Saturday, 14 June 2025

Book Review - 'The Girl in the Walls' by Meg Eden Kuyatt

I finished this in one day, one afternoon.

'The Girl in the Walls' is another triumph of autistic fiction by Meg Eden Kuyatt.

It is 'Good Different' - which I also read this year, and is one of my new favourite books - but in a ghostly horror context. It leans much, much heavier on the generational trauma theme - and the family connection and understanding theme - than in 'Good Different'. It is powerful, gripping, poignant, and important.

'The Girl in the Walls' is like a haunted house tale that's mostly set during the daytime. It may remind anyone of how they used to visit and stay at their grandparents' house on holidays as a kid. There are bound to be many secrets hidden away inside old houses; hidden in locked and forgotten rooms, and within the walls.

Themes of the falsehood of "normal" and keeping up appearances to survive in an unkind and uncaring world, and the lengths you go to hide truths about yourself and your family, and finally coming to terms with them, to realise that there is nothing wrong with you and anyone else like you, and you deserve to be happy and free - it is all clear in 'The Girl in the Walls', just like in 'Good Different' (it's a motif), except with the "perfect" but crumbling old house - with its ghost, and its porcelain dolls and secrets and sludge and dead rats - added in as metaphor.

A metaphor for how endangered, closeted, marginalised people are in society.

Stigmatisation against the neurodivergent, and the mentally ill, and prejudice overall, is sick and horrific. But when it is your own family that doesn't accept you - when it is the people who are supposed to love you no matter what, who should be the most trustworthy and never change how they feel and act towards you - when they don't support you, even betray you--

That it the biggest horror.

(I'll stop comparing Kuyatt's two novels in verse now, as it's not fair. They should be seen on their own merits and standing.)

'The Girl in the Walls' has an autistic teen girl protagonist, V, who is an artist, and she loves drawing anime-esque characters, and wearing funny, cartoony socks. She's a wonderful girl. From the start she knows that there is nothing wrong with her, that her neurodivergence is a part of her, and her superpower. This is becoming harder and harder for her to believe, however, when she is made to stay with a prominent member of her family, her "perfect", "clean", uptight, stuffy, snobby grandmother, Jojo, who sees art as a waste of time, and refuses to see who her granddaughter is in a positive light; even denying her identity.

V is not so secure and confident as she tells herself she is; same goes for Jojo, who is hiding secrets of her own. Like a secret family history, deep in the dark, in her old, "clean", white, boring, rotting house...

How does the ghost factor in, you might ask?

Not telling. I'll leave it at that, when disclosing the plot. Read the book itself to find out more, and be mightily surprised.

'The Girl in the Walls' isn't flawless. There are a few confusing moments, random and ill-thought out details, and typos that could have done with a bit more revising and editing. It could have done with further branching out in terms of diversity and inclusion, especially considering its themes?

However, regardless, it is a nice, sad, touching children's ghost story, that teaches you about art and expressing your true self with pride, never minding what other people think, and never keeping your feelings and truth hidden and festering inside.

It teaches you about empathy and compassion.

As Kuyatt says in her Author's Note at the end:


'While people I love can hurt me, they can also love me and have their own fears and insecurities and many sides.
At a time when our news and media are quick to capitalize on ugly divisive feelings, tell one-sided stories, and oversimplify reality, I think it is more important than ever that we have stories that remind us of the complexity and nuance of the people around us. In a time when hatred seems at an all-time high, we need to practice and model listening, empathy, and SEL--for ourselves, and the kids in our lives. I know I needed these reminders--that's why I wrote this book.
I hope that 
The Girl in the Walls makes readers feel seen, but that it also makes all of us slow down and pause in our assumptions of others. That we will take time to listen to one another's stories, and even if we don't always agree or understand, that we will respect the messiness and nuance. That we can see those around us--and ourselves--as strange and wonderful.'


No one is ever only one thing.

No one is a doll.

No one is broken.

The ghosts of our past can't stay hidden forever.

'A Girl in the Walls' - it is hard for me not to feel it is a junior novel in verse version of 'A Guest in the House', after recently reading that. It is also a bit like 'Anya's Ghost', and an autistic, junior version of 'The Yellow Wallpaper'.

