Monday, 31 January 2022

Wolfwalkers post

So.

I've finally seen Wolfwalkers.

It took me over a year.

It felt like forever; for me to be able to see it - and own it. I didn't want to subscribe to and pay for Apple TV+ just to watch one film. But hallelujah, a Blu-ray disc came in the post and, at last, I saw it today.

It was worth the wait. It's a very good film. It's right up my alley, not just in its rich quality, but in terms of aesthetics, tastes, features and themes. It's a heartfelt treat for the eyes and ears. It's magical. 

Speaking of, I always thought that animation is the closest we get to seeing real magic on the screen - it is a medium with literally no limitations - and Wolfwalkers and a few of Cartoon Saloon's other films work hard to showcase this. It's also great that 2D animated films are still being made, and are lauded for their efforts in creativity, originality and vibrancy. They're as potentially beautiful - and necessary - as any art style. 

I love animation. I love three dimensional and fleshed out female protagonists. I love mythology and tales. I love animals. I love wolves. I love mother-and-daughter relationships. I love father-and-daughter relationships.

Yeah, go Wolfwalkers.

Saturday, 29 January 2022

Book Review - 'Eyes that Kiss in the Corners' by Joanna Ho (Writer), Dung Ho (Illustrator)

'I have eyes that kiss in the corners and glow like warm tea.'

'[They] crinkle into crescent moons [...]'

'[They] sparkle like the stars.'

'Gold flecks dance and twirl [...] [They carry] tales of the past and hope for the future.'

'My eyes find mountains that rise ahead and look up when others shut down.'

'My eyes [...] are a revolution.'

'[My eyes, my family] are me. And they are beautiful.'



An absolutely, positively, all-encompassing-ly, all-encapsulating-ly, gorgeous picture book, about the females in each generation of a modern Asian family.

I love everything about it. The art, the colours, the characters, the indescribable beauty of how the images from Chinese mythology are drawn and painted, and the dresses and festivities from Chinese culture. I particularly love that it isn't overtly about bigotry; it is just about a little girl who loves herself and her family, and her culture and heritage. She has a lot to be proud of. Never mind that she may be different from her school friends, who only appear on the first page. This isn't about them.

Flowers. Butterflies. Tea. Painting. Fruit. Mulan (!). Moon goddesses. Lotuses. Guanyin the Buddhist bodhisattva of compassion and mercy. The Monkey King. Lychee trees. Mountains. The sea. Magic fish. Dragons. Phoenixes with peacock feather tails. This book really is like drinking warm, aromatic tea. So peaceful and comforting.

'Eyes that Kiss in the Corners' is art. It is beauty, serenity, love and freedom, all in one artform. And all from the eyes of an unsullied, unpressured, uncorrupted child. May she never, ever hate herself.

Care for and appreciate your loving and lovely family, always, while you can.

Final Score: 5/5

P.S. My first five star review of 2022 is of a book that is already a new favourite of mine. Joy!

Graphic Novel Review - 'Flamer' by Mike Curato

2023 EDIT: Part of my 2023 clear-up, of books I no longer like, or am no longer interested in, or remember well as standing out, or find as special anymore, or I otherwise will not miss.

Final Score: 3.5/5





Original Review:



"This book will save lives."

- This is a quote from author Jarrett J. Krosoczka, that is on the cover of the copy of 'Flamer' that I have.

I don't think it's hyperbolic.

It is potent and vital. Everyone should read this comic, especially teenagers.



WARNING: This review is NOT for children to read.



'Flamer' is like a boy-centric version of Melanie Gillman's 'As the Crow Flies', which is also a YA coming-of-age comic about a young teen going camping and discovering and/or exploring their sexuality in an environment that is legitimately unsafe for them, due to people - and society in general - around them expressing insecurity and hostility towards them just for being queer. And not white. And not thin.

In my opinion, 'Flamer' handles these issues better, and more realistically and honestly, than 'As the Crow Flies' does. It doesn't shy away from how disgusting and shitty young boys can be to each other, even to those they claim are their friends, entrenched in toxic masculinity culture, and rape culture and "locker room talk", that they are. Excessive penis humour, swearing, and an obsession with genitalia and derrieres, both their own and other guys' - but they're totally not gay shuttup you're gay! gay! gay! gay! everything's gay! gay! they love using that single syllable word twisted into an insult but they're not manically insecure shuttup you're gay! - are apparently what is required in order to become "manly". And that's the least harmful of it.

When things get aggressive and physically violent, boys like fourteen-year-old Aiden Navarro, no matter how much they may desperately try to hide their true selves (even from themselves), are in danger, especially when adults are complacent and do nothing about it. "Boys will be boys" and all that.

