Monday, 24 August 2026

Graphic Novel Review - 'Mary Sue' by Meghan Fitzmartin (Writer), Lisa Sterle (Artist), Dearbhla Kelly (Colourist), Heather Breckel (Colourist), Jodie Troutman (Letterer)

'Mary Sue' is a fun, funny feminist comic, that delves a lot deeper into fanfiction as a concept, and fandom as a culture and community, than I had anticipated before reading.

Without spoiling much, I would say it is a bit like a better, more self-aware version of the film 'Ruby Sparks', and the Cartoon Network animated series 'Foster's Home for Imaginary Friends'. With LBGTQIA+ elements. It really took me back to what fandoms and fanfic writing were like in the 2000s, back when the internet was fairly new. So much nostalgia!

However, it isn't all rosy. 'Mary Sue' simultaneously reminded me of the unfortunate, callous, harmful, vitriolic toxicity that came from that time period. And in many, subtle ways, despite age, experience and seeing the consequences, it continues insidiously to the current year of 2026.

The internet, and social media, is both a gift and a curse. Mostly a curse

(I admit this isn't so much a comic review as a pop culture feminist rant, but if you could bear with me for the next ten paragraphs - or just skip them entirely if you want - until I start talking about the actual comic, then thank you, you are lovely people.)

Around the mid 2000s, after the publication of 'Twilight' in fact, the term "Mary Sue" was everywhere. It wasn't being used to solely target Bella Swan - it was talked about universally and constantly, bouncing about and infecting the internet like a poisoned ball. I know I took a few 'Mary Sue Litmus Tests' online back in the day, that turned out to be meaningless, shallow, arbitrary, overly harsh and critical with little to no understanding of how fictional stories and characters worked, and rather a by-product of a misogynistic society and culture.

Because the term and insult of "Mary Sue", and how we've known it for decades, is rooted in misogyny - a deep-seated fear and dislike of really any female character, protagonist or side player, who does not fit the traditional, 1950s patriarchal gender role of the passive, dainty, docile and submissive female, who only exists for (straight) male fantasies and desires, and as a reward and prize for masculine, ego-stroking heroism. Men feel threatened and emasculated by a "Mary Sue" when she takes on the traditional male hero portrayal that has existed for eons; since storytelling became profitable. If she is a "too perfect, self-insert wish-fulfilment fantasy", then chances are she is like 90% of every male protagonist in every medium ever, who were written by men. Double standards are a plague.

I know that "Gary Stu" or "Marty Stu" exist as male equivalents, but they are rarely used compared to "Mary Sue", and have since faded into obscurity and almost nonexistence since the 2000s - the patriarchal power of finding enduring ways to insult, ridicule and belittle women for existing in any space eclipses all.

If you think about it, aren't all "Mary Sues" just heroines wanting to be heroines, demanding to be seen and heard? They can be angsty and self-indulgent - just like male characters, in the multifold, manifold (heh) allowances made for them - but they can also be used as the most charismatic and colourful tools to help people, and make them happy, and in turn make the world a better, more idealised and inclusive place. When written well, this isn't always a bad thing.

Aren't "Mary Sues" an expression of women writers' suppressed passions?

Now misogyny has become so prevalent and desperate that "Mary Sue" has lost every once and angle of its intended meaning it was once "coined". Anything about it that may have referred to a well-meaning, good faith writing criticism is gone, and it has been reinterpreted into a shorthand for "female character I dislike" - which translates to: "any female lead with agency, motive, drive, backstory and personality (and believable, human flaws) in anything in pop culture. No I don't have a problem with women, shut up!".

I mean for crying out loud, the term originated back in 1973, as a parody/political rebel character in a 'Star Trek' fanfic/fanzine. What happened to the satire, self-awareness and feminist rebellion as first depicted?