But it's its own new, unique, precious gem.

It's a thrilling, tense, enlightening book on empathy and kindness, written from the heart, and from a good faith place.

Go read it, whether you are neurodivergent or neurotypical.

Final Score: 4/5

Graphic Novel Review - 'Spider-Gwen: Gwenverse' by Tim Seeley (Writer), Jodi Nishijima (Artist)

'Spider-Gwen: Gwenverse' is a mixed, webbed bag, but mostly it's fun, and surprisingly accessible, thoughtful and well developed.

Its pacing, planning and plotting are far from perfect, but hey, it's a Marvel multiverse story that didn't make me want to teat my hair out, and it is actually about Gwen Stacy/Spider-Gwen/Spider-Woman/Ghost-Spider (how many names does she have?) and her character development, so it's a win for me.

Apart from 'Vol. 0: Most Wanted?', I didn't think I'd enjoy any 'Spider-Gwen' comic after some disappointments. Yet here comes the 'Gwenverse'. Hooray!

I bought it, alongside DC's 'Harley Quinn Vol. 3: Clown About Town', in the new comic book shop in my local mall, dressed in my Spider-Gwen T-shirt and hoodie. A guy who works there recommended 'Spider-Gwen' titles to me. It seemed like fate.

'Spider-Gwen: Gwenverse' - see Gwen as Thor, Captain America, Wolverine, Iron Gwen, Captain Marvel, and Nightbird. See them slowly, begrudgingly begin to work as a team to save the multiverse, even when they can't stand one another.

When Gwen Stacy can't stand herself. Hates herself.

She's a Spider-person, possibly the most cursed superhero ever. So honestly, who can blame her? Who can blame her for feeling how she does?

However, no matter what universe the superheroine comes from, she's still great, and believably flawed and human. She's still Captain George Stacy's beloved daughter, in their mega-complicated relationship. She's still a member of a band with Mary Jane Watson. Her Spider costume is still webbing awesome and original.

She's a blonde teenage badass with unmitigated hellish baggage to deal with, but she's learning. She's growing. She's healing. She's determined. She's kicking butt.

There's quite a lot of stuff going on in this sci-fi, Spider-verse, Marvel-multiverse, time travel malarky of a comic, so I'll just leave it at that, without spoiling a great deal.

It is flawed, and you may have to read other 'Spider-Gwen', 'Spider-Man', and modern Marvel comics in general to get everything that's going on. Though like I said, it's fun, and even touching and poignant, in the right places.

I like Spider-Zero, too. She seems cool.

J. Jonah Jameson makes an amusing, subversive cameo.

Go Gwen! Finally, you're fleshed out and written interestingly!

I may give more 'Spider-Gwen' comics a chance, now.

I may give more current Marvel comics a chance, now.

Final Score: 3.5/5

Graphic Novel Review - 'Harley Quinn Vol. 3: Clown About Town' by Tini Howard (Writer), Natacha Bustos (Artist, Colourist), Sweeney Boo (Artist), Nick Filardi (Colourist), Steve Wands (Letterer), Various

I bought this mostly because of the stupidly, unapologetically pretty cover, and I wanted to show my support to the new comic book shop that opened in my local mall. And because it's Harley Quinn, duh.

Never mind that it is the third volume of a series run of which I had read the first, but not the second.

For as it turns out, 'Harley Quinn Vol. 3: Clown About Town' can be understood and enjoyed fine if you had only read the first volume like me. These newest 'Harley Quinn' comics are such silly and joyful fun. They're hella cartoony, but not shallow. Most importantly, they stay true to what makes Harley Harley; what makes her her. What makes her tick.

Tick, tick, tick, and then BOOM!

She's such a charmer, and very smart. She is everything that comes with the word caper. A clown lady and teacher who never wants to play by any rules. For all her jokes, banter, mayhem, mischief, destruction, hyena-loving, and general non-law-abiding and antiheroism, she cares deeply for people. She's a glitzy, not-so-ditsy psychologist to be taken seriously.

I love her.

And her supportive girlfriend (wife?) Poison Ivy.

She's mostly in her classic 'Batman: the Animated Series' Harlequin costume here, too.

