Sunday, 19 April 2026

Graphic Novel Review - 'Supergirl Vol. 1: Misadventures in Midvale' by Sophie Campbell (Writer, Artist), Rosi Kämpe (Artist), Paulina Ganucheau (Artist), Tamra Bonvillain (Colourist), Marissa Louise (Colourist), Kendall Goode (Colourist), Becca Carey (Letterer)

I figured I'd read more 'Supergirl' comics, what with the new film coming out this year, and the new comic, 'Supergirl Vol. 1: Misadventures in Midvale', is one of them.

Up until now, 'Supergirl: Being Super' was the only 'Supergirl' comic I liked (a reread of 'Supergirl: Woman of Tomorrow' would also rectify this, but that's for another review), and although 'Supergirl Vol. 1: Misadventures in Midvale' is far from perfect, and kind of a confused mess that doesn't seem to know who its target demographic is, it is a fun, funny, bright and colourful superheroine comic.

I'm not sure how old Supergirl/Kara Zor-El/Linda Danvers is supposed to be here, when she looks and sometimes acts like a teenager, albeit a very responsible and seasoned one with more of a level head than she is often given credit for. But regardless, there is zany and silly stuff to be had in 'Misadventures in Midvale', such as an imposter Supergirl (Lesla-Lar, later called Luminary, and she has a pet bunny rabbit named Kandy), Krypto the Superdog, Streaky the Supercat, Tinytano the tiny super gorilla, Lena Luthor, the daughter of Lex Luthor (who is plenty goth, and seems to be connected to Brainiac somehow?), Luna Lustrum the psionic goth girl (there are a lot of L-names in the Super-Fam stories), Kandor, Princess Shark and her shark invasions, Supergirl being turned into Satan Girl, a goth party, an adorable and funny issue starring the Super-Pets, Nightflame, and Kara experiencing her worst nightmares and memories, and she breaks through and overcomes it all with the power of female friendship, and realising that her darkness is her strength, not her weakness (the tone really gets muddled there, in the final issue, but it's good character development for Kara).

I'm glad I'm giving Supergirl another chance, at least with her modern incarnations. Between this and the much darker 'Supergirl: Woman of Tomorrow', I properly see now that she isn't Superman's frivolous, smiley and moody teenage cousin and distaff counterpart - Kara Zor-El is a truly tragic character, having experienced so much loss and devastation when she was just a child; the weight of her whole destroyed planet, civilisation, and family on her small shoulders. Unlike Superman, she remembers Krypton, and her Kryptonian family - she had a whole life on another world, that she took for granted, and only survived out of pure luck. While she always tries not to show it, under a youthful, sunshiny, compassionate and hopeful persona, she is a supernova of pain and grief.

But she will not let it end her. She will not let the memory of Krypton die with her. She will keep going; keep moving; keep flying.

And she will not let anyone else suffer like she has.

As Supergirl, she will use her godlike powers to help others, to do good, after having faced the worst the universe had to throw at her, as an innocent young girl, no longer so innocent and naïve.

Supergirl - a Schrodinger's cat of being both hopeful and happy, and despairful and sorrowful. Not quite a teenager, not quite an adult. Young and continuously learning, yet has experienced enough for multiple human lifetimes. Like a less "perfect" Wonder Woman.

Supergirl is a survivor. The epitome of strength and endurance and perseverance, in a stereotypical young, small, skinny, pretty, weak, female body.

What an inspirational heroine. Finally allowed to shoot like the brightest, fastest star, out of her cousin's shadow.

Power Girl isn't the only interesting female Super-Family member, after all. My apologies, dear, dear Kara. You are a miracle, a girl of hope, come to earth from the stars.

Final Score: 3.5/5

Graphic Novel Review - 'Harley Quinn Vol. 1: Destructive Comics' by Elliott Kalan (Writer), Mindy Lee (Artist), Triona Farrell (Colourist), Lucas Gattoni (Letterer)

Well, I'm back reading a new 'Harley Quinn' comic.

Now Harley and Poison Ivy are on a sort-of trial separation, that has to do with the events of Ivy's own current comic run. So Harls is out of the swamp and back in Gotham, in Throatcutter Hill, in a reconnecting-with-your-past, gentrification and condo development storyline, where she flirts with building developer, estate mogul, industrialist and capitalist girlboss bitch Althea Klang (who is so much like a female Seto Kaiba, it is too funny), in a love/hate war for Throatcutter Hill's rotten and rotting soul.

Don't worry, she's still in love with Ivy. In fact, in one issue they are back together in Ivy's swamp, fighting a psycho pig man. Harlivy are OTP forever.