The misogynistic patriarchy took "Mary Sue", twisted the character and what she represents to its own ends, stamped derogatory on her very existence, and turned her into one of the many, many lazy and pathetic blanket insults and buzzwords to express hatred towards women, both in fiction and in real life.

Thus, instead of a unique, endearing, funny, and empowering, inspirational and aspirational figure, she became a cautionary tale, a "what NOT to do and be", or more appropriately and honestly, to decode it entirely: "how not to be a threat to the status quo, to cishet white men". Don't be inspired to change anything. To learn, progress, and express your true and best selves.

This is censorship, and it is done exactly by the patriarchy's design.

'Mary Sue' - the comic by Meghan Fitzmartin and Lisa Sterle - explores these themes, in informative, educational, varied, colourful, fun, clever and witty directions. As well as showcasing how insecure girls and women use fanfiction as an outlet to express their geeky love, creativity, and idealised versions of themselves (and other people in their lives), there are other important themes tackled, such as friendship and community (i.e. real friendships existing online only are possible with the right and trusted people, who come together through a common interest and passion), and loneliness and isolation (i.e. why so many get obsessed with, and addicted to media and fandoms, to the detriment of real world experiences, connections and responsibilities; how their emotional growth can be stunted).

It covers and parodies fandoms of stuff like 'Riverdale', 'Supernatural', 'Buffy the Vampire Slayer', 'The Vampire Diaries', 'Our Flag Means Death' (I think), 'Doctor Who', 'Sherlock', and of course, 'Star Trek'. It also references 'Sailor Moon' (heck yes!), 'Steven Universe', 'The X-Files', superheroes, and 'Tinker Bell' (!). I think the infamous 'My Immortal' fanfic is unsubtly referenced at some point in the story. It's all so adorable and funny.

It's okay to be devoted and dedicated to the things you love, that make you happy! By healthy means!

The female creators' love of fandoms and fanfiction - current and nostalgic, like from the 90s onwards - is everywhere in this comic.

Sure, it is far from perfect: there are occasional small, odd flaws that are quite baffling, such as a character making a meanspirited and/or snobby comment out of nowhere and isn't called out on it; it is unfortunately very white - it could have been a lot more socially conscious, especially with its setting in a largely Christian conservative American town, and its potential religious trauma/social stigma theme (?); and it's too short, and ends on a bloody cliffhanger. What cheek and cheapness.

But I can't help myself. I am a fangirl, I love pop culture - always have, always will - and 'Mary Sue' brought me back to the zeitgeist of the era that shaped me in my awkward, geeky, pop culture and feminism-loving teens.

I have never personally written fanfiction of any of the TV shows, films and books I was into. I was too shy and self-conscious for that kind of attention, and looking back, I'm exceedingly glad I didn't go down that potentially toxic rabbit hole that would have broken and destroyed my confidence and self-esteem. But I thought and imagined my own ideas that number the stars of the Milky Way, with my own OCs.

'Mary Sue' taught me that there is, in fact, nothing wrong with that. It's normal and healthy - fantasies and fantasies shared are normal and healthy tools of self-expression; as well as creative vehicles for sorting through your issues, healthily, though professional therapy is another option.

Fanfiction and Mary Sues, through encouragement and support via community, can be a great starting point for aspiring writers. Historically, with numerous examples, this is the case.

There is nothing wrong with Mary Sues. Let's celebrate every Mary Sue.

Reclaim the term, the character, the symbol, the icon. Return it to its original intended purpose, created in the 1970s. Make it no longer a misogynistic dog whistling term, but a badge of pride.

Female self-insert heroes for the win! They will save the world! The world of fandom and representation! F*@%! censorship!

Meghan Fitzmartin's 'Reclaiming the Mary Sue' essay at the end of the comic is a must-read, to boot.

Oh, and the art by Lisa Sterle, and coloured by Dearbhla Kelly and Heather Breckel, is very nice.