In this volume, we are treated to: Harley's surprise birthday party, featuring cameos of Catwoman and Power Girl; the Body Doubles (a lesbian criminal duo); Mr. Freeze; Maxie Zeus (though I don't particularly care for a man who thinks he's a literal god); Officer Donna Pulaski, a new hardass villain from the Gotham PD with a personal vendetta against Harley and all costumed vigilantes; Robin (Tim Drake?); new henchmen, Harmada (whose power is she has a model ship on her head) and Vampire Squid (an electro octo-man scuba diver, basically) (they're not very good); and an ending about justice, bringing people together, and the importance of female role models.

Oh, and interspersed between issues are Harley's bizarre dream sequences (except for the first one, which is just a Looney Tunes homage). They're an excuse for different writers and artists to make fanfiction/multiverse versions of her, but they're funny and fun and I don't care. I especially love 'If Books Could Kill', which is explicitly about fascism, and how book banning is fascism. Harley Quinn says learn to read and write and spell, you dolts! It turns out the sequences do kind of fit into Harley's story and arc in this volume. Canonically, they represent different parts of her psychosis - her dependencies, fears and insecurities. They make for great Harlivy fics, too.

On the subject of the LBGTQ+ rep, 'Harley Quinn Vol. 3: Clown About Town' also contains a bisexual buddy comedy/ hero and antihero team-up. They talk about their feelings and experiences concerning their queer identities, and it is part of how they (well, the one, actually, the reluctant one) realise they share more in common than they thought. It's nice stuff to see - really see - in a modern DC comic. Well done.

Plus, on the deliriously happy and girly trade cover, Catwoman is eating a rainbow cake. And how bright is Harley's smile! It is all about Pride!

(Happy Pride Month everyone, BTW.)

'Harley Quinn Vol. 3: Clown About Town' - the whole comic is spectacularly, celestially, colourfully goofy. And thoughtful and heartfelt. And funny as $*&!@!

Harley Quinn is as wanted, needed and relevant as ever.

Welcome back, girl!

Now to read the second volume! What were volume 3's couple references to Brother Eye about, I wonder...?

Final Score: 4/5

Friday, 13 June 2025

Graphic Novel Review - 'A Guest in the House' by E.M. Carroll

WTF WAS THAT ENDING?!

Seriously, what a plot twist! A kaleidoscope of plot twists!



'A Guest in the House'

Don't make the same mistake I did and read it at night, because wow, what a horror graphic novel.

With a feminist edge, twist and turn.

It is a ghost story, and also psychological horror. It is nineties suburban housewife horror. It could count as social anxiety horror.

It made me think of my own place in life, where I am, where I want to be, and what I want to do, and the limited, boxed, conservative conventions and expectations placed on women everywhere, even nowadays. In a number of ways, 'A Guest in the House' speaks to every woman of every decade. How subtly trapped we are, in one way or another. It is tragically timeless.

It has elements of classic novels such as 'Rebecca', 'Jane Eyre', 'Northanger Abbey', and the works of Shirley Jackson, and also the 2000 movie 'What Lies Beneath', and the filmography of Alfred Hitchcock and David Lynch. But at the same time, it is nothing like any of those things. It is its own unique brand of horror creation.

I am not a fan of the horror genre, and I had read one other graphic novel by E.M. Carroll, 'When I Arrived at the Castle', and I did not like it. Its imagery... did not appeal to me. But with 'A Guest in the House', I found that it not only scared me on a deep, unsettling, psychological level, but I was thrilled that it achieved its goal - I'm glad it scared me, and its imagery enchanted me and sparked my imagination as well as unnerved me, and I cared about what was happening, and I cared about the characters. In some ways I understood them, as flawed, believable humans.

The atmosphere, the gradual, slow burn pacing, the timing of its reveals and scares, it is on point.

And that ending. That sudden, shocking, wild, piercing, ambiguous, deliberately abrupt ending. It cinched it for me, as a great comic as well as a great horror story.

It is a story that requires you to reread it for its ending to make more sense. What marvellous care, attention, and passion.