'Flamer' is set in 1995 to boot, so everything is extra aggressive, and the "boys will be boys" "humour" is extra homophobic and racist.

The pressure to be "normal" is overwhelming. Damaging. What happens when Aiden, who comes from a religious background and is scared for his future - is feeling utterly alone in the world - can't take it anymore?

The characters are well defined, fleshed out and engrossing, even the ones that are most definitely not likeable, such as the bullies. Aiden is adorable; he isn't defined by how "tragic" it is that he is a self-discovering gay boy in the nineties. He is depressed and confused, but he also likes superhero comics (mad respect that Jean Grey is his favourite X-Man). He daydreams about being a medieval damsel in a dress, he genuinely enjoys camping activities, like singing at the campfire, and he has ambitions of becoming a priest. He may be in denial about his orientation at first, but he's never understood why him being seen as "flamboyant" and "girly" in his idiosyncrasies is a bad thing (he's apparently got a high pitched voice that other boys are bothered about - I mean, how pathetic can you get?).

His relationship with the closeted but awesome and funny camp counsellor Ted is wholesome and sweet. I wish them both the best in the future.

Aiden also writes letters to his best friend, Violet, who is Christian, while he is Catholic; different churches, but they don't care. It is great that Aiden has a female confidante and influence in his life. It's a healthy, equal, well balanced and loving relationship; their letters to each other are beautiful, supportive.

I really liked learning about the activities and tasks done in summer camp, such as canoeing, archery, weaving baskets and bracelets, chopping wood, knotting wood together to build gate and bridges, orienteering with a compass, and tending a campfire so it doesn't spread and burn down the whole camp. (I barely got to do any of this stuff when I was a kid).

And that ending. Holy shit. What a stab through the heart. Yet it also sings to your heart, and your tear ducts. What powerful imagery. What a powerful message, that really could save lives.

'Flamer' is semi-autobiographical, and it is very real, filled with reflections of real lives.

And real hope.

Aiden, like all people who are alive no matter what they are going through, has a spark, a lifeforce, inside of him, that no one can extinguish. He is in charge of his life, and his destiny. He is him; screw anyone who will have a problem with that.

He matters. He is enough.

His fire of life - his soul - is represented as a superpower, and it is fire, and will defend itself. His soul is a superhero - he is a superhero, like Jean Grey. In an inspired and ingenious subversion of the classic comics, Aiden's Phoenix, unlike Jean Grey's, is not portrayed as a problem, as a bad thing needing to be extinguished for the good of mankind and the universe, killing him in the process. It's just the opposite. Aiden's Phoenix is powerful - blazing - for he is powerful, and strong, not dangerous or scary at all. It is who he is, and it is heroic.

It is enough.

There is nothing wrong with him. He is not broken.

He is loved. No matter how painful his situation is, he is not alone.

'Flamer' is a marvellous and life affirming LBGTQ comic. The sketchy, cartoony black and white art, with added red for the fire and other symbolic features and panels, is deceptively simple. True power lies underneath the surface level, after all.

It loses a star mainly because, whilst reading, it was difficult for me to get into the "boyish" humour. It is set in an all-boys' summer camp. The type of humour on display here isn't merely cringey; it is, objectively, absolutely disgusting. Weiner jokes, penetration jokes, gay jokes (of course), misogynistic language (they are not jokes, they're just misogynistic), fart jokes, "your mom" jokes, and "taking care of business" - meaning, a group of boys ejaculating into a bottle and the person who doesn't cum has to drink it - jeeeeeeeeeeeebuuuuuuuuussssssssssssssss!!! Were boys really like this in the nineties? Are they STILL like this?! At the very least, I hope they don't still casually call each other homophobic slurs as much as they would call each other "pal" and "dude". Hurtful, hateful, vile slurs have no place in any society.

Toxic masculinity has some serious complexes and issues it needs to sort out! It literally makes no sense.

'Flamer' does highlight healthy ways in which young people can discover masturbation, however, and even when it is framed through the perspective of the sheltered and scared Aiden, the comic makes it clear that it is normal, and not shameful or embarrassing or sinful.

Additionally, Aiden's situation at home involving his abusive father, and how he and his mother and younger siblings practically live in fear of him, isn't really resolved, sadly. It is one thing that might never get better overtime, the longer Aiden stays in it.

But overall, 'Flamer' is brilliant.



'I know I'm not gay. Gay boys like other boys. I HATE boys. They're mean, and scary, and they're always destroying something or saying something dumb or both.'


'I hate bullies. I don't understand what they get out of it.'


'I hate that word. Gay. It makes me feel...unsafe.'


'I wish I were like Jean Grey [...] Although, if I were Wolverine, I could trim off my fat and instantly heal! Screw dieting!'