There is a bum "superhero" from Harley's college days, a cranky, cantankerous old landlady, a family of Clayfaces, the destruction of new monuments, the thwarting of Amazon delivery vans, the bombing of septic lines, a found family theme, Harley constantly arguing with her brain 'The Simpsons'-style, and Harley's hyenas, that get forgotten about after the third issue.

It is all absolutely bonkers. Unadulterated nonsense. In others words, it is a superhero/supervillain/antihero comic. 'Destructive Comics' indeed.

'Harley Quinn Vol. 1: Destructive Comics' is one of the most hilarious comic books I have ever read. There are genuinely funny and clever moments, jokes and lines of dialogue. It is unabashedly irreverent, chaotic and topsy-turvy, and you've got to love it for it. It is like the best comedy manga/anime.

Colourful, subversive, anarchic, hell-ter-skelter, queer fun. A sugar, pork and chicken rush.

Wild!

A mad-dash comedy goldrush!

With the Joker completely absent from the whole thing.

Now this is Harley Quinn, as she should be!

Final Score: 3.5/5

Graphic Novel Review - 'The Lost Daughter of Sparta' by Felicia Day (Writer), Rowan MacColl (Artist)

'The Lost Daughter of Sparta' is a monumental and phenomenal powerhouse of a feminist Greek mythology graphic novel.

It explores the story of Philonoe, the youngest and forgotten sister of Helen of Troy. She's a woman who's been lost to time. Even the mists of myth no longer acknowledge her existence.

Until now.

Considered cursed because of a facial birthmark, Princess Philonoe was sent away as a baby to live as a poor goatherd. Quite appropriate, seeing as she is one of her family's female scapegoats - has been since birth. Her life is that of abandonment issues, and starvation of love, value, worthiness, and belonging. When she comes of age, she is finally allowed back into the presence of her parents, who she hopes to "earn" their love, and make them see her, by behaving exactly as she is supposed to; meaning: by becoming the perfect wife to a prince from an allying Greek city. And by hiding her face with a veil at all times.

Youthful, naïve, and desperate, Philonoe believes she has to conform to a patriarchal system of total submissiveness, faithfulness and loyalty to men in order to fit in and be loved, regardless of what is true and what is right for her.

But on her Twelve Labours-style quest to break her curse - and another curse placed on her and her older sisters, that causes them to inevitably "betray their husbands" - all initiated by Aphrodite - Philonoe, guided by Artemis, learns that the misogynistic patriarchy by its very concept will never love and accept her, and it will never make her happy. It will never allow her to be happy, to belong, to be free as she is. People living in and benefitting from that hierarchy will always hate and judge her, no matter what she does. A "perfect wife and mother" is a lie and a trap.

Philonoe will find the strength and resolve to love herself, to put herself and her needs first, no matter what anyone thinks. She will realise that she deserves love and respect too.

She will love other women, including her sisters, who she only knew by their "traitorous, treacherous, scandalous and destructive" reputations, and "monster" women. Like her, they are in fact victims of the machinations of insecure and power-mad male gods and heroes, and kings.

Perhaps she will also find love in a certain goddess who has her eye on her...

I'm so glad that, even with my knowledge of Greek mythology, I've finally gotten to know Philonoe, and other female figures - such as Clytemnestra, Timandra, Echidna, and including the genderfluid Caenis/Caeneus - who are more than worthy of having their stories told, and remembered.

Philonoe is a real immortal heroine in 'The Lost Daughter of Sparta'! She is so human, vulnerable, lost, naïve, scruffy, scrappy, relatable, and imperfect, and her development throughout her journey is a beautiful thing to witness. She is loved and seen, and respected, as herself - %$*^! any "curses", and how she looks.

I love this interpretation of my girl Artemis, as well. She's a stubborn, hard-arse warrior woman with a heart of gold - and a crescent moon on her forehead! - and she's a feminist LBGTQ+ icon who is forever exploring her sexuality and horizons. Artemis's design in the graphic novel resembles that of Pearl from 'Steven Universe', so much so that I suspect it was intentional.

How happy I am that stories like 'The Lost Daughter of Sparta' are still being told; are continuing to exist in the mainstream public eye. And how happy I am that I decided to buy it on a whim upon seeing it for the first time in my local bookshop, despite having reservations about the rough, cartoony black and white and red artwork, and having never read anything by Felicia Day before.