Final Score: 3.5/5

Friday, 14 August 2026

Manga Review - 'I Married My Female Friend Vol. 1' by Shio Usui

From the creator of 'Doughnuts Under a Crescent Moon' comes another sweet little slice-of-life yuri manga, 'I Married My Female Friend'.

It is like 'I Married My Best Friend to Shut My Parents Up', only a more appropriate title would be, 'I Married My Best Friend Upon Losing a Five-Year-Long Singles Bet and As Part of My Lifestyle Column'.

(Neither FMC's parents are even mentioned in the first volume.)

Kurumi is a writer of magazine articles who lives fairly carefree, thinking she's too preoccupied and selfish to be married to anyone - that she's unsuited for that life - and Ruriko is her best friend since school, a chef and a caterer (I think? I'm not exactly sure what she does) who is clearly in love with her, and who immediately gets Kurumi to marry her as the result of a promise they made five years earlier - that if they are both still single after that time, they will marry each other.

It wasn't a silly whim made by two girlfriends, as Kurumi had thought. She decides to write a series column about it for an online mag, titled 'I Married My Female Friend', which grows popular.

Speaking of growth, let the feelings of love - of different kinds, gradually deepening - between "friends" who are already married and living together, begin! See their relationship change and develop in ways they could not expect or anticipate!

'I Married My Female Friend Vol. 1' is very simple slice-of-life, but it's engaging, endearing and sweet enough to never be boring. The cover, with the two women holding each side of a grocery bag as they walk together? It bookends the volume. And the end of the third chapter has them both on a train towards home after a picnic, and because there are schoolgirls on the train as well, in the same uniform the women once wore a long time ago, the sleepy Kurumi thinks they are still schoolgirls, and have to get off at different stops as they live in separate homes. Then she falls asleep proper, her head resting on Ruriko's shoulder. Ruriko finds this adorable.

I know I keep using this word, but it's so sweet! And modern and realistic.

Kurumi and Ruriko mean so much to each other.

'I Married My Female Friend Vol. 1' is a recommended yuri title, that's just wholesome and nice.

It also reminds me of 'She Loves to Cook, and She Loves to Eat'.



'We might have gotten married...on a bit of a whim... [...] But I wouldn't have done this with just anyone. [...] You're special to me, Ruriko. [...] You could never put me out.'


'I know that all of this... [...] Could disappear someday. [...] But... [...] But I pray this married life of ours... [...] Won't end any time soon.'



Final Score: 3.5/5

Graphic Novel Review - 'Elfie's Spellbook, Volumes 1 & 2: Elfie's Spellbook and The Song of the Cicadas' by Christophe Arleston (Writer), Audrey Alwett (Writer), Mini Ludvin (Artist), Hélène Lenoble (Colourist), Anam Zafar (Translator)

'Elfie's Spellbook, Volumes 1 & 2: Elfie's Spellbook and The Song of the Cicadas' is a charming French fantasy graphic novel series for all ages. Sweet, funny, dynamic, creative, clever, educational, and all kinds of magical, it reminds me of the fantasy books I used to read as a schoolgirl, and of the Saturday morning and weekday evening cartoons I used to watch faithfully, routinely and repeatedly.

The premise alone - a young girl goes travelling from place to place in a book bus with her two older sisters (all the while escaping their comedically overbearing aunt), and is gifted her late author mother's notebook, a beautiful red tome with gems and "Feed Me" ("nourris moi") on the cover, and it turns out to be a spellbook, and whenever she writes her own stories in it, a gem on the cover glows, and when she makes origami animals out of the pages, they come to life, and help her out in trying to solve the problems of the places she's visiting - is ripe with promise and potential, and the execution fulfils this wonderfully. It makes for multiple serial and episodic adventures, which, along with the art, the characters, and the situations, is part of the reason 'Elfie's Spellbook' reminds me of a cartoon.

