoes the least amount of Flanderization and retains his earlier likable traits (again, for the most part). No sociopathy and mean-spiritedness - disturbingly common in male characters in other adult cartoons - befalls the pizza delivery boy with a midlife crisis. He is also very, very brave and self-sacrificing - something I wish the other characters acknowledged about him. Fry makes the perfect life partner, in my eyes - no male entitlement or toxic masculinity corrupts him, yet he's assertive in his ethics and morality, whilst putting the feelings of others before his own. I know it's a running gag that Leela is thought to be too good for Fry. I think it's the other way round - that Fry is too good for Leela. She can't see or appreciate how good a man he is, focusing only on his silliness. He's not perfect, or rich, or very smart, but he cares about her deeply; he even saves her life multiple times. And Leela is a thoughtless, hypocritical jerk for the majority of the show, especially in the post-cancellation episodes (hence why, though she can be as funny as the other characters, Leela wasn't on my favourite female characters list). Fry may be better off with someone who does appreciate him. Ironically, Phillip J, Fry turns out to be the most important person in the universe, in-universe, and he's a walking time paradox. But all that is unimportant compared to his likability and relatability as a character. Fry is an ordinary guy, but he grows into an extraordinary one over time, as well as a sweetheart. There isn't anyone else like him in sci-fi fiction (even Arthur Dent is smarter and calmer than the average joe), and I adore him.
7. Wallace and Gromit
My fave duo of my childhood! I love the British stop-motion franchise, 'Wallace and Gromit' - I grew up watching their shorts, and I love the movie, 'The Curse of the Were-Rabbit'. Wallace is the absent-minded yet polite-mannered inventor who's crackers about cheese, and Gromit is his loyal and faithful dog who plays the straight man - perhaps the true genius - to Wallace's mad schemes. All without Gromit saying a word - the way he is animated, and the emotions he expresses through claymation, is spot-on. Wallace and Gromit are the funniest man-and-his-dog duo ever, and very heartwarming, too. They're a bit like Pinky and the Brain, only they don't aim to take over the world, although they've had plenty of jobs and businesses over the years. They are surprisingly deep characters in their own rights; showing what the marvels of stop-motion claymation can achieve beyond making the models put one foot in front of the other. 'Wallace and Gromit' just holds a dear place in my heart - a nostalgic cheese fest!
6. Sideshow Bob Terwilliger ('The Simpsons')
This was a tough one for me, to name a favourite male character from 'The Simpsons'. There are so many who live in Springfield. Homer has been dead to me since that episode where he frames Marge for his own DUI. While I like Bart, there isn't that much to say about him beyond "bad boy with a hidden heart of gold", and Flanderization tends to grip him as intensely as every other character. Do I favour the funny and evil Mr Burns? The straight man who's closeted, Smithers? Moe? Pinciple Skinner? Ned Flanders, whom the TV Tropes term Flanderization is named after? But I realised that none of them hold a candle to the suave, devious, deceptive, three-dimensional and funny as hell criminal mastermind - I'm talking about Bart's arch nemesis... Milhouse. Just kidding, it is of course Sideshow Bob. This psychopath is a true Shakespearean villain. He is an artist: An actor, an opera singer, an acrobat, the creative type. He can wield a knife while being as charming and witty as a classic stage performer. He always gets the best lines in his episodes. And who could forget his encounter with the rakes? Though Bob is presented as being the most dangerous man in 'The Simpsons' canon outside of Mr Burns and Fat Tony, as being a murderer, the show's very own Joker, he's never successfully killed anyone. A ten-year-old D-student foils him constantly. But Bob has grown fond of Bart nowadays in a sick, twisted way. Like he's tried to kill the boy for so long, he can't in all his imaginings see a life without the spiky-haired, mischief-making underachiever. Bob is empty without a murderous goal in life, no matter how much he might want to change his ways and live normally. Quite tragic, again like a Shakespearean antagonist. He walks the line between sophisticated sanity and blood-lusty insanity, making him much more interesting as both a character and a villain. His versatility lets in more room for development and growth in each of his appearances, each more bizarre than the last. Never losing his charm, humour or diabolical planning, even after twenty-five years, Sideshow Bob Terwilliger is a puzzle we always enjoy unraveling.
To be continued in Part 4.
Tuesday 23 August 2016
Top 20 Favourite Male Characters - Part 2
15. Kyo Sohma ('Fruits Basket')
My favourite bad boy for years. Kyo is amazingly short-tempered, violent, competitive, and should be the poster child of how a tragic past does not excuse shitty behaviour in the present. And yet, I still have feelings for this anime male tsundere. Not just because his Chinese Zodiac cursed spirit is the Cat. For one, Kyo has the decency to be aware of why his outbursts are wrong and don't help anyone, least of all himself. Throughout the 'Fruits Basket' series - the manga especially - he learns and develops slowly but surely. He cries! He has emotions other than anger and aggression. He's had the shittiest life possible - only a handful of people actually care about him (including his mother, who is dead before the series begins). He's been hated by his family all his life for something he can't control or change. And his outbursts are mostly due to other people being shitty to him - forcing him to act and do things he doesn't want to, and with the case of his treatment at the hands of Kagura, physically assaulting him because she "loves him". His whole existence is nothing but abuse - and blaming him, the victim - with the lovely, saintly Tohru Honda being his knight in rice bally armour. She never gives up on him, never abandons him, always coming back for him when he clearly needs help. Their love is of a Beauty and the Beast kind, which takes years to develop into a proper romance, what with their other, individual issues to press through first. Sometimes you need to help and heal yourself as much as have other people support you as well - love yourself, no matter what your abusers say - and Kyo Sohma is the true poster child for this. Poor, poor cat. Brave, loving man. He ends up proving after all that he is not deserving of scorn or pity, but of the right kind of love.
14. Aladdin ('Aladdin')
I'm fairly sure everybody has had at least one cartoon crush growing up - crushes on cartoon characters when you're young enough to not care that they're just drawings on paper. Mine was Aladdin, the main lead in one of my all time favourite Disney movies. It's not just his looks - his tousled dark hair and big Bambi eyes - it's his story, typical underdog one though it is. He's a street rat and a thief - the only way he knows how to live due to his poor circumstances, and he is good at it, you have to admit. It's clear from the beginning Aladdin has a heart of pure gold, when he gives away the bread he risked his life stealing to starving street children, like himself. He has big dreams, and gets way over his head a times and acts foolish when it comes to his love for Princess Jasmine, whom he saves, courts and then lies to for the majority of the film, even though it's obvious Jasmine would love him no matter his identity. But he is a poor boy in more ways than one, and he feels bad for hurting the people close to him. Aladdin is smart and witty when it comes to survival - hence how he keeps escaping dangerous situations, even by accident. Like in all Disney fairy tales, this man is so brave he can battle giant reptiles like it's nothing. While nowadays the unlikely hero archetype is so cliched it's annoying, Disney's Aladdin has the original charm. The rugged, kind, rags-to-princely charm - my nostalgia fantasy prince.
13. Rorschach ('Watchmen')
One of the better-written antiheroes I've seen. Rorschach is, unrepentantly, a sociopath. A remorseless killer who thinks he is doing justice the right way. Indeed, the word "justice" in 'Watchmen', and all the "superhero" characters' association with the word, is sordid at best. Everyone seeks justice in their own way, or just don't believe in it at all, that the human race is beyond saving. Rorschach represents this mindset in an ironic sense - he thinks the majority of humanity is sick and monstrous, but he can't really see that he himself might be beyond saving, too. Or he does, and wants revenge on terrible people because, well, what else is a broken man to do? The world is black and white to him - he's had a traumatic childhood, and he hasn't grown up beyond who he perceives as evil, with little self-awareness and self-reflection. Rorschach believes in the truth above all - that the world is a dark, sick, twisted criminal hive-mind and he is its light. He cares about what is right and wrong, but not about people - he kills criminals, but ignores straightforward cries for help. He is psychologically disturbed, damaged, a contradiction in a shifting, black and white mask. Rorschach is like the male equivalent of Lisbeth Salander, only he has a hero/god complex; Lisbeth is down-to-earth enough not to have such delusions. In a world where people putting on costumes to fight crime is a normal occurrence, a person like Rorschach is bound to come of that - someone with mental health issues with delusions of grandeur killing people in his own "legal" way, thinking that a society of sick individuals needs cleansing. His longing for truth and a simple good-vs-evil reality - his refusal to adapt and to think on the consequences of his actions - might become his downfall. A dark, tragic figure written in a fascinating fashion, Rorschach is a film noir antihero intended to be a deconstruction of male wish fulfillment fantasies and heroes with no-grey-areas morality.
12. Rodion Romanovich Raskolnikov ('Crime and Punishment')
Another antihero, except this one actually learns his lesson and seeks redemption. 'Crime and Punishment' is one of my favourite novels, and Raskolnikov is an amateur philosopher and a murderer. But he isn't pretentious, and he eventually comes to realise there is no excuse for his actions. No reason at all beyond his poor man's ramblings. An ex-university student, he has a loving and supportive family - and meets supportive and innocent people along his "intellectual" journey - so there's no tragic past to excuse his mental state and strange outlook on reality. You feel sympathy for him, not really pity, because as a poor student with seemingly nothing to look forward to in life, you understand where he's coming from when talking about his view of "justice" and who deserves it. Who deserves riches (the great thinkers of history, like himself!). Who deserves to live and die. Raskolnikov suffers for his actions and stale philosophizing throughout his story. I've talked about this in great depth in my review of the book, and I won't mention anything else. I'll leave it here. Raskolnikov and his brain are terrifying but intriguing insights into society and the human condition.