'[...] this fire isn't done burning.'



Final Score: 4/5

Book Review - 'Daughter of the Moon Goddess (The Celestial Kingdom Duology, #1)' by Sue Lynn Tan

DNF.

Again.

*sigh*



It is 2022.

Once again I am fooled by a long novel with a gorgeous cover, an eye-catching title, and an East Asian fairy tale-style setting. First 'Six Crimson Cranes' and now this.

Is it me or are they all the same? Don't a lot of books of this silk ilk follow the same stringent and safe formula? I hope the Chinese government has got nothing to do with it.

I was into 'Daughter of the Moon Goddess' at first. It had a fast pace, some good characters, enriching worldbuilding on the moon from Chinese mythology, and a nice, developing mother-and-daughter relationship, made unique by them both being immortal, yet imprisoned in a palace on the moon for an indefinite amount of time.

However, I was deeply cautious, and worried that as soon as the imminent and inevitable love interest was going to show up - after the goddess mother is damseled and out of the tale until the very end of the long saga - all the goodwill I had for the whole story and the characters who inhabit it would plummet like a sinkhole. I'd learned from seasoned, wary experience that this would be the case.

I was right.

The love interest - who of course is a prince; as well as immortal, like everyone else - is simultaneously bland, annoying, a git, a smartarse, a sage who always knows best (yet the concept of personal boundaries and tact escapes him), and a hypocrite. The Crown Prince pontificates poetry about how sad he is to be so wealthy and privileged, and how he cares so much about those below him in the oppressive caste system of his kingdom, and how he wants to challenge it and help the less fortunate...when he does practically nothing to improve the lives of his people. He doesn't actually look into the root of the problem and try to change the system; try to abolish hierarchies and class. He isn't an emperor yet, but he possesses enough power and good standing to attempt to make a difference. He's all talk and no backbone. I think he's just bored. He is immortal, after all (every character is immortal to some extent, making it even harder to care about any of them when there's no real threat to their lives, but that's neither here nor there).

The celestial prince (AND OF COURSE HE'S IMPOSSIBLY HANDSOME TOO!) is a god, like every royal and aristocrat on the celestial plane, and is the perfect, ineffectual Gary Stu, changing his personality and mood quite literally on the whim of the writing.

It is 2022.

I admit to skimming 'Daughter of the Moon Goddess' after 134 pages, out of boredom and eye-rolling at the forced and unconvincing romance that takes over the daughter-saving-her-mother plot. There are also a few instances of potentially cool events happening that are told in quick passing, like the heroine's lessons at the prince's palace, plus there're misplaced time skips that make readers miss years of important parts in the characters' development and lives. I think I'd done enough skimming to know that I would not have enjoyed the book even if I had kept going normally (and, okay, fairly). After 134 pages I thought to myself, "Yeah, I don't want to read 400 more pages of this, I've got better ways of spending my time."

'Daughter of the Moon Goddess' contains almost every cliché in fiction that I hate - those that YA fantasy literature is particularly partial to - if not for the clichés themselves then by how sickeningly, head-smashingly overused they are, or have become in recent times. It's like an epidemic.

These trite tropes include *drumroll*:

The love triangle; girl-on-girl hate, with its cattiness and pettiness; girl-on-girl rivalry over the favours of a powerful man; the smarter and more understanding (and more attractive) male cast; women in positions of power portrayed as OTT heartless, monstrous and unhinged; a female villain who is evil because a man chose another woman over her and broke her heart; any female friends that the heroine has are mostly absent, and are in the sidelines and criminally underused; the main character lies about something inconsequential and when eventually they are found out it poisons everything, making a big deal out of virtually nothing (like, who cares?!!!); evil plots involving mind control; easily infiltrated "good guy" kingdoms; ostracised countries and kingdoms and peoples portrayed as the villains (actually called Demons here, from the Demon Realm); senior/authority figures keeping secrets from the heroine for no good reason; lovers' misunderstanding, quarrel and temporary breakup; and worldbuilding, magical powers and other elements that are so similar to those in 'Avatar: The Last Airbender' that it could very well be that originality had died after that cartoon aired.

Every. Single. Fucking. YA. Fantasy.

Every single fucking YA (and high) fantasy contains these clichés, in one form or another. No subversion, nothing exceptional and enlightening to offer. They're all the same! They thrive outside of the literature market, as well.

It is 2022. This is a 2022 story.

Is originality really and truly dead, at last?

And people wonder why I don't like reading anymore.

Like 'Six Crimson Cranes', too, 'Daughter of the Moon Goddess' has no LBGTQA representation in sight (I could be wrong in my skimming, but either way it's the heterosexual love triangle that's the dominant focus, and fuck that).