Elfie Roncelune herself is a likeable and believable young heroine (I think she's supposed to be ten or eleven?). She's moody, temperamental, impatient, stubborn, and selfish, like any kid her age and circumstance would be, and she's also curious, inquisitive, altruistic, and compassionate when she needs to be. She's a writer, and she's a witch, like her beloved and tragic maman before her. As well as making magical origami animals out of her inherited spellbook, she rides an origami broomstick come to life! She's like 'Kiki's Delivery Service'!

Elfie lives in a travelling red book bus from London, with sisters. She writes stories and she stargazes on the roof at night (the gems on her spellbook form the Pleiades constellation - it's all connected). I want her life! She also has a Totoro stuffie (another Studio Ghibli reference, and there is a Ghibli and general anime vibe here, to go with the universal and myriad cartoon vibe), and a pet myna bird, Gravier; it's not only animals that come from origami that are her friends (at the moment it's an origami frog, and mice. So cute and funny!). She loves puffins, too.

There is some diversity present, in graphic novel volumes set in modern rural France. One notable example of inclusivity is Elfie's adolescent sister Magda, and her prosthetic leg, an aftermath from the housefire that killed their mother. This disability rep could have been handled better, and Elfie doesn't always get along with Magda specifically because she accuses her of being able to get away with everything and do whatever she wants due to her prosthetic. But it does come into play for Magda's character more than once, and it is never forgotten about, and, thank goodness, Elfie becomes more sympathetic and thoughtful towards her later on.

Despite being a social media influencer, Magda isn't as shallow as she first appears, nor is she a "dumb blonde" stereotype. She is clearly a traumatised girl with many complex feelings needing to be expressed in healthy ways. She occasionally helps Elfie with her investigations, even though she doesn't know about the true nature of the spellbook, or any magical goings on; Elfie is happy to let Magda get involved, to an extent, to boost her sister's confidence and self-esteem, which is a nice, lovely touch.

I like Elfie's other sister, as well - eighteen-year-old Louette - bookseller, driver, mechanic, teacher, and shorthaired and possibly queer-coded badass. Louette somehow finagled her way into becoming Elfie and Magda's legal guardian, and owner of a red bus from London, that's filled with books in French?! And apparently she's got permits for everything. Yeah, it's best not to think too hard about it - let's enjoy the fun and magic of it all!

'Elfie's Spellbook, Volumes 1 & 2: Elfie's Spellbook and The Song of the Cicadas' - one of the stories, and graphic novels, that make me love the fantasy genre all over again. The passion, care and magic are there!

The first two volumes are pretty slice-of-life/cosy fantasy, but that could change down the line - down the road. I might read the next volumes when they come out in English, or maybe not. Who knows? I do want to see more origami animals! And a deeper exploration of the theme of the magic in stories and storytelling, passed down through generations of powerful and misunderstood women.

But for now, I'll keep and enjoy this unique, nostalgic, imaginative, cute, colourful, clever, hilarious, heartfelt, inspired and inspirational artistic gem.

Magic is real - on paper, sweethearts!

Final Score: 4/5

Graphic Novel Review - 'Mamo' by Sas Milledge

Three times.

Three times I read 'Mamo', in the span of three years.

I guess third times' the charm, because finally, finally, I fully understand, appreciate, and like and enjoy this queer witchy graphic novel for all ages. I will finally be keeping my own copy (my second read was of a library copy).

I won't say much (mulch) what loads and loads of other readers haven't already said and praised to high heaven, and much (mulch) better than I ever could, but 'Mamo' is an instant classic for good reasons. As well as its vital representation and diversity, it is just a great, dramatic, stakes-filled, clever, well developed and well-thought-out witch story. It contains themes of nature, environmentalism, buried pasts, trauma, memory, choice, community, and belonging, and family - both loving and toxic, and blood related and founded.

Even with the dramatic, tense and scary moments, there is also a pervasive kindness and gentleness to 'Mamo'. There is kindness as well as cleverness, courage and determination throughout; the graphic novel teaches us that love is, in fact, everywhere, and cynicism, division, narcissism, manipulation, and toxic possessiveness will not win.