11. John Luther ('Luther')
I'm not a fan of British crime dramas, or any TV drama, for that matter. I've watched a lot of detective shows over the years because my dad loves the genre at any time of the day and night. And Luther is as broody and dark as a cop antihero can be, the series being more grim than your typical tea time telly. But generally 'Luther' wins my love because of one, solid reason: Idris freaking Elba. He is one of the coolest men on the planet and I will fight anyone who suggests otherwise. Before Hollywood, Elba won his claim to fame with 'Luther'. It is through his performance that his character is strangely charming as a modern film noir detective (DCI) who deals with the worst of the worst - serial killers who cut people up, paedophiles, rapists, you name it - Luther unhesitatingly gets on the case with these scums of the earth. Luther keeps his calm and cool, but he has a distinctly violent side - the darkness of the show becomes too much even for him, overtaking whatever better nature he has in contrast to the criminals he brings to justice. He is level-headed and takes his job seriously - it comes first - but he has a personal life and cares about the people around him, in his own questionable way of showing it. His solutions to getting to the bottom of a case are highly, morally dubious in most episodes, and he remains stoic throughout. It is Elba's onscreen charm and the show's serious treatment of sensitive issues that combine to make Luther still likable. Plus it is rare to see a morally-divisive and complicated black protagonist on television: A human representation, so often portrayed by white men who are repeatedly excused for their horrible actions because they're the main character. John Luther's outlook on his job and on people is shifted and constantly put to the test with each case he is given, each more repugnant than the last. He may be cynical, but he believes the positive ends justify the means. In his show about menaces, you understand where he is coming from. Luther - a modern take on conflicted antiheroes, and on the human justice system.
To be continued in Part 3.
My favourite bad boy for years. Kyo is amazingly short-tempered, violent, competitive, and should be the poster child of how a tragic past does not excuse shitty behaviour in the present. And yet, I still have feelings for this anime male tsundere. Not just because his Chinese Zodiac cursed spirit is the Cat. For one, Kyo has the decency to be aware of why his outbursts are wrong and don't help anyone, least of all himself. Throughout the 'Fruits Basket' series - the manga especially - he learns and develops slowly but surely. He cries! He has emotions other than anger and aggression. He's had the shittiest life possible - only a handful of people actually care about him (including his mother, who is dead before the series begins). He's been hated by his family all his life for something he can't control or change. And his outbursts are mostly due to other people being shitty to him - forcing him to act and do things he doesn't want to, and with the case of his treatment at the hands of Kagura, physically assaulting him because she "loves him". His whole existence is nothing but abuse - and blaming him, the victim - with the lovely, saintly Tohru Honda being his knight in rice bally armour. She never gives up on him, never abandons him, always coming back for him when he clearly needs help. Their love is of a Beauty and the Beast kind, which takes years to develop into a proper romance, what with their other, individual issues to press through first. Sometimes you need to help and heal yourself as much as have other people support you as well - love yourself, no matter what your abusers say - and Kyo Sohma is the true poster child for this. Poor, poor cat. Brave, loving man. He ends up proving after all that he is not deserving of scorn or pity, but of the right kind of love.
14. Aladdin ('Aladdin')
I'm fairly sure everybody has had at least one cartoon crush growing up - crushes on cartoon characters when you're young enough to not care that they're just drawings on paper. Mine was Aladdin, the main lead in one of my all time favourite Disney movies. It's not just his looks - his tousled dark hair and big Bambi eyes - it's his story, typical underdog one though it is. He's a street rat and a thief - the only way he knows how to live due to his poor circumstances, and he is good at it, you have to admit. It's clear from the beginning Aladdin has a heart of pure gold, when he gives away the bread he risked his life stealing to starving street children, like himself. He has big dreams, and gets way over his head a times and acts foolish when it comes to his love for Princess Jasmine, whom he saves, courts and then lies to for the majority of the film, even though it's obvious Jasmine would love him no matter his identity. But he is a poor boy in more ways than one, and he feels bad for hurting the people close to him. Aladdin is smart and witty when it comes to survival - hence how he keeps escaping dangerous situations, even by accident. Like in all Disney fairy tales, this man is so brave he can battle giant reptiles like it's nothing. While nowadays the unlikely hero archetype is so cliched it's annoying, Disney's Aladdin has the original charm. The rugged, kind, rags-to-princely charm - my nostalgia fantasy prince.
13. Rorschach ('Watchmen')
One of the better-written antiheroes I've seen. Rorschach is, unrepentantly, a sociopath. A remorseless killer who thinks he is doing justice the right way. Indeed, the word "justice" in 'Watchmen', and all the "superhero" characters' association with the word, is sordid at best. Everyone seeks justice in their own way, or just don't believe in it at all, that the human race is beyond saving. Rorschach represents this mindset in an ironic sense - he thinks the majority of humanity is sick and monstrous, but he can't really see that he himself might be beyond saving, too. Or he does, and wants revenge on terrible people because, well, what else is a broken man to do? The world is black and white to him - he's had a traumatic childhood, and he hasn't grown up beyond who he perceives as evil, with little self-awareness and self-reflection. Rorschach believes in the truth above all - that the world is a dark, sick, twisted criminal hive-mind and he is its light. He cares about what is right and wrong, but not about people - he kills criminals, but ignores straightforward cries for help. He is psychologically disturbed, damaged, a contradiction in a shifting, black and white mask. Rorschach is like the male equivalent of Lisbeth Salander, only he has a hero/god complex; Lisbeth is down-to-earth enough not to have such delusions. In a world where people putting on costumes to fight crime is a normal occurrence, a person like Rorschach is bound to come of that - someone with mental health issues with delusions of grandeur killing people in his own "legal" way, thinking that a society of sick individuals needs cleansing. His longing for truth and a simple good-vs-evil reality - his refusal to adapt and to think on the consequences of his actions - might become his downfall. A dark, tragic figure written in a fascinating fashion, Rorschach is a film noir antihero intended to be a deconstruction of male wish fulfillment fantasies and heroes with no-grey-areas morality.
12. Rodion Romanovich Raskolnikov ('Crime and Punishment')
Another antihero, except this one actually learns his lesson and seeks redemption. 'Crime and Punishment' is one of my favourite novels, and Raskolnikov is an amateur philosopher and a murderer. But he isn't pretentious, and he eventually comes to realise there is no excuse for his actions. No reason at all beyond his poor man's ramblings. An ex-university student, he has a loving and supportive family - and meets supportive and innocent people along his "intellectual" journey - so there's no tragic past to excuse his mental state and strange outlook on reality. You feel sympathy for him, not really pity, because as a poor student with seemingly nothing to look forward to in life, you understand where he's coming from when talking about his view of "justice" and who deserves it. Who deserves riches (the great thinkers of history, like himself!). Who deserves to live and die. Raskolnikov suffers for his actions and stale philosophizing throughout his story. I've talked about this in great depth in my review of the book, and I won't mention anything else. I'll leave it here. Raskolnikov and his brain are terrifying but intriguing insights into society and the human condition.
11. John Luther ('Luther')
I'm not a fan of British crime dramas, or any TV drama, for that matter. I've watched a lot of detective shows over the years because my dad loves the genre at any time of the day and night. And Luther is as broody and dark as a cop antihero can be, the series being more grim than your typical tea time telly. But generally 'Luther' wins my love because of one, solid reason: Idris freaking Elba. He is one of the coolest men on the planet and I will fight anyone who suggests otherwise. Before Hollywood, Elba won his claim to fame with 'Luther'. It is through his performance that his character is strangely charming as a modern film noir detective (DCI) who deals with the worst of the worst - serial killers who cut people up, paedophiles, rapists, you name it - Luther unhesitatingly gets on the case with these scums of the earth. Luther keeps his calm and cool, but he has a distinctly violent side - the darkness of the show becomes too much even for him, overtaking whatever better nature he has in contrast to the criminals he brings to justice. He is level-headed and takes his job seriously - it comes first - but he has a personal life and cares about the people around him, in his own questionable way of showing it. His solutions to getting to the bottom of a case are highly, morally dubious in most episodes, and he remains stoic throughout. It is Elba's onscreen charm and the show's serious treatment of sensitive issues that combine to make Luther still likable. Plus it is rare to see a morally-divisive and complicated black protagonist on television: A human representation, so often portrayed by white men who are repeatedly excused for their horrible actions because they're the main character. John Luther's outlook on his job and on people is shifted and constantly put to the test with each case he is given, each more repugnant than the last. He may be cynical, but he believes the positive ends justify the means. In his show about menaces, you understand where he is coming from. Luther - a modern take on conflicted antiheroes, and on the human justice system.
To be continued in Part 3.
Top 20 Favourite Male Characters - Part 1
Hi, welcome back!
So no further delays - this is my To 20 Favourite Male Characters of all time list. Same rules and disclosures that applied to my Favourite Female Characters list also apply here: One character per franchise to be included, fictional characters only, this is all my subjective opinion, etc.
Oh, and to make this perfectly clear once and for all in 2016: Feminists don't hate men. Here is the list of men whom I enjoy and think really break traditional ground on how tough and alpha male this sex is usually represented. No male wish fulfilment fantasies here. Real men feel emotions and respect women and other marginalized people. Or these men just make me laugh, or think about how complex and cleverly-written they are, without falling back into the traditional broody, film-noir archetype, or the "charming arsehole" and pervert cardboard cut-out that seriously needs to die in all medium.
And now, I'll start the list.
20. Megamind ('Megamind')
The "villain"of one of Dreamwork's most underrated movies. Megamind is like a combination of things I adore: Flawless computer animation, moves and humour like Jim Carrey and Robin Williams, a psychological look into how good and evil are perceived and whether or not they are inherent or by an individual's choice. And why they make that choice to begin with. Megamind - real name unknown - chose villainy because he thought that's what he's good at, and he couldn't change anyone's minds about the "honourable", white, arrogant Superman-parody Metroman. Megamind's role is to be Metroman's foil, and he looks like a traditional alien invader, so why try to be anything else if people are always going to be suspicious of you anyway? Let's play the bad guy everyone would feel comfortable with you being. I know I'm probably putting too much thought into an animated comedy, but Megamind's character really stuck with me by how complex (nature vs nurture) and entertaining he is. Never annoying or pretentious in his sob story to gain audience sympathy. Even if his relationship with love interest Roxanne Richie is borderline creepy; the only real downside to the film, in my opinion. I dislike Will Ferrell in a lot of things, but Megamind is one of his more subdued and emotional performances. Plus he is genuinely funny in this. This blue man is like Ballister Blackheart from the graphic novel 'Nimona'; also a perceived villain in a deconstruction of a society which prefers the world was purely black and white in morality. I love the way Megamind is written and animated (his facial expressions say far more than dialogue ever could). It's a crying shame he'll most likely never have a sequel which explores his internal struggles further.