'The Lost Daughter of Sparta' - just read this feminist graphic novel mistress-work, that respects, understands and celebrates forgotten women in history, myth and legend. Independent, LBGTQ+ women, that is. It is an epic tale matching (and marching!) that of 'Odysseus'. For fans of 'The One Hundred Nights of Hero''Young Hag''The Fox Maidens''Heathen', and 'The Girl, the Priest, and the Devil', it is definitely a must-hunt-down-and-devour.

Also recommended are 'Goddess of The Hunt''Great Goddesses', and 'Warriors, Witches, Women: Mythology's Fiercest Females'.

(In my opinion, 'The Lost Daughter of Sparta' is much better than any of the modern bestselling novels that retell Greek myths with a "feminist twist", that are being churned out ad nauseum.)

Final Score: 4.5/5 (five Artemis's crescent moons!)

Sunday, 5 April 2026

April 2026 Netflix & Disney+ Update

I'm ready to document what I've been watching on Netflix and Disney+ since December 2025, as a continuing fangirl at heart. I'll mostly list TV shows, and when it comes to films it'll be from Netflix only, to keep things simple. Some of them will be rewatches from my past subscriptions. No specials or shorts will be included.

Also, I have now cancelled my Netflix subscription. I will continue to use Disney+, but only for the time being. I never wish to support unethical, exploitative, abusive and authoritative corporations owned by billionaires. Fuck capitalism and AI.

I'll break up my list based on what I recommend, what is middling to me, and what I don't recommend. In terms of order, the TV series/films will start from which I feel strongest towards (positively for my recommended favourites, negatively for my unrecommended least favourites).

Enjoy!





Netflix


Recommended: Nimona (always), Heartstopper (despite my one misgiving of the first season *cough*Tao*cough*, the rest is absolutely worth hundreds of rewatches, for it is a beautiful miracle of a series), Hilda (again, always), Dead End: Paranormal Park (ALWAYS ALWAYS ALWAYS!), Little Witch Academia (such an adorable, magical anime), Sailor Moon Crystal Cosmos (both this and Eternal are recommended for all Sailor Moon fans), K-Pop Demon Hunters, Scaredy Cats (a charming and adorable live action children's fantasy series worth many rewatches), Ultraman: Rising.


Middling/Would Not Stop You From Checking OutWednesday, Bridgerton (up to season two), Unicorn Store (it is truly a shame that the first movie I ever watched on Netflix, and which actually made me cry, doesn't quite hold up as well as I hoped on a 2026 rewatch, but I can live with it), Damsel, Chicken Run: Dawn of the Nugget,
Arcane: League of Legends (the first season is still good, but the second is a big disappointment, in my opinion), Magia Record (okay, WTF was that? It's not bad, but wow it is an exhausting watch! It's the plot holes that ultimately undo it), Haunted Hotel, Rise of the Teenage Mutant Ninja Turtles: The Movie, Rumble.


Skip it/Avoid Like the PlagueJentry Chau vs. The Underworld, A Whisker Away, World of Winx (I am still mystified by how and why this exists; it is unbelievably desperate and sad, even for Winx Club (in fact, it has nothing to do with Winx!) and Iginio Staffi - unbearable, and almost unwatchable), Kitti Katz (so good it doesn't have a Wikipedia page!), Disenchantment (I watched all five seasons, and it was not worth it), Witch Watch, SuzumeMermaid Magic (another with no Wikipedia page! Though it is not as bland, mediocre and forgettable as Kitti Katz, it is nothing special, and do not support Iginio Straffi or Rainbow S.p.A, and I say this despite my guilty pleasure love for Winx Club), Spellbound (I don't care that the story's main theme is quite poignant and original - do not support anything produced by He-Who-Shall-Not-Be-Named-Sexual-Predator-Still-Hired-To-Produce-Children's-Films, and it did not need to be a musical; said musical numbers sound AI-generated anyway), The TwitsThe Last Kingdom (gave up after the first season), Anne with an E (same, and Hecate and Hades it is a dark, depressing programme! when it is based on such an optimistic and magical book, and it is not for children to see), Cosmic Princess Kaguya! (a lot of disappointing anime on here, sadly, that I find to be baffling, regressive and toxic in their messaging).



Disney+


Recommended: The Owl House (my favourite show ever, so how could I not?), The Ghost and Molly McGee (adorbs!), Gargoyles (first and second seasons only), Sofia the First (I was pleasantly surprised), Amphibia (another rewatch), Moon Girl and Devil Dinosaur, X-Men '97, The New Adventures of Winnie the Pooh (in fact, I like most of the Winnie the Pooh stuff on Disney+, especially the films - they're so charming and funny!), Bluey.


Middling/Would Not Stop You From Checking OutMilo Murphy's LawTangled: The Series (aka Rapunzel's Tangled Adventure), Darkwing Duck.