It is a lovely and human story, within a grounded, serious narrative and setting (small fishermen's seaside, farm, woods and hedge town), filled with believable and logically-structured witch magic and supernatural elements.

It is well written, and surprisingly realistic. And dark. Realistically dark, yet hopeful and compassionate.

There are curses, moths, currawongs, bones, fairy rings, ghosts, little rock trolls, fish, sheep, nettle bracelets, and a black cat (of course!). The art is fantastic, too, as is the gorgeous cover art contained in the gallery at the end (some by Trung Le Nguyen!). Though I am a little disappointed that the final, chosen cover has the two female leads climbing trees together up towards the sky, when we never see anything of the sort in the actual graphic novel.

'Mamo' - all I have left to say is, I wish Joanna "Jo" Manalo and Orla O'Reilly well. They deserve all the happiness on earth. Together.

All witches, and all queers, deserve happiness, and a family that loves them. A community, society and world 
that loves them, for who they are.

They are always here, and no matter what, there is always a chance they will be okay.

Final Score: 4/5

P.S. Oh, and I can definitely see 'Mamo' as a Studio Ghibli film.

Graphic Novel Review - 'Lovely Recipe' by Myra Rose Nino

'Lovely Recipe' is the kind of graphic novel that grows on you the more you read. At least, that was my experience.

I really thought I wouldn't like it at first. I mean, after a three-page touching dream/memory sequence, it properly starts with the MC, Sofia Carini, throwing her late grandmother's handwritten family recipe book at her cat for, well, being a cat, and she has the nerve to blame the cat for it getting damaged and falling apart. She then threatens and verbally abuses her poor kitty.

For someone who loved her grandmother and wants to use the recipe book to keep traditions alive and bring her family back together, Sofia treats it appallingly. She stuffs it in her bag unprotected with her other things, and she constantly forgets it and leaves it behind everywhere she goes, for other people to find it and bring it back to her.

Sofia is so scatterbrained, messy, childish and incompetent, it's more annoying than charming or endearing.

It is around the middle of the graphic novel that I slowly, surely, began to like her, and genuinely find her endearing. I think this is due to her personality mellowing and balancing out well against her character foil and opposite - the cool, mature, responsible and no-nonsense Anna Marie Riccio, as the two girls cook more and more together; Anna Marie teaching Sofia, so the latter can finally put her grandma's cookbook to use (Anna Marie's family owns an Italian restaurant). It is very sweet, and they are nice to each other, if awkward, uneasy and frustrated initially.

Sofia and Anna Marie have great, wonderfully developed chemistry, in and out of the kitchen. And while I think the story would have worked fine if they had been just friends, as an opposites-attract romance, of course it is even better.

Even better than that is this is treated as normal by everybody in the graphic novel. There is no homophobia whatsoever. Brilliant, and important representation.

'Lovely Recipe' has a lot going on, with a lot of characters. But it is mainly about the developing/dough-ing, kneading, high-rising romance between the two leads, Sofia and Anna Marie, and the separation anxiety that comes with it. They are both high school seniors, and graduation, and college options and opportunities, they are drawing nearer and nearer...

You can never stop the future. It is always coming, for all of us. But with family and friends there for you, to care for you and love you, it doesn't have to be so scary. Treasure the moments with - the memories of - those you love.

I like Sofia's mum, as supportive-if-overworked-and-flawed-in-dealing-with-grief as she is, and Sofia's friends Kim and Paige, and Anna Marie's adoring grandpa. Loving, supportive, happy and communicative families are the best, and 'Lovely Recipe' showcases this in an understated, natural and organic way.

Sofia's cat Peach is hilarious in a way only selfish and no-effs-given cats are. An example: she'll leap onto a person's back whenever they bend over in her proximity. She reminds me of my own cats in how she just does whatever she feels like.