19. Ted Crilly ('Father Ted')
One of my favourite sitcoms, set in good ole Ireland, gets a shout-out. Father Ted Crilly is like the male version of Geraldine Granger, for obvious reasons. They are a lot alike, not just that they are both priests. Ted is the straight man in his own show, but he is as entertaining and flawed as all the other socially-bankrupt oddballs he somehow came to be associated with. He's neurotic. selfish and greedy at times, and keeps losing his faith back-and-forth but comes back to it by the end of an episode. He can be a victim of crazy and narrow-minded circumstances started by the church, be both a quiet, nervous bystander and a loud stressed-out lunatic, and also get into his own troubles via misguided antics like seeking fame, fortune and a glamorous lifestyle. Taking his current household into account, him wanting better for himself can be understandable. Ted is a sitcom character whom you feel for but not pity, and both laugh with and at without experiencing guilt. If you've seen the series and its twenty-five episodes of ingeniously-set-and-timed jokes, you'll get what I mean. Ted, despite his anxiety, is a brave hero when a situation calls for it, too. He can't be put into one sitcom-archetype box - the Roman Catholic priest is multilayered and shaded in his comedic and dramatic performance.
RIP Dermot Morgan.
18. Jet Black ('Cowboy Bebop')
The more I think about it, Jet Black might be the only character in 'Cowboy Bebop' I honestly like. Spike Spiegel isn't as cool or badass as the whole world claims he is - he is no different from the boring sci-fi male power fantasies I've seen so many times before. Faye Valentine exists for fanservice and to be a damsel in distress; let's cut the crap about her being a "strong female character". She's a useless victim most of the time (however I love Wendee Lee's performance of her in the English dub). And while I like the originality and liveliness of Edward's character, I feel she isn't in the show as much as she should be and is underutilized overall. Jet Black is who I would call a "cool guy". He is an ex-police officer, the ship's cook, a weapon's man, mechanic, and pilot. He also has a cyborg arm. Jet latches onto a mild-mannered outlook on life, and is still tough and serious when he needs to be. For a responsible hardworker, he possesses a light, laid-back sense of humour. He plays the badass, sage, and comic relief roles far better than the other characters - and he receives no credit for either. Jet is both the father and big brother figure (but he prefers to be seen as a big brother, so as not to seem old) in the 'Cowboy Bebop' crew and family. He is easy-going, warm, tough, intelligent, and funny without trying, and always sticks to his principles even when things get very personal. An underappreciated, well-rounded creation - an actual character in my eyes - Jet Black is a missing star in the space race.
17. Captain Hook ('Peter Pan')
I've already talked quite a bit about Hook in my book review of 'Peter Pan', so go check that out for further information. I just think that - at least in the original play and book - Captain Hook is a poor boy trapped in a man's body in Neverland. For this reason I find it sad and ironic that he's portrayed as hating Peter Pan for his youth rather than for Peter's dangerous and often murderous "games". He's a pirate who only wants to leave Neverland to get away from the Lost Boys, who border on 'Lord of the Flies' in their destructive behaviour on the island. A good villain is a victim - Hook embodies this, and isn't recognised for it. I also link his character to that of Mr Darling - a man forced to grow up too fast because of his old-fashioned status as the "man of the house" and who goes into temper tantrums when he isn't getting attention. Toxic masculinity can break men and boys emotionally and mentally - making them develop insecurity and male-entitlement complexes or, in Peter Pan's case, take the phrase "boys will be boys" to sociopathic levels. This is my interpretation, but it's this very human, psychological case study, plus the complex personality of the "cartoony" bad guy Captain Hook, that is the reason for why I am fascinated by him. His relationship with his right-hand man Smee is also funny and interesting. I wonder about Hook's past, what his childhood was like, who he was before Neverland. You could write a whole book about his origins and mindset before and after meeting Peter Pan. Are revenge for his hook hand, and youth, really the only reasons he hates Peter? Or something darker? Like fear towards the boy who will never grow up - physically, emotionally and mentally. Both a child and a tragic adult, Captain Hook can be silly yet deeply sympathetic in his stunted circumstances.
16. Tamaki Suoh ('Ouran High School Host Club')
A bishonen parody, Tamaki is a breath of fresh air in the "tough" and "tragic" male heroes so prevalent in anime (and in anywhere, in fact). Underneath the smooth, princely performance, Tamaki is as much a child as the depicted shotacon of the series, Honey: Silly, spastic, vulnerable and exceedingly hilarious. The way he is written and animated, Tamaki pulls off both physical comedy and powerful drama with seemingly no effort; without breaking a sweat in between. If he isn't as determined and energetic at night as he is by day, I'd swear he's solar-powered. He spends his time charming the socialite girls at the prestigious Ouran Academy - in his own Host Club. But his deceptions and manipulations of emotions are not malicious: He genuinely cares about women and wishes them to have a good time. For someone who's "shallow" and "narcissistic", Tamaki enjoys entertaining others and making them feel good about themselves. Any eff-ups he makes comes from his naivety than anything else. His secret past as a partly-disgraced illegitimate offspring in a rich family spurs his approach to make everyone he meets happy. His attitude is: Always look on the bright side of life. The brave yet stupid prince touches the hearts of all the friends he makes, even if said friends are loathed to admit it. There is nothing shadowy, suspicious or even arrogant, bitter and selfish about Tamaki; he harbours no animosity. Although his overprotectiveness of the heroine, Haruhi, leans towards the Madonna/Whore double standard of "innocent" girls needing to be protected from sexually-liberated "bad girls" - a big flaw in an anime that makes fun of sexist anime stereotypes and cliches, and analyses gender fluidity and sexuality. Tamaki does try to help Haruhi constantly without (consciously, at least) ulterior motives, so there's that. In conclusion, Tamaki Suoh is the clown prince of shining a much-needed light on boring bishonen templates. Entertaining, funny as hell, and a little sad, he is one of a kind.
To be continued in Part 2.
So no further delays - this is my To 20 Favourite Male Characters of all time list. Same rules and disclosures that applied to my Favourite Female Characters list also apply here: One character per franchise to be included, fictional characters only, this is all my subjective opinion, etc.
Oh, and to make this perfectly clear once and for all in 2016: Feminists don't hate men. Here is the list of men whom I enjoy and think really break traditional ground on how tough and alpha male this sex is usually represented. No male wish fulfilment fantasies here. Real men feel emotions and respect women and other marginalized people. Or these men just make me laugh, or think about how complex and cleverly-written they are, without falling back into the traditional broody, film-noir archetype, or the "charming arsehole" and pervert cardboard cut-out that seriously needs to die in all medium.
And now, I'll start the list.
20. Megamind ('Megamind')
The "villain"of one of Dreamwork's most underrated movies. Megamind is like a combination of things I adore: Flawless computer animation, moves and humour like Jim Carrey and Robin Williams, a psychological look into how good and evil are perceived and whether or not they are inherent or by an individual's choice. And why they make that choice to begin with. Megamind - real name unknown - chose villainy because he thought that's what he's good at, and he couldn't change anyone's minds about the "honourable", white, arrogant Superman-parody Metroman. Megamind's role is to be Metroman's foil, and he looks like a traditional alien invader, so why try to be anything else if people are always going to be suspicious of you anyway? Let's play the bad guy everyone would feel comfortable with you being. I know I'm probably putting too much thought into an animated comedy, but Megamind's character really stuck with me by how complex (nature vs nurture) and entertaining he is. Never annoying or pretentious in his sob story to gain audience sympathy. Even if his relationship with love interest Roxanne Richie is borderline creepy; the only real downside to the film, in my opinion. I dislike Will Ferrell in a lot of things, but Megamind is one of his more subdued and emotional performances. Plus he is genuinely funny in this. This blue man is like Ballister Blackheart from the graphic novel 'Nimona'; also a perceived villain in a deconstruction of a society which prefers the world was purely black and white in morality. I love the way Megamind is written and animated (his facial expressions say far more than dialogue ever could). It's a crying shame he'll most likely never have a sequel which explores his internal struggles further.
19. Ted Crilly ('Father Ted')
One of my favourite sitcoms, set in good ole Ireland, gets a shout-out. Father Ted Crilly is like the male version of Geraldine Granger, for obvious reasons. They are a lot alike, not just that they are both priests. Ted is the straight man in his own show, but he is as entertaining and flawed as all the other socially-bankrupt oddballs he somehow came to be associated with. He's neurotic. selfish and greedy at times, and keeps losing his faith back-and-forth but comes back to it by the end of an episode. He can be a victim of crazy and narrow-minded circumstances started by the church, be both a quiet, nervous bystander and a loud stressed-out lunatic, and also get into his own troubles via misguided antics like seeking fame, fortune and a glamorous lifestyle. Taking his current household into account, him wanting better for himself can be understandable. Ted is a sitcom character whom you feel for but not pity, and both laugh with and at without experiencing guilt. If you've seen the series and its twenty-five episodes of ingeniously-set-and-timed jokes, you'll get what I mean. Ted, despite his anxiety, is a brave hero when a situation calls for it, too. He can't be put into one sitcom-archetype box - the Roman Catholic priest is multilayered and shaded in his comedic and dramatic performance.
RIP Dermot Morgan.