Skip it/Avoid Like the PlagueIronheart (there is no heart to be found here - the worst, most lurid, morally abhorrent and evil-minded thing ever dished out by the increasingly dire and burned-out corporate hell that is the MCU, and that is heartbreaking (pun unintended) coming from a show with an all Black and POC cast), Elena of Avalor (Sofia the First this ain't - what a stupid, stupid show, and again, I hate having to say anything negative about a POC-led show, especially for children), Fancy Nancy (just...don't), Alice's Wonderland Bakery (anything Wonderland-related should never be boring and pedestrian, yet here we are).





Additional recommended films/New DVDs and Blu-rays: 100 Nights of Hero, The Emperor's New Groove, Soul, The Marvels, Mean Girls (2004 and 2024).

Yeah. I've been watching far too much television.

In the future I plan to rewatch longer shows, such as The Simpsons, Steven Universe, and She-Ra: Princess of Power. I currently own DVDs, bought from eBay, of The Owl House, Amphibia, Hilda, Dead End: Paranormal Park, and She Ra and the Princesses of Power.

As if all this wasn't enough, I watched Winx Club (up to season six, to save my remaining braincells) and the movies on YouTube, but that's neither here nor there.

I need to get my act together, and get a life and be an adult already lol.

But fiction and stories can save us all, and remind us of our morals, ethics and humanity in an increasingly effed-up, dystopic world.

Well, that's it for my updates at the moment.

Keep safe, and loving and caring.

Never stop caring.



Tuesday, 31 March 2026

Artemis Crescent's Pink Moon 2026

Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon! Pink Moon!


Sources:







Google sources:

The pink moon will reach peak illumination on Wednesday, April 1 at 10:12 p.m., according to The Old Farmer's Almanac. To catch a glimpse, simply look toward the eastern horizon after sunset.

The Pink Moon will light up the sky on April 2, 2026. Despite its name, the Moon will not appear pink — the name comes from the Creeping Phlox, one of the first spring flowers to bloom, spreading soft pink colors across the landscape.

The Pink Moon is the full moon in April, named after the herb moss pink (wild ground phlox), which blooms early in spring. It signifies rebirth, growth, renewal, and the end of winter. While not appearing pink in color, it represents a "waking up" of nature and is a time for setting intentions.

This Full Moon asks us to restore harmony by addressing imbalances, disharmony, and lack of reciprocity in our lives and relationships.

This Pink Full Moon symbolizes rebirth, growth, and beauty — ushering in a time for emotional release, heart-opening, balance, and inner peace. 



Tuesday, 24 March 2026

100 Nights of Hero (2025) post

I hadn't heard of this film until a couple months ago, and the second I did I thought, "WTF?! There's a film adaptation of my favourite graphic novel of all time?! How did I not hear of this until now?! What cosmic force is trolling me?!" Worse, there was no way for me to see it. It's an indie film with LBGTQ+ themes, so of course it didn't receive a wide mainstream release. Fucking smallminded, cowardly conservatives.

It's criminal how so few people have heard of 100 Nights of Hero, and are not spreading the word, for it is important that it attract as much attention as possible.

But now I've bought a Blu-ray of it from eBay (imported from China), and I have finally seen it.

Yes, it is messy. But I liked it. I understand why they had to change some things, since graphic novels are not the same as the medium of film. It is still a fairy tale/storytelling/feminism/anti-dogma/moon/LBGTQ themed story put on celluloid. All the actors are very good. Nicholas Galitzine is ridiculously excellent at playing arseholes (with a heart of gold...?), yet he is so charming and smoldery that I like him in every role he's done (I refuse to watch Purple Hearts, though, and I need to stop getting him confused with Nick Robinson).

Overall, 100 Nights of Hero is a whimsical and cute little movie. It is definitely unique, and made by an almost-all female team of filmmakers. Anything to support LBGTQ+ films, as well.

I should watch it again. And again.

But you need to read the original graphic novel by Isabel Greenberg. Therein lies so much more substance, and feminist fairy tales told by Hero. I will never forget the day I stumbled across it in my local library in 2017, and going back again and again to read it there, before I bought my own copy. It's a truly magical and enriching experience.

Read my review of The One Hundred Nights of Hero here.



I got back from surgery yesterday. I don't want to go into details at the moment, but it was a 100% success, and I feel I'm getting better, and hopefully things will turn out well and okay. 💖💖💖💗💗💗💝💝💝🩷🩷🩷💜💜💜💕💕💕💞💞💞🥰🥰🥰