'A Guest in the House' is about the power of imagination, creativity, fairy tales, childhood trauma, adulthood trauma, escapism, and expectation, to go with its horror themes and context. It's not conventional, nor predictable, which is how effective horror should be like. It should leave you as uncertain and unsettled as if you were wandering in a dark, creaky haunted house yourself, never knowing what or who might be at a door, or at the end of a corridor.

I'll leave it at that. I won't dare risk spoiling anything about this effed-up, soulful and wonderful graphic novel. It's like if 'Page by Paige' was adult horror by water, with ghosts and fables.

'A Guest in the House' - what a meaningful, interpretive title.

My first loved horror comic? A proper adult horror comic?

What a trick and treat, even for a wimp like me.

Final Score: 4/5

Graphic Novel Review - 'Jenny Sparks: Be Better' by Tom King (Writer), Jeff Spokes (Artist), Clayton Cowles (Letterer)

"I am who I always was. Just a girl searching for the light."



I read this comic expecting to hate it.

Even though it is a female-led superhero comic, it appeared too gritty and edgelord (edgelady?) to me. Plus I had never heard of the superheroine of this one beforehand. But I decided to give it a go anyway, and then move on with my life, never thinking about it again.

'Jenny Sparks: Be Better' did start out frustrating, confusing and boring to me, as I'd predicted. The key words here are 'start out'. I started it thinking it was yet another typical gritty realism style of superhero comic, done far too many times and just as often failing at it. I wasn't into it, and I didn't care about any of the characters.

But then I was into it, and I did care. The further I read, the more I realised and understood what Tom King was trying to accomplish. In my opinion, he mostly succeeded.

By the end of the journey, the test of endurance, I was left breathless and speechless.

'Jenny Sparks: Be Better' might be a modern superhero comic masterpiece.

It's like an updated 'Watchmen'.

Benefitting from how it's a lot shorter and in fact easier to digest than 'Watchmen'. Not mention more accessible, fresh, and progressive. It has intersectional feminism, and it deconstructs toxic masculinity!

Okay, I'm getting ahead of myself.

*Ahem*

I won't give away too much detail. I won't dare to spoil anything. Nothing crucial, anyway. But holy &&@@*$$%*!, Batman! 'Jenny Sparks' is a very relevant superhero comic that isn't really about superheroes. It's about people, and, as the volume's subtitle straight-up states, their capacity to be better. Do better. If they just try. To do what's right. Always. Throughout history. No matter what horrible, *&&*%!*£ up !%&@£ that humanity pulls, in each century, each generation.

It is like if the heroes in the DC universe were transplanted in the real world. It references real life wars, tragedies, recessions, and politics. It holds no punches in its commentary on what's been happening in the world for the past several years (pre-2024... and good !&^@&%*! I'm depressed again), and how we as a species have truly $£@!*! ourselves up. We have learned nothing. We have not improved ourselves. We have wasted everything. We have let apathy, inertia, boredom, not caring about anything, and reactionary politics destroy us as a society.

But maybe as individuals we can improve? Try to make others' lives better, as well as our own? To achieve something good? To be selfless, and care, and act on it? To actually be happy?

I'm not entirely sure if this was Tom King's intention, but he seems to be saying that superheroes in reality would not, in fact, make it better; that the world would be more or less the same, and that superheroes are, in the grand scheme of things, £%^$!@ing useless. Not if they don't attempt to change the status quo.

Well, maybe it's lucky for us then that Jenny Sparks is no superhero. Or, she is perhaps the most unconventional superhero I have ever seen. No costume, no flash and bang (except with her lightning powers), no pretension, no ego, no @$*%@s given, she's a semi-immortal woman who has lived and seen far too much, and it is extremely hard for her not to be cynical. In that, the reader sympathises with the extremely coarse and rough woman.

Jenny Sparks, the Spirit of the 20th Century, has learned much in her long life, too. Perhaps she will save the day - save the world - perhaps she won't. But she will do it her way, without the need for any costumed vigilantes and "gods". Without the ineffectual "Justice" League.

Superpowered people, who in real life would be exploited, taken advantage of, abused, ignored, forgotten, traumatised, and/or burnt out, might end up becoming more of a danger to society and humanity than its saviour...