18. Jet Black ('Cowboy Bebop')
The more I think about it, Jet Black might be the only character in 'Cowboy Bebop' I honestly like. Spike Spiegel isn't as cool or badass as the whole world claims he is - he is no different from the boring sci-fi male power fantasies I've seen so many times before. Faye Valentine exists for fanservice and to be a damsel in distress; let's cut the crap about her being a "strong female character". She's a useless victim most of the time (however I love Wendee Lee's performance of her in the English dub). And while I like the originality and liveliness of Edward's character, I feel she isn't in the show as much as she should be and is underutilized overall. Jet Black is who I would call a "cool guy". He is an ex-police officer, the ship's cook, a weapon's man, mechanic, and pilot. He also has a cyborg arm. Jet latches onto a mild-mannered outlook on life, and is still tough and serious when he needs to be. For a responsible hardworker, he possesses a light, laid-back sense of humour. He plays the badass, sage, and comic relief roles far better than the other characters - and he receives no credit for either. Jet is both the father and big brother figure (but he prefers to be seen as a big brother, so as not to seem old) in the 'Cowboy Bebop' crew and family. He is easy-going, warm, tough, intelligent, and funny without trying, and always sticks to his principles even when things get very personal. An underappreciated, well-rounded creation - an actual character in my eyes - Jet Black is a missing star in the space race.
17. Captain Hook ('Peter Pan')
I've already talked quite a bit about Hook in my book review of 'Peter Pan', so go check that out for further information. I just think that - at least in the original play and book - Captain Hook is a poor boy trapped in a man's body in Neverland. For this reason I find it sad and ironic that he's portrayed as hating Peter Pan for his youth rather than for Peter's dangerous and often murderous "games". He's a pirate who only wants to leave Neverland to get away from the Lost Boys, who border on 'Lord of the Flies' in their destructive behaviour on the island. A good villain is a victim - Hook embodies this, and isn't recognised for it. I also link his character to that of Mr Darling - a man forced to grow up too fast because of his old-fashioned status as the "man of the house" and who goes into temper tantrums when he isn't getting attention. Toxic masculinity can break men and boys emotionally and mentally - making them develop insecurity and male-entitlement complexes or, in Peter Pan's case, take the phrase "boys will be boys" to sociopathic levels. This is my interpretation, but it's this very human, psychological case study, plus the complex personality of the "cartoony" bad guy Captain Hook, that is the reason for why I am fascinated by him. His relationship with his right-hand man Smee is also funny and interesting. I wonder about Hook's past, what his childhood was like, who he was before Neverland. You could write a whole book about his origins and mindset before and after meeting Peter Pan. Are revenge for his hook hand, and youth, really the only reasons he hates Peter? Or something darker? Like fear towards the boy who will never grow up - physically, emotionally and mentally. Both a child and a tragic adult, Captain Hook can be silly yet deeply sympathetic in his stunted circumstances.
16. Tamaki Suoh ('Ouran High School Host Club')
A bishonen parody, Tamaki is a breath of fresh air in the "tough" and "tragic" male heroes so prevalent in anime (and in anywhere, in fact). Underneath the smooth, princely performance, Tamaki is as much a child as the depicted shotacon of the series, Honey: Silly, spastic, vulnerable and exceedingly hilarious. The way he is written and animated, Tamaki pulls off both physical comedy and powerful drama with seemingly no effort; without breaking a sweat in between. If he isn't as determined and energetic at night as he is by day, I'd swear he's solar-powered. He spends his time charming the socialite girls at the prestigious Ouran Academy - in his own Host Club. But his deceptions and manipulations of emotions are not malicious: He genuinely cares about women and wishes them to have a good time. For someone who's "shallow" and "narcissistic", Tamaki enjoys entertaining others and making them feel good about themselves. Any eff-ups he makes comes from his naivety than anything else. His secret past as a partly-disgraced illegitimate offspring in a rich family spurs his approach to make everyone he meets happy. His attitude is: Always look on the bright side of life. The brave yet stupid prince touches the hearts of all the friends he makes, even if said friends are loathed to admit it. There is nothing shadowy, suspicious or even arrogant, bitter and selfish about Tamaki; he harbours no animosity. Although his overprotectiveness of the heroine, Haruhi, leans towards the Madonna/Whore double standard of "innocent" girls needing to be protected from sexually-liberated "bad girls" - a big flaw in an anime that makes fun of sexist anime stereotypes and cliches, and analyses gender fluidity and sexuality. Tamaki does try to help Haruhi constantly without (consciously, at least) ulterior motives, so there's that. In conclusion, Tamaki Suoh is the clown prince of shining a much-needed light on boring bishonen templates. Entertaining, funny as hell, and a little sad, he is one of a kind.
To be continued in Part 2.
Sunday 21 August 2016
Top 20 Favourite Female Characters - Part 4
5. Hermione Granger and Luna Lovegood ('Harry Potter' series)
I won't say a lot here, since I already went into great detail talking about these two and how they contrast and compliment each other in my 'Harry Potter' book reviews. Hermione Granger and Luna Lovegood are among the best characters not just in their series, but in all of literature. They could not be more different from each other, but I love them both equally. Hermione is an assertive, grounded, bossy, and highly intelligent bookworm; no question, without her Harry would not have survived his first year at Hogwarts. He would have been dead many times over without his loyal and dear friend Hermione. She is not afraid of anything, much less what people think of her. True, her disbelief in a lot of things in the magical world is confusing and annoying. On the other other hand, she does require proof and seeing for herself if something is true so she can come to her own conclusions; thus determine how things work and how she can use the information. Hermione is a witch with a scientist's brain, and she is a star. Luna is her exact opposite: A cloudcuckoolander who happily believes in anything, who drifts through life as it is, and enjoys a good joke. Luna is an artistic witch, making things up as she goes. It seems the only thing she does share in common with Hermione, other than being Hogwarts students, is that she also doesn't care what others think of her. Though the bullying gets to her, deep down, and she puts up a dreamy front in order to cope. She's quite a sad figure, needing sympathy and good friends. Luna will help Harry out in his troubles as well, and besides, she must possess vast amounts of insight and intelligence if she's in the Ravenclaw House. I feel I share a lot of qualities of both of these characters - I'm hardworking, a determined thinker, and a brunette bookworm like Hermione, yet I can also be lazy, a daydreamer in a daze, and a creative type who loves to laugh like Luna. Both resonate with me because of their awkwardness and antisocial natures, above all. Two schoolgirls whom I relate to as being two sides of my own personality, Miss Granger and Miss Lovegood will always be my equal favourites. It's just a shame Luna isn't mentioned in 'The Cursed Child'.
4. Batgirl/Barbara Gordon and Harley Quinn (DC Universe)
Like before, nothing much to add here what I haven't said about these two women before in my comic book reviews. Barbara Gordon, aka Batgirl, aka Oracle, is amazing. She's a martial artist, a daredevil, a world expert computer genius, and is all around an incredibly brave and goodhearted individual. She's an example of how the comic book industry can treat females characters both well and appallingly. Look no further than 'The Killing Joke' (the animated adaption is even worse, and I could go on forever about how I hate that atrocity with a passion, but that's neither here nor there). Barbara has been a fridged woman, but she's bounced back many times - as Oracle, and a revived Batgirl. Because people love and respect her character that much, and recognise that she isn't significant due to her relationships with established male characters (again, glaring at you, 'The Killing Joke'). And I realise I've included several redheads on my list, and Babs is one of the reasons I think people with red hair are awesome. Smart, noble, loyal, and fiercely tenacious - in the comics and the various 'Batman' animated series' - Barbara Gordon overcomes and adapts to anything that comes her way. She never takes anything lying down. As for Harley Quinn... yeah, enough said, really. She is Barbara's opposite, not only in that she's a villain (in the majority of her incarnations). Harley is the Clown Queen of Crime, beginning her creation as the Joker's sidekick, then his lover, then his tragic abuse victim, then a survivor who has her own wacky adventures. Harley is a perfect example of someone who is both very funny and entertaining, and horrifically tragic: Caught in a cycle of abuse at the hands of the psychopathic and narcissistic Joker, she makes bad decision after bad decision, despite being a smart woman with a psychology degree. Harley is fun to watch and read about: She's a fun clown lady, yet I also feel terribly sorry for her. She is so interesting and fascinating, it's no wonder a lot of people prefer her without being associated with her puddin'. They prefer her with her female best friend, Poison Ivy, who really is better for her. I'm happy that comic writers are getting this and are starting to seriously pair Harley and Ivy together romantically. She isn't silly or disposable at all: As her colossal fanbase proves, people care deeply about her. It's a damn shame then that Harley Quinn has been turned into a masturbatory fantasy and fanservice object in her later incarnations (I will NOT get into her first major film appearance in 'Suicide Squad', otherwise the world will come to an end before I'm done ranting about that). Reducing her to a blow-up sex doll and the Joker's legit girlfriend is entirely missing the point of Harley's character! Let her move on and be her own person! But anyway, here's to my two most beloved superhero/comic book ladies: Batgirl - my favourite superheroine, and Harley Quinn - my favourite multilayered villainess and jester.
3. Belle ('Beauty and the Beast')
Already said what needed to be said about this beauty in my favourite films list. Animated, smart, a reader, a fantasy lover, modest, independent, and possessing the biggest heart of gold and silver, Belle is Disney's greatest creation. I know that's my opinion but I firmly believe it to be fact. It doesn't matter that she's marketed nowadays as part of a sexist matched set of Disney Princesses. As a little girl I admired and related to Belle; I worshiped her, she was my hero. I didn't care that she was just a cartoon character. I still don't care. Belle will remain a timeless wonder for generations.