I am honestly saddened that my first review of 2022 is a mostly negative one. But there are things in the initially lovely book that I did like: the mother-and-daughter relationship is touching and multilayered, once the narrative takes time off the romance angle to remind readers that it exists; the book largely doesn't meander all over the place, away from the plot and action, or at least it tries not to with its fast forward pace (though the aforementioned time skips that go over years are significantly troublesome, as we miss genuine character development because of it); and it is not as juvenile and annoying as 'Six Crimson Cranes'. Credit where it is due.

It's still weirdly boring and hackneyed, in my opinion.

Unfortunately I could not connect fully to this "modern" fairy tale retelling. Sorry, but I have to speak my mind, in how I read something that I ultimately decided was not worth my time.

I'll end on a positive and fair note: the only new novel in the YA market of this type I can think of that I would call "original" and "exciting", is 'Iron Widow'. That love triangle turns out to be an LBGTQ polygamous relationship! And there's no fantastical and sci-fi mind control! Because there's no need for it!

Final Score: 2/5

Thursday, 13 January 2022

Top 44 Favourite Films of All Time (2022)

I've been rewatching a lot of films again.

I've given away at least five of my DVDs, as I found them to be so problematic, or are just not very good, that I wonder what the hell I was thinking when I liked them before.

A great deal of things change. Some opinions change; fairly quickly, in fact. I may give away more than one DVD TV boxset next.

Well, anyway, here is yet another new list of my personal favourite films, extended!

Click here for my previous list and other details for more. There are things that haven't changed.

Here it is!:





44. A Simple Favour (2018)

43. Unicorn Store (2017)

42. Coraline (2009)

41. I am Dragon (2017)

40. The Lego Batman Movie (2017)

39. Frozen (2013)

38. The Miseducation of Cameron Post (2018)

37. Mad Max: Fury Road (2015)

36. Hidden Figures (2016)

35. Chicago (2002)

34. Who Framed Roger Rabbit (1988)

33. The Mitchells vs. the Machines (2021)

32. Hairspray (2007)

31. The Watermelon Woman (1996)

30. When Marnie Was There (2014)

29. Professor Marston and the Wonder Women (2017)

28. The Lego Movie 2: The Second Part (2019)

27. Kiki's Delivery Service (1989)

26. Bound (1996)

25. Howl's Moving Castle (2004)

24. Moana (2016)

23. The Breadwinner (2017)

22. Laputa: Castle in the Sky (1986)

21. Chicken Run (2000)

20. The Truman Show (1998)

19. The Love Witch (2016)

18. Matilda (1996)

17. Brave (2012)

16. Erin Brockovich (2000)

15. Dumplin' (2018)

14. Aladdin (1992)

13. Enchanted (2007)

12. Ever After (1998)

11. Terminator 2: Judgement Day (1991)

10. Shrek 2 (2004)

9. Millennium Actress (2001)

8. Thelma & Louise (1991)

7. Princess Mononoke (1997)

6. Finding Nemo (2003)

5. Pan's Labyrinth (2006)

4. Evita (1996)

3. Beauty and the Beast (1991)

2. The Wizard of Oz (1939)

1. Inside Out (2015)





As always, this is subject to change.

You can evaluate my taste in films from the list, either way.



Also, an update from a previous post I wish to reiterate:



Top Fictional Geek Girls - now includes Velma Dinkley (Scooby-Doo) and Princess Bonnibel Bubblegum (Adventure Time).

Top Favourite Fictional Witches - now includes the cast of The Owl House and Sabrina Spellman.

Top GOOD Chick Flicks - now includes Ice Princess (2005), Dirty Dancing (1987) and 9 To 5 (1980).



Love you all! 😻💜💖💗🥰



Monday, 10 January 2022

Artemis Crescent - Fairy Pokémon Trainer - 2022 Update

My new cute Pokémon goodies!





My Pokémon plushie collection is blooming!:





Artemis Crescent's Pokémon plushie collection includes: Clefairy, Jigglypuff, Snubble, Sylveon, Gardevoir, Mawile, Blissey, Skitty, Hatterene, Alcremie, and Misdreavus.


Artemis Crescent's Pokémon card deck includes: Clefairy, Jigglypuff, Snubble, Sylveon, Gardevoir, Togetic, Azumarill, Mawile, Blissey, Audino, Delcatty, Skitty, Hatterene, Hattrem, Alcremie, Miltank, Meloetta, Aromatisse, Florges, Cinccino, Whimsicott, Slurpuff, Diancie, Klefki, Misdreavus, Milotic, Beautifly, Ninetales, Vulpix, Flaaffy, Cresselia, and Gothitelle.