Jenny Sparks did not seem to be a heroine I would like, despite her being a British (like moi!) antiheroine in a DC comic. She smokes - and I mean she's always smoking, it's her gimmick - and she's borderline suicidal (that she can't die is more of a tragedy than a second chance kind of epiphany for her), and she swears on nearly every page and panel she's in. Quite hilariously, DC censors every swearword in the volume, despite its 17+ rating, and there is a lot of cursing, so it can get annoying and irksome. Just look at how I've been doing it in this review so far, to prove my point, and even then I'm restraining myself.

*Ahem*, anyway:

But hey, I'll forever praise unconventionality in heroines. I appreciate and admire how honest, carefree (in her personal life, that is), and snarky Jenny is. She really does not give a $£@* what anyone thinks of her. She's over a hundred and twenty years old, why would she care about being "unlikeable"? She's fed up with everything, she's cynical as all $!"&@, but she isn't heartless. In fact, she cares deeply. She knows what's what and where's where, and she won't allow herself or anyone else to go too far off the deep end - when it comes to surviving a "civilised" society. Both self-destruction and the deconstruction of others (deliberate or not) are a slippery slope. And they can be connected.

Jenny legitimately tells it like it is, and is not afraid to mouth off any superhero. She's not afraid to tell them off, to challenge any of them on how they do things.

Keeping heroes in check and making sure they don't fall from grace and lose their way and become monsters is pretty much Jenny Sparks' job in the DCU. She's like the world's most knowledgeable, yet reluctant and weary therapist. A wise, deadpan, cranky woman with a cigarette, who can make lightning with a snap of her fingers.

She wants everyone to be better, for !%*&'s sake. That's her immortal life's purpose, no matter how fruitless it proves to be, again and again.

British, chain-smoking, foulmouthed, dressed like a Spice Girl, and too human to be described as a thunder goddess - Jenny Sparks is a very unique antiheroine.

'Jenny Sparks: Be Better' - what a comic for our times. The crassness, the blatancy, the shocks (in more than one sense), the violence, the depression, the rage, the intensity, the political, economical and social critiques. It is an edgelordian superhero comic with brains and a point, and a catharsis the end. It holds nothing back. It is a wakeup call for us all. It is a common sense relief from the insanity.

It is brutally true to life, yet hopeful.

It takes a while to get invested in, and it is a slow-burner, but it is worth it. It contains Tom King's trademark wordy and bordering-on pretentious dialogue, where people talk like they know they're in a story and so try to be as impressive and obvious in their speeches as possible. But it's not so bad here.

Plus, Tom King has been busy lately, hasn't he? Uncommonly so. He's been hired to write for comics 
everywhere now. Nothing against him personally, but why is this white guy with a mixed bag writing career suddenly, seemingly writing every comic? He's on 'Trinity: Daughter of Wonder Woman' at the moment, WTF? Why? Seriously, it's like he never sleeps.

Although, I like 'Helen of Wyndhorn'.

*Ahem*, anyway :

'Jenny Sparks', for a comic meant to introduce readers of 2024 to the titular character, who was originally created in 1996 for the 'Stormwatch' comic series by WildStorm, in the DCU, it doesn't really explain how Jenny became immortal, nor why she looks young despite first dying when she was ninety-nine years old. Is it to do with her lightning powers? How does that work? What's that about? Is she really supposed to be Charles Darwin's great-granddaughter?

Oh well, who gives a @$£!%?

'Jenny Sparks: Be Better' contains poignant LBGTQ+ themes, and pop culture as well as historical analysis themes, to boot. It is epic.

I shall, finally, sign off here.

As Jenny Sparks would say: Bloody hell, she don't half talk a lot of bollocks, does she? What a writing windbag! Fuck! (You got a light?)

(I love everyone. I love you all. Take care of yourselves. Bye.)

Final Score: 4/5

Graphic Novel Review - 'The Courageous Princess' by Rod Espinosa

This is a review of a graphic novel I read ten years ago, and have only now decided to repurchase and reread.

I don't know what I wasn't impressed by before, for me to give it a low rating, because 'The Courageous Princess' is one of the most original, creative, refreshing, charming and exciting Western female-led comics I have ever come across. It is certainly one of the better manga-influenced comics from the 2000s era out there (an "Amerimanga", which sounds... stupid, embarrassing, and dated).