2. Jane Eyre
Belle was my first hero, specifically in animation. Sailor Moon comes in second in my childhood, and presently, together with Tohru Honda, they are my heroes in anime. In superhero graphic novels, it's Batgirl and Harley Quinn. And in literature, my number one love will forever be Jane Eyre. Hermione and Luna come close, however the titular 'Jane Eyre' is what made me into a book lover in the first place. Introduced to me by my grandparents as a young teen, Jane Eyre is a hypnotically, ethereally, and timelessly-written narrator. She is the first true feminist character - my spirit guide. For her time, in 1847, dear young Jane - a poor abused orphan - was a woman who was independent, brave, intelligent, curious, and a no-nonsense critic of society and class. And an artist and book lover too! She knows what she wants and is not afraid to let anyone know what that is. Even her romance with the haughty and sketchy Mr Rochester is so well-written - their chemistry so soulful and sizzling - that it doesn't hinder Jane as an icon in feminist literature in the slightest. Read my review of 'Jane Eyre' the novel for more information on this phenomenal character. Jane Eyre - a classic heroine in every sense. Reader, I aspire to be Jane.
And my number 1 favourite female character of all time is:
1. Elphaba ('Wicked' the musical)
Yep, my hero in musicals is also my biggest hero in all fiction. Elphaba is an outcast, a witch, a bookworm, a nerd, a diplomat, a freedom fighter, a friend to everyone - or tries to be - a sexually-liberated individual, and a misunderstood and hugely complex figure: She's practically all the other women on this list and more. In personality she's everything I am and who I want to be. Who knew that such an original creation could have come from a rather one-note villain in 'The Wizard of Oz' and from such a brilliantly-conceived but poorly-executed 1995 book? Elphaba isn't deep or likable in the slightest in the original source material - she barely does anything on her own, is a constant victim, and all her actions can be summed up in one sentence: "Because the plot says so." But in the musical, boy is she improved! Elphaba is a leader and a protector, at first to her younger sister and then to her friends, then to all of Oz, who have been brainwashed by the Wizard into believing she is wicked. She isn't evil or cruel, far from it. She fights for justice, loves animals and Animals, loves her family, and doesn't allow herself to be a pawn in the Wizard's schemes. Elphaba tries not to be the bad witch almost all of Oz wants her to be. Yet as the story goes, for all her efforts she will be viewed as a villain, no matter how hard her attempts are in exposing government corruption. Elphaba is everything: Brave, maternal, caring, super smart, witty, gifted in magic and strategics, romantic, both an introvert and extrovert, hopeful, tragic, a child of two worlds, and colourful. She has green skin - honestly, who wouldn't want green skin? Elphaba - Elphie - is the quintessential feminist character. A bonafide well-rounded female. And she can sing! I love Idina Menzel, and her role as Elsa - so similar to Elphie - is also an iconic performance. Elphaba is potentially bisexual, too. What is not to love about her? She will keep on defying gravity! Testing herself and moving forward, like all powerful women, in fiction and in history, do to survive. The rest of the world simply needs to listen to them, and believe in them.
Hope you have enjoyed my list! Now onto my next list, my Top 20 Favourite Male Characters. Take care and goodnight.
I won't say a lot here, since I already went into great detail talking about these two and how they contrast and compliment each other in my 'Harry Potter' book reviews. Hermione Granger and Luna Lovegood are among the best characters not just in their series, but in all of literature. They could not be more different from each other, but I love them both equally. Hermione is an assertive, grounded, bossy, and highly intelligent bookworm; no question, without her Harry would not have survived his first year at Hogwarts. He would have been dead many times over without his loyal and dear friend Hermione. She is not afraid of anything, much less what people think of her. True, her disbelief in a lot of things in the magical world is confusing and annoying. On the other other hand, she does require proof and seeing for herself if something is true so she can come to her own conclusions; thus determine how things work and how she can use the information. Hermione is a witch with a scientist's brain, and she is a star. Luna is her exact opposite: A cloudcuckoolander who happily believes in anything, who drifts through life as it is, and enjoys a good joke. Luna is an artistic witch, making things up as she goes. It seems the only thing she does share in common with Hermione, other than being Hogwarts students, is that she also doesn't care what others think of her. Though the bullying gets to her, deep down, and she puts up a dreamy front in order to cope. She's quite a sad figure, needing sympathy and good friends. Luna will help Harry out in his troubles as well, and besides, she must possess vast amounts of insight and intelligence if she's in the Ravenclaw House. I feel I share a lot of qualities of both of these characters - I'm hardworking, a determined thinker, and a brunette bookworm like Hermione, yet I can also be lazy, a daydreamer in a daze, and a creative type who loves to laugh like Luna. Both resonate with me because of their awkwardness and antisocial natures, above all. Two schoolgirls whom I relate to as being two sides of my own personality, Miss Granger and Miss Lovegood will always be my equal favourites. It's just a shame Luna isn't mentioned in 'The Cursed Child'.
4. Batgirl/Barbara Gordon and Harley Quinn (DC Universe)
Like before, nothing much to add here what I haven't said about these two women before in my comic book reviews. Barbara Gordon, aka Batgirl, aka Oracle, is amazing. She's a martial artist, a daredevil, a world expert computer genius, and is all around an incredibly brave and goodhearted individual. She's an example of how the comic book industry can treat females characters both well and appallingly. Look no further than 'The Killing Joke' (the animated adaption is even worse, and I could go on forever about how I hate that atrocity with a passion, but that's neither here nor there). Barbara has been a fridged woman, but she's bounced back many times - as Oracle, and a revived Batgirl. Because people love and respect her character that much, and recognise that she isn't significant due to her relationships with established male characters (again, glaring at you, 'The Killing Joke'). And I realise I've included several redheads on my list, and Babs is one of the reasons I think people with red hair are awesome. Smart, noble, loyal, and fiercely tenacious - in the comics and the various 'Batman' animated series' - Barbara Gordon overcomes and adapts to anything that comes her way. She never takes anything lying down. As for Harley Quinn... yeah, enough said, really. She is Barbara's opposite, not only in that she's a villain (in the majority of her incarnations). Harley is the Clown Queen of Crime, beginning her creation as the Joker's sidekick, then his lover, then his tragic abuse victim, then a survivor who has her own wacky adventures. Harley is a perfect example of someone who is both very funny and entertaining, and horrifically tragic: Caught in a cycle of abuse at the hands of the psychopathic and narcissistic Joker, she makes bad decision after bad decision, despite being a smart woman with a psychology degree. Harley is fun to watch and read about: She's a fun clown lady, yet I also feel terribly sorry for her. She is so interesting and fascinating, it's no wonder a lot of people prefer her without being associated with her puddin'. They prefer her with her female best friend, Poison Ivy, who really is better for her. I'm happy that comic writers are getting this and are starting to seriously pair Harley and Ivy together romantically. She isn't silly or disposable at all: As her colossal fanbase proves, people care deeply about her. It's a damn shame then that Harley Quinn has been turned into a masturbatory fantasy and fanservice object in her later incarnations (I will NOT get into her first major film appearance in 'Suicide Squad', otherwise the world will come to an end before I'm done ranting about that). Reducing her to a blow-up sex doll and the Joker's legit girlfriend is entirely missing the point of Harley's character! Let her move on and be her own person! But anyway, here's to my two most beloved superhero/comic book ladies: Batgirl - my favourite superheroine, and Harley Quinn - my favourite multilayered villainess and jester.
3. Belle ('Beauty and the Beast')
Already said what needed to be said about this beauty in my favourite films list. Animated, smart, a reader, a fantasy lover, modest, independent, and possessing the biggest heart of gold and silver, Belle is Disney's greatest creation. I know that's my opinion but I firmly believe it to be fact. It doesn't matter that she's marketed nowadays as part of a sexist matched set of Disney Princesses. As a little girl I admired and related to Belle; I worshiped her, she was my hero. I didn't care that she was just a cartoon character. I still don't care. Belle will remain a timeless wonder for generations.
2. Jane Eyre
Belle was my first hero, specifically in animation. Sailor Moon comes in second in my childhood, and presently, together with Tohru Honda, they are my heroes in anime. In superhero graphic novels, it's Batgirl and Harley Quinn. And in literature, my number one love will forever be Jane Eyre. Hermione and Luna come close, however the titular 'Jane Eyre' is what made me into a book lover in the first place. Introduced to me by my grandparents as a young teen, Jane Eyre is a hypnotically, ethereally, and timelessly-written narrator. She is the first true feminist character - my spirit guide. For her time, in 1847, dear young Jane - a poor abused orphan - was a woman who was independent, brave, intelligent, curious, and a no-nonsense critic of society and class. And an artist and book lover too! She knows what she wants and is not afraid to let anyone know what that is. Even her romance with the haughty and sketchy Mr Rochester is so well-written - their chemistry so soulful and sizzling - that it doesn't hinder Jane as an icon in feminist literature in the slightest. Read my review of 'Jane Eyre' the novel for more information on this phenomenal character. Jane Eyre - a classic heroine in every sense. Reader, I aspire to be Jane.
And my number 1 favourite female character of all time is:
1. Elphaba ('Wicked' the musical)
Yep, my hero in musicals is also my biggest hero in all fiction. Elphaba is an outcast, a witch, a bookworm, a nerd, a diplomat, a freedom fighter, a friend to everyone - or tries to be - a sexually-liberated individual, and a misunderstood and hugely complex figure: She's practically all the other women on this list and more. In personality she's everything I am and who I want to be. Who knew that such an original creation could have come from a rather one-note villain in 'The Wizard of Oz' and from such a brilliantly-conceived but poorly-executed 1995 book? Elphaba isn't deep or likable in the slightest in the original source material - she barely does anything on her own, is a constant victim, and all her actions can be summed up in one sentence: "Because the plot says so." But in the musical, boy is she improved! Elphaba is a leader and a protector, at first to her younger sister and then to her friends, then to all of Oz, who have been brainwashed by the Wizard into believing she is wicked. She isn't evil or cruel, far from it. She fights for justice, loves animals and Animals, loves her family, and doesn't allow herself to be a pawn in the Wizard's schemes. Elphaba tries not to be the bad witch almost all of Oz wants her to be. Yet as the story goes, for all her efforts she will be viewed as a villain, no matter how hard her attempts are in exposing government corruption. Elphaba is everything: Brave, maternal, caring, super smart, witty, gifted in magic and strategics, romantic, both an introvert and extrovert, hopeful, tragic, a child of two worlds, and colourful. She has green skin - honestly, who wouldn't want green skin? Elphaba - Elphie - is the quintessential feminist character. A bonafide well-rounded female. And she can sing! I love Idina Menzel, and her role as Elsa - so similar to Elphie - is also an iconic performance. Elphaba is potentially bisexual, too. What is not to love about her? She will keep on defying gravity! Testing herself and moving forward, like all powerful women, in fiction and in history, do to survive. The rest of the world simply needs to listen to them, and believe in them.