I still dislike how Sofia abuses Peach at the beginning - seriously, that is totally uncalled for and unnecessary, and not a good introduction to our main character. In fact, it is out of character for her, compared to how she is for the rest of the book. She is never so cruel and moody again.

The artwork is nice, colourful and sweet (I like the tiny detail of Sofia's black nail polish). Although, the high school characters look so young! If I was told before reading that they are actually meant to be ten-years-old, I would believe it!

On that note, despite appearances, 'Lovely Recipe' is not a middle grade graphic novel. Due to the occasional use of somewhat light swearwords, it is YA. But remove the swearing and it would easily have been all-ages, and therefore it'd have reached a wider audience. I don't understand why the mild language was necessary. It's 'Pizza Witch' all over again (another LBGTQ+ foody graphic novel, heh).

One final note: Almost nobody is white. Perfect.

'Lovely Recipe' - as it turns out, it really is lovely. And as sweet as Easter bread. It's a lovely, sweet LBGTQ+ coming-of-age and coming-to-cook graphic novel. And it's funny. It's like 'Navigating With You' (Sofia even looks and acts like Gabby, though she is far less tragic), 'Mismatched''Carousel Summer', and 'Crumble'.

What a lovely treat. One that will grow on you and warm you from the inside. From your heart as well as your stomach.

Final Score: 3.5/5

Saturday, 8 August 2026

Non-Fiction Book Review - 'The Art of Amphibia' by Drew Taylor (Writer), Matt Braly (Writer, Creator), Brenda Song (Foreword), Various Artists, Designers and Editors, Tokyopop (Publisher)

A passionate, fun and lively artbook, that also gives insight into the animation process.

I love looking into the behind-the-scenes of any media, and for there to be a guidebook/artbook of one of my favourite animated shows, 'Amphibia', I knew I had to get my (froggy) hands on it, warts/fungi and all.

It contains great art, sketches, paintings, photographs, anecdotes, quotes, and other details - about the hard work, devotion and love that went into creating the great animated epic fantasy/comedy/drama/
action/magical girl/female empowerment series, 'Amphibia'. [Disney should be redacted] [And release a 'The Owl House' artbook already, you pathetic cowards]

It definitely could have been longer and more comprehensive - and not so beholden to Disney and their standards and censorship - but oh well.

'The Art of Amphibia' - a beautiful and loving celebration of art and creativity.

Read my review of the other companion book to 'Amphibia', 'Marcy's Journal'.

Final Score: 4/5

Friday, 31 July 2026

Graphic Novel Review - 'Supergirl: The World' by Various

'Supergirl: The World'

As in, what in the world did I just read?!

It is a weird and bizarre 'Supergirl' comic, even more so as an anthology.

But darn is it entertaining, and kind of charming.

Each story sees Supergirl in different parts of the world, and exploring different cultures, histories and legends (as well as art styles).

Is this a metaphor for how she is trying to find her place in her new home of earth? Ehh, maybe?

Here are my assortment of thoughts on each of the fourteen comic short stories, starring the Woman of Tomorrow, Supergirl:



'The Chicken' - Written by Mariko Tamaki. It's okay. Supergirl helps a little girl who is being bullied by her cousins, who call her a chicken. Typical small town America shlock, and Supergirl is not as helpful as she thinks she is. But the art is nice. 3/5

'Supergirl Y La Maliciosa' - Set in the mountains of Madrid, it is about how Supergirl ends up helping the spirit of a once isolated, greedy and power-hungry witch. I don't like how an ostracised woman is portrayed as not really ostracised, but as a too-powerful being who did it to herself, who just hated other people because she thought they were beneath her. She burned everything because she didn't want to share her power and wisdom. She is in fact not the victim of a society that didn't want to accept her - it's the other way round. The line, "When you are removed from reality and underestimate those around you, your anger and your arrogance can become your ruin.", is meant to apply to her, when it could easily apply to literally every male fascist dictator ever. At least the witch's spirit is peaceful, and is happy and redeemed at the end, even if Supergirl remains as confused about what is going on as the reader. The dialogue is also strange and clunky. 2.5/5