Rod Espinosa certainly took inspiration from classic 90s anime and manga, as well as fairy tales - the influences and allusions are there, but are cleverly placed and not distracting. The art - like a manga in colour - is absolutely wonderful, fresh, well detailed, and childlike in the best meaning of the term.

I will be continuing this epic fantasy adventure series, starring a strong female lead, with the two subsequent volumes that are now available to buy (maybe the reason why I didn't think much of 'The Courageous Princess' all those years ago is because I thought the series didn't have an ending, as I'd preferred).

'The Courageous Princess' is indeed about a courageous princess - the young, adorable, sweet teenage Mabelrose. She is an unlikely and unconventional princess, in that she is not conventionally beautiful, and is humble, quite homely, and active and loves playing, including with other children, no matter their status. And she will visit anyone of any status. Her penchant for nature and playing outside will prove useful to her on her adventures. She loves her people and she shows it daily. She wants to help them, and she will share whatever she can with them, even if it is just her time. Her beloved parents have taught her well about giving back to the people, respecting others, and being kind.

I'm relieved that Mabelrose is not a typical action heroine and warrior princess. She is not a tiny bit like what you'd expect from the 90s and 2000s idea of a "strong female character" i.e., a scantily-clad, violent, cold, grumpy and angry bore with a tragic past and baggage, and who is "independent" yet still in need of men to calm her down and fulfil her life. Good goddess no. Mabelrose is just a person with brains, heart, perseverance, and the determination and hope to find her way home to her loving parents after being kidnapped by a terrifying, greedy dragon. She is uncorrupted, unjaded and uncynical. Even though it is made clear that she is also religious and prays for help, she develops into a self-reliant, proactive, independent (genuinely so, with a talking porcupine as her new best friend and constant companion) and confident girl on her perilous journey back to her own kingdom. She is practical from the start, anyhow.

Mabelrose's courage, bravery, friendliness, helpfulness, selflessness, generosity, and kindness to everyone she meets are what matter the most about her. Greed and power for the sake of it are the overall antagonists of this graphic novel. She is a princess in the truest sense of the word.

It took me ages to figure out what anime character she reminds me of, and now I know that she looks and acts like Belldandy from 'Oh My Goddess!'. And maybe Milly Thompson from 'Trigun'. Wow it's been such a long time since I saw those classic anime. The unique fable comic has made me nostalgic.

And like the anime shows of old, 'The Courageous Princess' - a travelling adventure fairy tale homage series - isn't solely about the protagonist, Mabelrose. Other characters are memorable and receive their chance to shine and have an arc and be believable people, too. Including the talking animals. In a comic full of "proper royal etiquette" (conventions, such as wanting to be beautiful and rich, and waiting for a prince to come rescue the damsel-led princess, are deconstructed, and while at first Mabelrose doesn't mind being conservative, she remains a kid who plays and is not afraid to get dirty), magical items, and the aforementioned talking animals, it is very much a humanising fairy tale, and it is all the more fun and endearing for it.

What a wonderful, charming, totally and unfairly underrated "princess adventurer" comic. I'll be reviewing the sequel volumes once I get them. I can't wait to see how the dear, darling, brave and thoughtful Mabelrose's quest for home ends! No romance for this princess!

If you like a similar comic, 'Rapunzel's Revenge', and Disney movies such as 'Tangled' and 'Moana', and heck, if you love the classic children's epic fantasy adventure stories, such as 'The Last Unicorn' (link to my review of the novel is here, and my review of the graphic novel adaptation is here) and 'The Neverending Story', then you're sure-fire to enjoy and love 'The Courageous Princess'. I'm surprised it hasn't been adapted into anything. A real shame and disgrace.

So much heart and passion was put into this. It deserves more recognition, definitely. A resurgence. A second chance.

A chance to shine, brighten, enlighten, and charm once again, at the right time for it.

Final Score: 4/5

Monday, 9 June 2025

Happy Strawberry Moon 2025

I've seen it! Tonight, while driving on my way home from work. It was so perfect. So enchanting. So delicious.

And I baked a big, round blackberry pie today!

Moons make everything better. And berries. And pies.

Moon pies.

Moon berry pies. Heh.