Hope you have enjoyed my list! Now onto my next list, my Top 20 Favourite Male Characters. Take care and goodnight.
Top 20 Favourite Female Characters - Part 3
10. Tohru Honda ('Fruits Basket')
A saint among saints. Tohru, another tragic orphan character, is the kindest, most caring, loving, selfless, and optimistic girl in all of anime. She is not a pushover, however: She will never give up her ethics, never abandon a friend in need, and when up against the worst of humanity and abuse, she will still see the good in everyone. Her goodness is her strength, not her weakness. 'Fruits Basket' is my favourite anime, and it holds my deeply-firm set of beliefs, such as the importance of kindness and compassion, that humanity is vast and everyone is different and capable of empathy and sympathy, and that abuse is not love. Tohru Honda embodies all of these things: She is who I wish I could be. She tries her hardest at whatever she does, no matter how hopeless. She knows how wrong it is to be hurtful to others, to gossip, to be bitter, to be arrogant and self-centered. And above all, Tohru knows that everybody - no matter their past or background - is capable of changing for the better. Kindness might be born or taught, but this ordinary girl with the purest heart in the world believes in a better world. Ordinary she is - not a chosen one - but metaphorically, she's a spiritual figure who touches the hearts of every single person she meets. A wonderful creation, a true friend to all, a non-traditional hero; that is Tohru Honda in a rice ball - sweet on the inside and the outside.
9. Wonder Woman
Do I need to say anything here? It's Wonder Woman! The most famous, iconic feminist character and superheroine in the world. As I've come to read more and more about her, and watch films and her 70s TV show starring Lynda Carter, I grew to love her unconditionally. Wonder Woman, aka Diana of Themyscira, is the spirit of truth, a champion of the Greek gods. She has a unique backstory as an Amazon princess born out of clay. She's been a superhero, a warrior, a goddess, an ambassador, a writer, a secret agent - she's had more jobs and identities than Barbie. Sure she's had her fair share of bad treatment by comic book writers over the decades, but what superhero hasn't? She's been subjected to all sorts of sexist stereotyping as well, but I don't like to talk about the poorer history of Wonder Woman. After seventy-five-plus years of growth and development, she's had her ups and downs, but her status as a feminist icon hasn't changed. Wondy's saved the world hundreds of times, some without having to even be a violent warrior - she will use her intelligence and determination to seek peaceful solutions towards making the patriarchal world and her homeland Themyscira places for everyone to live in fairly and happily. Overall she is a smart, caring and loving person; as strong in personality as in super strength and flight. I adore her Lynda Carter portrayal. A symbol in every sense of the world, Wonder Woman is queen - still going strong. She is worthy of admiration, inspiration, and respect.
8. Thelma Dickinson and Louise Sawyer ('Thelma and Louise')
I already talked about these great, older ladies on my previous list, but I'll add that Thelma and Louise are very real to me. It's them against the man's world, and all they can rely on and trust is each other. They are best friends to the end, and they compliment each other perfectly: Thelma is a slightly naive, fun-loving housewife looking for excitement and freedom who gets far more than she could ever have bargained for; and Louise is a cynical, sarcastic, and loyal waitress with a tragic past who puts on a fearless front. Together they support each other and keep one another from going over the edge and giving up on their run from the law. Women, in a potentially dangerous patriarchal society, need to stick together, and don't backstab, betray or be bitter as often as a lot of other mediums seem to get off on portraying. Thelma and Louise give us hope for a better future, despite their tragic end.
7. Sailor Moon
The girl and superheroine I'm probably the most like out of all the characters on this list. Sailor Moon - star of my gateway drug into anime and my first introduction to girl power - is who I looked up to as a child; who I related to the most, and still do. I was starstruck that a seemingly lazy, non-special and overly-sensitive schoolgirl could be a fighter, even a reluctant one; someone who saves the world time and again through love and compassion, and through all kinds of hardships, rises to become a queen. The growth of Usagi Tsukino is of a royal magnitude. She is better developed in the manga than the anime, making her more likeable and well-rounded. Plus she is the picture of femininity: Pink, skirts, jewellery, sparkles, heart! She's a princess, a friend to all, and future mother of a princess. But these things are not depicted as lesser or weak. They add to Sailor Moon's strengths as a hero, and I was partly a girly-girl myself as well. She grows stronger and more powerful through her own heart and courage rather than through any deus-ex-machina crystal. She will do anything to protect those she loves dearly, and she practically created hope itself. Go check out my 'Sailor Moon' manga reviews for a further in-depth analysis into her character. She's also on here due to nostalgic reasons, I admit - a hero of my childhood. Sailor Moon - my favourite Magical Girl - who is also the original - and my favourite anime character.
6. Elsa ('Frozen')
From one queen to another, it's Elsa! I cannot gush enough, or discuss more adequately, why I love her so much. So many others have analysed her whole character already, but I'll give my two cents. Elsa is someone who was made into an introvert in order to hide the ice powers she was born with - a very powerful gift or a curse depending on how she uses it. Through most of her life she was encouraged to close herself off from everyone around her, including her loving and well-meaning family. To put on a show, and never reveal her true feelings in case her gifts are known. She believes her powers are a curse, something to be feared and concealed at all costs. This is a situation I'm sure anyone who has something different about them, or are in a minority, can relate to. They have to hide who they really are in order to fit in - to conceal, don't feel, don't let what makes them special show. To fit in a "normal" society is a survival tactic more than anything else: Bad things can happen to "freaks", and they may be hated and feared if they are different from the mundane and ordinary. Elsa, in the whole hour-and-a-half-long running time of 'Frozen', embodies this beautifully, She shows how important it is to believe in oneself, to never hate oneself, to seek the right help when needed, and to not let fear and anxiety take over one's life. Don't worry, someone is bound to understand you for who you are, and love you no matter what. Elsa, behind the closed doors, is a sad, grieving woman, but upon entrance - deeper inspection - you'll find she does have a nice, warm personality. For Disney to not make her a villain is one of the best decisions made in 'Frozen', because it shows that not everyone who is different is bad, after all. This ice queen is just misunderstood, therefore relatable. She's a case study on the whole psychological spectrum. I'm happy that Elsa is beloved by so many people she's practically become an icon - Disney's new Mickey Mouse - and not sorely because of her outward beauty. She's an independent; no one cares she has no love interest. On that note, the general public wish for her to get a girlfriend in the sequel - a perfect fit considering that her arc reflects what those in the LBGTQ community go through. It is likely too much to hope for from Disney, however, even in these progressive times, but we can dream. Elsa is a queen (imagine Disney, a queer queen!) treated with reverence and respect. Not an ice queen in her heart, it's easy to why her large fanbase resonates with her. Regal, intelligent, with more secluded depths than a snowy mountain - plus a veiled, warm sense of humour - Queen Elsa is just fantastic.
To be continued in Part 4.
A saint among saints. Tohru, another tragic orphan character, is the kindest, most caring, loving, selfless, and optimistic girl in all of anime. She is not a pushover, however: She will never give up her ethics, never abandon a friend in need, and when up against the worst of humanity and abuse, she will still see the good in everyone. Her goodness is her strength, not her weakness. 'Fruits Basket' is my favourite anime, and it holds my deeply-firm set of beliefs, such as the importance of kindness and compassion, that humanity is vast and everyone is different and capable of empathy and sympathy, and that abuse is not love. Tohru Honda embodies all of these things: She is who I wish I could be. She tries her hardest at whatever she does, no matter how hopeless. She knows how wrong it is to be hurtful to others, to gossip, to be bitter, to be arrogant and self-centered. And above all, Tohru knows that everybody - no matter their past or background - is capable of changing for the better. Kindness might be born or taught, but this ordinary girl with the purest heart in the world believes in a better world. Ordinary she is - not a chosen one - but metaphorically, she's a spiritual figure who touches the hearts of every single person she meets. A wonderful creation, a true friend to all, a non-traditional hero; that is Tohru Honda in a rice ball - sweet on the inside and the outside.
9. Wonder Woman
Do I need to say anything here? It's Wonder Woman! The most famous, iconic feminist character and superheroine in the world. As I've come to read more and more about her, and watch films and her 70s TV show starring Lynda Carter, I grew to love her unconditionally. Wonder Woman, aka Diana of Themyscira, is the spirit of truth, a champion of the Greek gods. She has a unique backstory as an Amazon princess born out of clay. She's been a superhero, a warrior, a goddess, an ambassador, a writer, a secret agent - she's had more jobs and identities than Barbie. Sure she's had her fair share of bad treatment by comic book writers over the decades, but what superhero hasn't? She's been subjected to all sorts of sexist stereotyping as well, but I don't like to talk about the poorer history of Wonder Woman. After seventy-five-plus years of growth and development, she's had her ups and downs, but her status as a feminist icon hasn't changed. Wondy's saved the world hundreds of times, some without having to even be a violent warrior - she will use her intelligence and determination to seek peaceful solutions towards making the patriarchal world and her homeland Themyscira places for everyone to live in fairly and happily. Overall she is a smart, caring and loving person; as strong in personality as in super strength and flight. I adore her Lynda Carter portrayal. A symbol in every sense of the world, Wonder Woman is queen - still going strong. She is worthy of admiration, inspiration, and respect.