'Dark Reflections' - Another confusing one, storywise. But it is clearly about Supergirl/Kara's self-reflection (there is a literal mirror prop here) and identity crisis. I think it is set in a villa in Italy - why is Kara there? Is she really studying, under the hot sun? Is she hiding? From what? From who? We never see who she is apparently living with. I like the expressive, detailed, symbolic, surrealist, brutal artwork, reminiscent of Renaissance paintings. But honestly, couldn't anyone have come up with a better title than 'Dark Reflections'? It's so generic. 3/5

'Foreign Skies' Sun' - Set in Siberia. It is both the most confusing and perhaps the most empowering comic of the anthology. Lex Luthor is drilling in mines for white kryptonite, and is up against female protesters, as well as Supergirl. The structure is a fast-paced mess, and the art is muddy and looks unfinished in most panels. I could hardly tell what was going on in the last couple pages, even with the overwritten dialogue balloons. But the environmental message is a good and important one, and Supergirl bonds with ordinary yet strong and determined women of different generations, so I can't completely write it off. 3/5

'Touch Ground' - Supergirl looks like a manga-esque thirteen-year-old with short, 'Dragon Ball Z' hair, and she is always drawn and written like she is ready to kill someone. But this one is funny and entertaining. It's Supergirl vs. Toyman in Argentina, Plaza Del Congreso, and it's a female empowerment story. Weirdly gorgeous, in a madcap, mad dash superhero comic kind of way. 3/5

'Children of Ngonnso' - Supergirl is in Cameroon for some reason and gets possessed by the spirit of a Nso queen. I would elaborate, but I barely know what is going on as is. Still, there are good messages about colonialism, foreign invasion, and escalated, militarised violence and conflict, and the action is decent. And I like the line, "'Tis foolhardiness, not courage... [...] ...That animates you. [...] A foul tongue only condemns you further.' But why have the white, blonde, blue-eyed Supergirl be the saviour of the Nso people? And who is she talking to on the comm - Batman or Superman? The ending is also very abrupt. 2/5

'Strong Girls Can Make History' - Now this is a hilarious mess. It is written exactly like a DC comic from the Silver Age, overwritten dialogue and thought balloons and all. Is it meant to be an homage? Supergirl is blasted back in time by a kryptonite-infused meteor, and is in Finland one hundred years in the past, when women had just won the right to vote, and the country is fighting for independence from Russia. Things aren't looking very good, but 'Strong Girls Can Make History' is clearly meant to be a story about feminism and equal rights. It's like if a Jane Austen novel got really gritty and actually cared about social change (no offense to Jane Austen or her works, I'm being a little hyperbolic). Supergirl is both bizarrely out of place and fitting in fine for the story being told. That image of her flying and lifting an automobile - an homage to the classic image of Superman lifting a green car on the cover of 'Action Comics #1' - is great. It's a fun, funny, stupid comic, with too much dialogue and thought balloons (hopefully intentionally?). 3/5

'Home Sick Home' - Like if 'Woman of Tomorrow' by Tom King was set in Turkey. Supergirl fights a nature monster Joker (yes, really), who has basically been turned into the Turkic jinn/demon Arçura. He shoots random toys and dolls of DC superheroes at her, and she has a psychological, existential crisis (yes, those two things happening really do go together). This is Krypto the Superdog's first appearance in the comic, and he helps save Supergirl, along with various ordinary animals. Batman and John Constantine show up at the end. Supergirl learns she has a home on earth after all. What a fun little comic, with dark, beautiful, well detailed artwork. 3.5/5

'Breathless' - Supergirl in Paris! And it's about her flying around, eating a lot, and getting into fights. I won't spoil the end, that reveals why Supergirl is messing around. It's kiddie, comedic silliness. 3.5/5