8. Thelma Dickinson and Louise Sawyer ('Thelma and Louise')
I already talked about these great, older ladies on my previous list, but I'll add that Thelma and Louise are very real to me. It's them against the man's world, and all they can rely on and trust is each other. They are best friends to the end, and they compliment each other perfectly: Thelma is a slightly naive, fun-loving housewife looking for excitement and freedom who gets far more than she could ever have bargained for; and Louise is a cynical, sarcastic, and loyal waitress with a tragic past who puts on a fearless front. Together they support each other and keep one another from going over the edge and giving up on their run from the law. Women, in a potentially dangerous patriarchal society, need to stick together, and don't backstab, betray or be bitter as often as a lot of other mediums seem to get off on portraying. Thelma and Louise give us hope for a better future, despite their tragic end.
7. Sailor Moon
The girl and superheroine I'm probably the most like out of all the characters on this list. Sailor Moon - star of my gateway drug into anime and my first introduction to girl power - is who I looked up to as a child; who I related to the most, and still do. I was starstruck that a seemingly lazy, non-special and overly-sensitive schoolgirl could be a fighter, even a reluctant one; someone who saves the world time and again through love and compassion, and through all kinds of hardships, rises to become a queen. The growth of Usagi Tsukino is of a royal magnitude. She is better developed in the manga than the anime, making her more likeable and well-rounded. Plus she is the picture of femininity: Pink, skirts, jewellery, sparkles, heart! She's a princess, a friend to all, and future mother of a princess. But these things are not depicted as lesser or weak. They add to Sailor Moon's strengths as a hero, and I was partly a girly-girl myself as well. She grows stronger and more powerful through her own heart and courage rather than through any deus-ex-machina crystal. She will do anything to protect those she loves dearly, and she practically created hope itself. Go check out my 'Sailor Moon' manga reviews for a further in-depth analysis into her character. She's also on here due to nostalgic reasons, I admit - a hero of my childhood. Sailor Moon - my favourite Magical Girl - who is also the original - and my favourite anime character.
6. Elsa ('Frozen')
From one queen to another, it's Elsa! I cannot gush enough, or discuss more adequately, why I love her so much. So many others have analysed her whole character already, but I'll give my two cents. Elsa is someone who was made into an introvert in order to hide the ice powers she was born with - a very powerful gift or a curse depending on how she uses it. Through most of her life she was encouraged to close herself off from everyone around her, including her loving and well-meaning family. To put on a show, and never reveal her true feelings in case her gifts are known. She believes her powers are a curse, something to be feared and concealed at all costs. This is a situation I'm sure anyone who has something different about them, or are in a minority, can relate to. They have to hide who they really are in order to fit in - to conceal, don't feel, don't let what makes them special show. To fit in a "normal" society is a survival tactic more than anything else: Bad things can happen to "freaks", and they may be hated and feared if they are different from the mundane and ordinary. Elsa, in the whole hour-and-a-half-long running time of 'Frozen', embodies this beautifully, She shows how important it is to believe in oneself, to never hate oneself, to seek the right help when needed, and to not let fear and anxiety take over one's life. Don't worry, someone is bound to understand you for who you are, and love you no matter what. Elsa, behind the closed doors, is a sad, grieving woman, but upon entrance - deeper inspection - you'll find she does have a nice, warm personality. For Disney to not make her a villain is one of the best decisions made in 'Frozen', because it shows that not everyone who is different is bad, after all. This ice queen is just misunderstood, therefore relatable. She's a case study on the whole psychological spectrum. I'm happy that Elsa is beloved by so many people she's practically become an icon - Disney's new Mickey Mouse - and not sorely because of her outward beauty. She's an independent; no one cares she has no love interest. On that note, the general public wish for her to get a girlfriend in the sequel - a perfect fit considering that her arc reflects what those in the LBGTQ community go through. It is likely too much to hope for from Disney, however, even in these progressive times, but we can dream. Elsa is a queen (imagine Disney, a queer queen!) treated with reverence and respect. Not an ice queen in her heart, it's easy to why her large fanbase resonates with her. Regal, intelligent, with more secluded depths than a snowy mountain - plus a veiled, warm sense of humour - Queen Elsa is just fantastic.
To be continued in Part 4.
Top 20 Favourite Female Characters - Part 2
15. Merida ('Brave')
What a fantastically flawed young heroine. Not really your typical rebellious Disney princess, this Scottish lass is full of energy, is brash, tough, but has a caring heart. Merida is a prodigy skilled in archery, horse riding, rock climbing and swordfighting. Her rebellion stems from being restricted in every sense of the word as a princess - she struggles with what real women of royalty have to go through all the time, and she's sick of it, since it crushes her free spirit. As a lover of fairy tales herself, Merida's story - her fate - revolves around her relationship with her mother, Queen Elinor. There is no shame in being a natural at what you do, at being proactive for a woman in medieval times; and Merida will come to learn about the significance of responsibility and that change can't come if you lash out and don't think things through. Indeed, she is reckless, she is selfish, stubborn, foolish, and in the eyes of a parent she can be a pain in the arse who makes you wish never to bear children, lest you have to deal with a teenager 24/7. But that's the thing: Merida is just like an ordinary teenager, princess or not. She is probably what a lot of us were like as teenagers, and we don't want to be reminded of how selfish and disrespectful we once were. But like Merida, we were growing up. We were never perfect. Throughout all our lives we remain human, and will make stupid mistakes. Merida does learn from her mistakes, and realises her flaws and moves on from them, for the better of herself, her family and her kingdom. Nevertheless, I will always love her fiery personality that fills the sky, and her amazing red hair. She grows into a better person socially, while never losing her fighting streak. No prince for this princess, Merida develops through the woman who gave birth to her, and she looks inside herself - a star in her own fairy tale.
14. Dory ('Finding Nemo')
Here's another character from a Pixar movie. Dory is unlike any other female character I've ever seen, and I mean it. Not because she's a fish, but because she is: A very funny comic relief, a tragic figure, someone with short-term memory loss... and remarkably her mental illness doesn't define everything about her, and is itself not played for laughs or treated offensively. Ellen DeGeneres - talented comedienne and all-around wonderful human being - is unbelievable as Dory: One of the most unforgettable voice performances in animation since Robin Williams as 'Aladdin''s Genie. Dory is a little fish lost in the big sea, ignored and avoided by other fish because she''s so vague and not easy to even start a conversation with; and yet she stays positive throughout her confused existence. "Just keep swimming", is her motto. In 'Finding Dory' - Pixar's third film with a female protagonist - Dory's story develops further, and she shows just how determined and brave she truly is. Flaky or vague, when she sets her mind on something, she never forgets it, and there is no stopping her. Unlike so many other characters with a mental illness or other disabilities in film and other mediums, such as in 'Forrest Gump' and any works of 'Mr. Magoo', Dory doesn't start her adventures by accident: She has a specific goal in mind, and makes things happen deliberately in order to achieve it. She doesn't let her memory loss hinder her, and it isn't a weakness to overcome, not in the face of finding out where she belongs in the world of fishes in the sea. Overall, the sad but happily-wondering Dory is a-dory-ble. Oh, I am so sorry, that was a terrible pun.
13. Lisbeth Slander ('The Girl with the Dragon Tattoo' ('Millennium') Trilogy)
We come to the darker and more tragic characters on the list now. Lisbeth Slander - computer hacker and genius extraordinaire - is a rape survivor and victim of child abuse. But she never lets herself be a victim: You cross her, she will promise you pain. She is remembered most admirably by her fans as an avenging angel of sexually abused women, a petite - childlike in appearance - and not to be fucked with, and is phenomenally badass in every way. She even survives a bullet to the brain and being buried alive - at the same time! She may seem like a dreary Gothic/Emo stereotype at first, but Lisbeth does not go well with labels. She is whoever the hell she wants to be - bisexual (plus!), the best hacker in the world, a detective, a person with an eidetic memory, a motorbiker etc. Lisbeth is labeled as a sociopath and mentally unstable within the 'Millennium' books, but as she proves again and again, labels - and files - do not tell you everything about a person. Her brain is brilliant, and she will be vital in exposing corruption in a system that destroyed her life. We see she is caring towards people, like her sick mother, and even when she does feel strong emotions other than hatred, such as romantic love, she is quick to stamp it out when it is inconvenient to her. She saves the male lead, Mikael Blomkvist, more than he saves her, as part of an extremely odd and complicated partnership. Extreme is Lisbeth's style, however. Lisbeth Salander is a fascinating specimen of a character. An anti-heroine with so many qualities to her eccentric personality. You can't help but love this superwoman.
12. Katniss Everdeen ('The Hunger Games' Trilogy)
One of the best portrayals of a teenage girl in YA fiction. Katniss Everdeen is brave but very vulnerable, strong yet not strong; she's in a dark, dark place, and is never afraid to cry, despite it being dangerous to show any weakness in the Capitol-ruled world of 'The Hunger Games', and she knows it. She suffers from PTSD, and really wants to give up being a "hero" to her people. Katniss never wanted to be the Mockingjay - the Girl on Fire - it all started because she just wanted to save her little sister. Now she is fighting for survival every time someone wants to use her as either a dolled-up celebrity, or as a warrior symbol for hope. Though survival is what she is an expert at. Young Katniss is forced into a war by those who wish to manipulate her for a means to an end. She is a pawn caught between two factions, an unwitting rags-to-riches figure, and a reluctant hero. However, in this nightmare where she is put through so much, where she is forced to compromise everything in her treacherous life, she tries her hardest, and after a breakdown or two induced by repeated traumatic events, she will pick herself back up again and fight for the protection of her family and friends. I want to give her a hug and soothe all the pain away, tell her it will be alright, however futile that is. Katniss' father is dead - killed in a mining accident - and her mother and sister are the healers while she is the famous Hunger Games winner bringing in vast amounts of food on the table - using her bow and arrow, for fame means nothing to her in a dystopian world; she keeps being a survivor in the woods. Survivor - externally and internally - is her key trait; she's not a lovesick teen girl the Capitol wants to imagine her as. Romance does not define her. Katniss Everdeen - an archer, a strategist, a martyr, a human being who makes mistakes and stumbles and falls, and a friend. The Girl on Fire inspires a generation of girls who will, at last, see themselves represented as heroes, and as imperfect human beings.
11. Homura Akemi ('Puella Magi Madoka Magica')
A dark Magical Girl who perfectly reflects the nature of the anime that deconstructs the Magical Girl genre, Homura Akemi's character is so tragic, you'll either love her or hate her for making you depressed. In the beginning of the series she seems like your average aloof and emotionless anime girl, but like everything in 'Madoka Magica', nothing is what it seems at first. I won't spoil a great deal about Homura, but believe me when I say that she is one of the most determined yet hopeless figures I have ever encountered in fiction. She's tragic all around - caught in a cycle of despair she can never give in to completely, or else all will truly be lost. She keeps doing what she does in order to achieve a single goal in life - to protect the one person she loves more than anything in the universe - knowing that it is pointless but that it would be dangerous if she were ever to give up. And yet, the anime doesn't exactly allow the viewer to feel sorry for her. Homura is so complex she's divisive; nothing said about her can be immediately dismissed as wrong. She is both a victim of circumstances and an instigator of them. This Magical Girl is an example of how single-minded love can corrupt and destroy. The ultimate selfless love heals, but Homura, having been trapped so long in a never-ending cycle of sorrow and ruination, cannot accept that: She's reached the point of being unable to let go, even if losing the one she loves means the world's salvation, and her freedom from despair at last. This is illustrated to greater effect in the movie, 'Rebellion'. In fact, Homura may be the most selfish character on this list, but the anime acknowledges this, and explores her multiple layers that quite literally transcend space and time. Her whole story could be interpreted as a metaphor for a domestic abuse cycle. To call Homura Akemi an anti-heroine is too simplifying for her. Rich in tragedy, heartbreak, and understanding in abhorrent acts, Homura achieves a higher plane of existence in character writing. And did I mention that she is only fourteen-years-old?
To be continued in Part 3.
What a fantastically flawed young heroine. Not really your typical rebellious Disney princess, this Scottish lass is full of energy, is brash, tough, but has a caring heart. Merida is a prodigy skilled in archery, horse riding, rock climbing and swordfighting. Her rebellion stems from being restricted in every sense of the word as a princess - she struggles with what real women of royalty have to go through all the time, and she's sick of it, since it crushes her free spirit. As a lover of fairy tales herself, Merida's story - her fate - revolves around her relationship with her mother, Queen Elinor. There is no shame in being a natural at what you do, at being proactive for a woman in medieval times; and Merida will come to learn about the significance of responsibility and that change can't come if you lash out and don't think things through. Indeed, she is reckless, she is selfish, stubborn, foolish, and in the eyes of a parent she can be a pain in the arse who makes you wish never to bear children, lest you have to deal with a teenager 24/7. But that's the thing: Merida is just like an ordinary teenager, princess or not. She is probably what a lot of us were like as teenagers, and we don't want to be reminded of how selfish and disrespectful we once were. But like Merida, we were growing up. We were never perfect. Throughout all our lives we remain human, and will make stupid mistakes. Merida does learn from her mistakes, and realises her flaws and moves on from them, for the better of herself, her family and her kingdom. Nevertheless, I will always love her fiery personality that fills the sky, and her amazing red hair. She grows into a better person socially, while never losing her fighting streak. No prince for this princess, Merida develops through the woman who gave birth to her, and she looks inside herself - a star in her own fairy tale.
14. Dory ('Finding Nemo')
Here's another character from a Pixar movie. Dory is unlike any other female character I've ever seen, and I mean it. Not because she's a fish, but because she is: A very funny comic relief, a tragic figure, someone with short-term memory loss... and remarkably her mental illness doesn't define everything about her, and is itself not played for laughs or treated offensively. Ellen DeGeneres - talented comedienne and all-around wonderful human being - is unbelievable as Dory: One of the most unforgettable voice performances in animation since Robin Williams as 'Aladdin''s Genie. Dory is a little fish lost in the big sea, ignored and avoided by other fish because she''s so vague and not easy to even start a conversation with; and yet she stays positive throughout her confused existence. "Just keep swimming", is her motto. In 'Finding Dory' - Pixar's third film with a female protagonist - Dory's story develops further, and she shows just how determined and brave she truly is. Flaky or vague, when she sets her mind on something, she never forgets it, and there is no stopping her. Unlike so many other characters with a mental illness or other disabilities in film and other mediums, such as in 'Forrest Gump' and any works of 'Mr. Magoo', Dory doesn't start her adventures by accident: She has a specific goal in mind, and makes things happen deliberately in order to achieve it. She doesn't let her memory loss hinder her, and it isn't a weakness to overcome, not in the face of finding out where she belongs in the world of fishes in the sea. Overall, the sad but happily-wondering Dory is a-dory-ble. Oh, I am so sorry, that was a terrible pun.
13. Lisbeth Slander ('The Girl with the Dragon Tattoo' ('Millennium') Trilogy)
We come to the darker and more tragic characters on the list now. Lisbeth Slander - computer hacker and genius extraordinaire - is a rape survivor and victim of child abuse. But she never lets herself be a victim: You cross her, she will promise you pain. She is remembered most admirably by her fans as an avenging angel of sexually abused women, a petite - childlike in appearance - and not to be fucked with, and is phenomenally badass in every way. She even survives a bullet to the brain and being buried alive - at the same time! She may seem like a dreary Gothic/Emo stereotype at first, but Lisbeth does not go well with labels. She is whoever the hell she wants to be - bisexual (plus!), the best hacker in the world, a detective, a person with an eidetic memory, a motorbiker etc. Lisbeth is labeled as a sociopath and mentally unstable within the 'Millennium' books, but as she proves again and again, labels - and files - do not tell you everything about a person. Her brain is brilliant, and she will be vital in exposing corruption in a system that destroyed her life. We see she is caring towards people, like her sick mother, and even when she does feel strong emotions other than hatred, such as romantic love, she is quick to stamp it out when it is inconvenient to her. She saves the male lead, Mikael Blomkvist, more than he saves her, as part of an extremely odd and complicated partnership. Extreme is Lisbeth's style, however. Lisbeth Salander is a fascinating specimen of a character. An anti-heroine with so many qualities to her eccentric personality. You can't help but love this superwoman.
12. Katniss Everdeen ('The Hunger Games' Trilogy)
One of the best portrayals of a teenage girl in YA fiction. Katniss Everdeen is brave but very vulnerable, strong yet not strong; she's in a dark, dark place, and is never afraid to cry, despite it being dangerous to show any weakness in the Capitol-ruled world of 'The Hunger Games', and she knows it. She suffers from PTSD, and really wants to give up being a "hero" to her people. Katniss never wanted to be the Mockingjay - the Girl on Fire - it all started because she just wanted to save her little sister. Now she is fighting for survival every time someone wants to use her as either a dolled-up celebrity, or as a warrior symbol for hope. Though survival is what she is an expert at. Young Katniss is forced into a war by those who wish to manipulate her for a means to an end. She is a pawn caught between two factions, an unwitting rags-to-riches figure, and a reluctant hero. However, in this nightmare where she is put through so much, where she is forced to compromise everything in her treacherous life, she tries her hardest, and after a breakdown or two induced by repeated traumatic events, she will pick herself back up again and fight for the protection of her family and friends. I want to give her a hug and soothe all the pain away, tell her it will be alright, however futile that is. Katniss' father is dead - killed in a mining accident - and her mother and sister are the healers while she is the famous Hunger Games winner bringing in vast amounts of food on the table - using her bow and arrow, for fame means nothing to her in a dystopian world; she keeps being a survivor in the woods. Survivor - externally and internally - is her key trait; she's not a lovesick teen girl the Capitol wants to imagine her as. Romance does not define her. Katniss Everdeen - an archer, a strategist, a martyr, a human being who makes mistakes and stumbles and falls, and a friend. The Girl on Fire inspires a generation of girls who will, at last, see themselves represented as heroes, and as imperfect human beings.
11. Homura Akemi ('Puella Magi Madoka Magica')
A dark Magical Girl who perfectly reflects the nature of the anime that deconstructs the Magical Girl genre, Homura Akemi's character is so tragic, you'll either love her or hate her for making you depressed. In the beginning of the series she seems like your average aloof and emotionless anime girl, but like everything in 'Madoka Magica', nothing is what it seems at first. I won't spoil a great deal about Homura, but believe me when I say that she is one of the most determined yet hopeless figures I have ever encountered in fiction. She's tragic all around - caught in a cycle of despair she can never give in to completely, or else all will truly be lost. She keeps doing what she does in order to achieve a single goal in life - to protect the one person she loves more than anything in the universe - knowing that it is pointless but that it would be dangerous if she were ever to give up. And yet, the anime doesn't exactly allow the viewer to feel sorry for her. Homura is so complex she's divisive; nothing said about her can be immediately dismissed as wrong. She is both a victim of circumstances and an instigator of them. This Magical Girl is an example of how single-minded love can corrupt and destroy. The ultimate selfless love heals, but Homura, having been trapped so long in a never-ending cycle of sorrow and ruination, cannot accept that: She's reached the point of being unable to let go, even if losing the one she loves means the world's salvation, and her freedom from despair at last. This is illustrated to greater effect in the movie, 'Rebellion'. In fact, Homura may be the most selfish character on this list, but the anime acknowledges this, and explores her multiple layers that quite literally transcend space and time. Her whole story could be interpreted as a metaphor for a domestic abuse cycle. To call Homura Akemi an anti-heroine is too simplifying for her. Rich in tragedy, heartbreak, and understanding in abhorrent acts, Homura achieves a higher plane of existence in character writing. And did I mention that she is only fourteen-years-old?
To be continued in Part 3.
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