'Down in the Mine' - About the miners in Katowice, Poland, and Supergirl as the saviour to some of them in a cave-in. I think this might be my favourite story of the collection. It is nicely told and hopeful, and the art is gorgeous. The presence of a legendary ghost who guides Supergirl in the mines weakens the heroic impact of the story somewhat, but it isn't a dealbreaker. It's beautiful. 4/5

'The Sentinels of Chichén Itzá' - A running theme of most of these stories is Kara trying to catch a break or a holiday, away from superhero-ing, but as luck would have it, danger finds her, and she has to fight crime and save lives once more. In 'The Sentinels of Chichén Itzá', she is in Mexico, near the Pyramid of Kukulcan, trying to enjoy the Spring Equinox along with the other tourists. But of course, since all myths and legends are true and the universe hates Supergirl, spirits of giant serpents, dragons, and other animals and creatures (alebrijes) appear and start terrorising everyone, so it's up to our girl to save the day. This is another fun one, with bright, cartoony artwork. Krypto appears again, and as usual Lex Luthor is behind the chaos...somehow. Supergirl is right: Mexico is a magical country, and "Not only because of the mystical phenomena, but also because of the greatness of its people." 3.5/5

'The Extraction' - Kara is on a secret mission to find and extract an alien in Berlin, Germany. There is espionage, info pipelining, going from point A to point B, immigration and displacement themes, a portal, a cute little alien, and Krypto. It's not terribly interesting, but the art is cute and cartoony. It kind of reminds me of the 'Carmen Sandiego' reboot. 3/5

'Song of the Humpbacks' - Supergirl is just trying to relax in the sun and the sea of Colombia. But she ends up saving the whales instead. Strong environmental messages in this comic collection. It's more funny than disheartening and disillusioning that Supergirl really doesn't care much about the endangered singing whales at first, even after a couple locals beg her to help them. She's the most careless and thoughtless here, for a superhero. It's implied she's depressed about her home planet Krypton being destroyed, and not finding her place to call home on earth. She's not as overtly pessimistic as she is in a few of the other stories, however. I'm not a fan of the artwork. It looks wonky and inconsistent. Supergirl almost looks like a different character in every panel she's in, and the facial expressions she pulls are...flummoxing, fluctuating. But the rather lacklustre and mid comic ends on this line of hers: "Krypton is gone. But here, at least, I could keep another home safe.... [...] For today in any case." 2/5

'Superman & Supergirl vs. Chateraese's Cheap & Tasty Sweets' - Written by Satoshi Miyagawa. Oh boy. It's a literal manga at the end of the collection, starring high school girl Kara/Supergirl and Superman, and they eat sweets in Japan. That's pretty much it. There is so much product placement for sweets! It's so cringe! What even is this? What is happening? It's clearly a comedy one-shot, not to be taken seriously, and there are some genuinely funny lines from both Supergirl and Superman, as they are in a sibling rivalry-type relationship. The manga doesn't forget the backstories and powers of either Kryptonian. It ends on: "It usually goes like this with my cousin, Kal-El. [...] He can be an annoying nag...but we end up having fun." AND THAT'S THE END OF 'SUPERGIRL: THE WORLD', FOLKS!



I know I keep using the word bizarre to describe 'Supergirl: The World', but it's accurate. These comics, collected together, are absolutely BIZARRE. And funny. And cute. And even suitable and accessible to children.

It's a guilty pleasure DC comic, to be sure. Besides, Supergirl herself is awesome in many of the tales.

A heroine with a heart of gold, even when she has trouble expressing it, and when she desperately wants a break, as a teenager with godlike powers, and the responsibility that comes with them.

For more of my thoughts on this superheroine, read my review of 'Supergirl's Family Vacation', which also contains links to my other positive reviews of 'Supergirl' comics.

2026 - the year of Supergirl! The Woman of Tomorrow! The Maiden of Might!

Final Score: 3.5/5